Just as it is right and proper that you support your local football team, regardless of their performance, so it is I think that you should support your local festival. (Lounge On The Farm, set in the idyllic Kent countryside just outside Canterbury, is mine). Not everyone can go to Glastonbury and not everyone should support Manchester United; it's not all about the most money, the highest gate or the biggest names. If in doubt, there is always pride, hope, aspiration and an undying loyalty that should lead you to see the positives.
Lounge On The Farm had been going from strength to strength in recent years with numbers swelling, performance areas and performers growing in number and, in general terms, their pedigree rising year on year. Last year may have not seemed like that upon early inspection but it turned out to be a triumph of instinctive and intuitive booking: Emeli Sande (What a year she had in the end), Nile Rogers with Chic (After their Daft Punk collaboration LOTF would have had no chance this year and he didn't even headline), Dexys, The Charlatans (Both enjoying a critical resurgence) and The Wombats etc.
This year the line-up didn't look that strong, or seemed to have strength in depth, and in part that was true. It was a little like seeing your team climb from the fourth tier of the football league, show real championship playoff potential and then have their hopes scuppered by premiership teams coming in for your best players leaving you with no time, or money, left for a new signing. 2 years ago the Vaccines played at about 4pm, as did Spektor. Graham Coxon was somewhere in a far off field and Katy B wooed the crowd in the early evening before The Streets, Ellie Goulding and finally, but magnificently, Echo & The Bunnymen brought the weekend to a close. (Oh yeah and Example and Annie Mac came too....there were real decisions to be made)
Continue reading: Lounge On The Farm - Merton Farm, Kent 26th-28th July 2013 Live Review
The charming vocals of Lucy Rose are set to be turned into her upcoming debut album 'Like I Used To' due out on September 24th 2012 through Columbia Records. She has already earned a hugely enthusiastic fanbase and now manages regular sell-out headline shows where she has her own tradition of selling tea and jam at merchandise stalls rather than CDs.
Continue reading: Lucy Rose, Video Interview
Lucy Rose's past endeavours include working extensively with Bombay Bicycle Club and developing her own brand of tea; two things that really could have been jobs for life. Bombay are doing really well at the moment having supported Blur for their Hyde Park Olympics Closing Ceremony show and having also played some massive festival slots this summer. As for the tea, well, it's all sold out now unfortunately but she could always open up a cafÃ© in her rural Warwickshire village and call it something along the lines of 'Lucy's Rosy Lee.'
Continue reading: Lucy Rose, Like I Used To Album Review
The broad church that supports the collective assembly of Communion Records was only formed 6 years ago through the vision of Ben 'Mumford' Lovett, bassist Kevin Jones and producer Ian Grimble. From its early roots as a club night, it has now flourished into an umbrella that nurtures, produces and records some of the most interesting and individual emerging talents around. Communion Records has already had a helping hand in the development of Benjamin Francis Leftwich, Matthew And The Atlas, Alessi's Ark, Pete Roe and Lissie to name but a few. 'Communion: New Faces' represents the label's third full-length compilation and contains no less than 20 tracks from a diverse string of like-minded artists.
Continue reading: Various Artists, Communion: New Faces Album Review
Lucy Rose's new single, Red Face, will be released on February 27th 2012 through Fauna Records. Her highly anticipated debut album will be released in the summer of 2012. Lucy will be setting out on a UK tour in March 2012, supporting Noah and the Whale. She will headline the Jazz CafÃ© in London on February 4th, 2012.
Continue: Lucy Rose - Red Face