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Insurgent Review


A sharp improvement on the original, this second entry in The Divergent Series has a much stronger sense of its premise and characters, which makes it much more exciting to watch. Where Divergent felt gimmicky and a bit shallow, this chapter pushes the characters much deeper, giving the actors a chance to bring them more engagingly to life, which makes the odd set-up more involving as well.

It picks up immediately where the first film ended, with Tris (Shailene Woodley) escaping from post-apocalyptic, segmented-society Chicago with her boyfriend Four (Theo James), her brother Caleb (Ansel Elgort) and their shifty cohort Peter (Miles Teller). Hiding out in the Amity agricultural community, they know that Erudite leader Janine (Kate Winslet) has sent her goons (Jai Courtney and Mekhi Phifer) to find them. Actually, she needs a divergent to open an artefact from the pre-war days so she can rid Chicago of pesky divergents forever. When their location is discovered, Tris and pals head back into the city, teaming up with factionless leader Joanna (Naomi Watts) and getting help from the head of Candor (Daniel Dae Kim) before going to Erudite to face Janine.

The story has a strong push to it, driving these rebels ever closer to a confrontation with their nasty nemesis, and their journey is fraught with surprise wrinkles, vicious battles and some mind-bending imagery. In fact, there are so many dreams, flashbacks and computer simulations that it's not always clear if what's on screen is actually happening or not. But it all looks so cool that we hang on to discover where it'll go next, so the two hours passes briskly, and sometimes breathlessly. The film looks terrific, as director Robert Schwentke keeps the focus on the characters while creating some amazing effects around them, especially in the simulation sequences.

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Premiere Of 'The Divergent Series: Insurgent' - Arrivals

Lucy Fisher, Shailene Woodley and Ansel Elgort - A host of stars were photographed as they attended the premiere of 'The Divergent Series: Insurgent' which was held at the Ziegfeld Theatre in New York City, New York, United States - Monday 16th March 2015

Lucy Fisher, Shailene Woodley and Ansel Elgort
Lucy Fisher, Shailene Woodley and Douglas Wick
Miles Teller, Octavia Spencer, Lucy Fisher, Shailene Woodley, Ansel Elgort, Douglas Wick and Jai Courtney

World Premiere Of 'Insurgent'

Anna Williams - Shots of a host of stars as they arrived for the world premiere of 'Insurgent' which was held at the Odeon Leicester Square in London, United Kingdom - Wednesday 11th March 2015

Anna Williams
Shailene Woodley
Shailene Woodley
Shailene Woodley
Shailene Woodley
Shailene Woodley

Divergent Review


Teens tackle yet another dystopian future in this well-made but derivative franchise-launcher. Filmmaker Neil Burger is more interested in whizzy visuals and a thorny plot to pay much attention to the characters or larger underlying themes, which leaves the film feeling eerily superficial. So while the film is relatively entertaining, it ultimately feels rather pointless.

The story's set after a war has reduced Chicago to a walled-in enclave of people divided into five stabilising factions: charitable Abnegation, peaceful Amity, honest Candor, defending Dauntless and brainy Erudite. Tris (Shailene Woodley) was born to parents (Ashley Judd and Tony Goldwyn) who are leaders in Abnegation, but when time comes for her to select her own path she discovers that she's Divergent, a cross-faction state that threatens those in power. So she chooses to join Dauntless, entering intense physical training under the tutelage of sexy hunk Four (Theo James) and harsh hunk Eric (Jai Courtney). then Dauntless' soldiers get caught up in a power struggle as Erudite leader Jeanine (Kate Winslet) plots to take governmental responsibilities from Abnegation.

All of this scene-setting takes about half of the film's running time, and it's frankly not very exciting. Burger makes sure it looks fantastic, with seamless visual effects, impressive stunt work and flashy action sequences, but the character drama takes longer to kick off. And there's also the problem that it essentially feels like a cross between The Hunger Games and Harry Potter as an unusually gifted teen takes on a controlling society.

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The Great Gatsby Review


Baz Luhrmann (Moulin Rouge) is the perfect director to take on F. Scott Fitzgerald's iconic novel about the American dream, simply because he's an expert at showing the emptiness of hyperactive excess. The film is a feast for the eye from start to finish, but it also eats away at us with its bleak story of people who live the high life even though it leaves them naggingly unsatisfied.

The tale is told by Nick (Maguire), trying to work through his life-changing summer in 1922 Long Island, where he rented a small cottage across the sound from his wealthy cousin Daisy (Mulligan), who is married to his college pal Tom (Edgerton), an all-American sportsman with an eye for other women. Next door to Nick's cottage is the vast mansion owned by reclusive millionaire Jay Gatsby (DiCaprio), who throws outrageously raucous parties for New York's celebrity class. But Nick realises that Jay only does this to catch the eye of Daisy, because he's still in love with her after a romance five years earlier. Now he wants to take her away from Tom, and he needs Nick's help.

It's tricky to know whether Luhrmann is celebrating Gatsby's luxuriant lifestyle or offering a cautionary tale about the emptiness of materialism. Obviously, the story is trying to do both, and Luhrmann fills the surfaces with decadent extravagance, filling the air with wafting fabric, buckets of glitter and exploding fireworks. Like a lavish 3D pop-up book, the party scenes are wildly over-the-top, as are smaller gatherings in opulent city flats or roaring open-top cars. These people's lives are so vacuous that they live at top speed, always in search of the next thrill. And it's difficult not to see Gatsby's earnest quest as just another greedy acquisition.

