Tim loves his job, and he knows that any employee who wishes to climb the executive ladder may have to do things that they're not morally comfortable with; when Tim is invited to dinner by his boss he's elated but when it's revealed his dining partner won't be his fiancé Julie, he must find a 'remarkable' person to take to dinner, the person with the most impressive guest is rewarded with work benefits. After speaking with Julie, Tim decides he's going to take the