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Lawless Review

Director Hillcoat and musician-turned-screenwriter Cave previously worked together back home in Australia on the dark Western The Proposition, and now they have reunited in America for this true story set during Prohibition in the early 1930s. Unsurprisingly, it plays out like a Western. And it also features two of The Proposition's memorable actors, Pearce and Taylor.

The story centres on the three Bondurant brothers in rural Virginia. Eldest sibling Forrest (Hardy) runs the family moonshine business with middle brother Howard (Clarke). But the younger Jack (LaBeouf) wants in on the action and secretly teams up with whiz-kid Cricket (DeHaan) to speed up production and sell their wares to a big-city gangster (Oldman). Then slimy city-slicker Federal Agent Rakes (Pearce) arrives, determined to stop bootlegging no matter who he has to torture and kill. Meanwhile, a sexy barmaid (Chastain) with a shady past arrives to distract Forrest, while Jack daringly woos the rebellious daughter (Wasikowska) of the local preacher.

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The Premiere Of 'Lawless' At ArcLight Cinemas

Douglas Wick and Lucy Fisher - Douglas Wick, Lucy Fisher Wednesday 22nd August 2012 The premiere of 'Lawless' at ArcLight Cinemas

Stuart Little 2 Review

The term "little" works well in describing Rob Minkoff's Stuart Little 2. After all, this cuddly sequel to the 1999 hit is a little more visually polished, a little funnier, and a little more madcap. However, given the film's thin little plot and threadbare character development, there also appears to be little reason to make a Stuart sequel, save for lining the pockets of those involved with a little more money.

Little 2 starts off strong enough, reintroducing dad Fredrick (Hugh Laurie), mom Eleanor (Geena Davis), son George (Jonathan Lipnicki), and adopted child Stuart (voice of Michael J. Fox), who's actually a talking mouse. Since last we met the Little clan, the family has added baby girl Martha, which gives Eleanor someone else to dote over besides her pint-sized sons. Speaking of, Stuart's depressed because George is outgrowing the novelty of having a kid brother.

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R.V. Review

Bob Munro (Robin Williams) has reached a difficult intersection on the road of life. Once, he played hero to his daughter Cassie (Joanna "JoJo" Levesque). Now she's an iPod-sporting, disgruntled teenager who'd rather hang with Osama bin Laden than dear old dad. Bob seeks support from wife Jamie (Cheryl Hines) and son Carl (Josh Hutcherson), though his efforts are met by blank stares.

Bob's work situation isn't much better. As the former golden employee inches closer to retirement, he's forced to look over his shoulder at the younger, hungrier competition eager to please a selfish, credit-hogging boss (Will Arnett). Bob seeks support from his coworkers, and finds those familiar blank stares.

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Jarhead Review

From the quiet perch of the homeland, Operation Desert Storm was an anti-climactic blowout. Billed by Saddam Hussein as the "Mother of All Battles," it looked an awful lot like a rout by American air power followed by a hasty Iraqi retreat from Kuwait.

The experience of Marines on the ground, however, bore little resemblance to the precision bombing the public saw on CNN. For the men of the Corps, life in Saudi Arabia and Kuwait consisted of disgust, boredom, foreboding, anxiety, and blinding fear, a toxic combination that made for one of the best reads of 2004, Anthony Swofford's memoir Jarhead.

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Bewitched Review

Heed my advice before seeing Bewitched: It may fly like a witch and twitch like a witch, but it's certainly not the beloved Bewitched.

While its trailers make you believe the small screen gem has been reincarnated from its TV Land graveyard, those expecting a proper big screen revival will be sorely disappointed. In fact, the sisters Ephron have carefully crafted a film that tries and succeeds at not resembling the original. Too bad the parts they took out are all the best bits. The finished product is new and different, but it's too predictable and remarkably devoid of anything entertaining or enduring.

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Win A Date With Tad Hamilton! Review

Editor's Note: It is the policy of this website to never bestow more than three stars on any film with the word "Tad" in the title, but in the spirit of experimentation, we present this review from a smitten Pete Croatto anyway.

I always groan when I read articles in movie magazines and websites touting some nubile, perky, twentysomething starlet as "the next big thing." Typically, I'm a little hesitant to believe that, because all the designation usually means is that said actress will launch millions of erections. It also gives the false impression that Kirsten Dunst, Natalie Portman, and Reese Witherspoon are all vying for the female lead in The Gin Game.

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Peter Pan (2003) Review

The time is right to rekindle our relationship with J.M. Barrie's perpetually adolescent adventurer, Peter Pan. By now, you've probably forgotten Disney's 50-year-old animated adaptation of Barrie's work, and many of us are still trying to purge Steven Spielberg's hollow update Hook from our minds. We adults need a refresher course, and a new generation of whimsy-challenged kids needs a proper introduction to the happy-go-lucky joys of Pan.

Though it goes against everything he stands for, this rejuvenated Pan actually shows signs of growth and maturity. Special effects advancements help Peter and his cohorts pop off the screen. Cinematographer Donald McAlpine expands the rich color palette he utilized in such vivid films as Moulin Rogue and Romeo + Juliet. And director P.J. Hogan slips in subplots of unrequited love, develops pangs of loneliness, and mixes fleeting flights of happiness with his heroism.

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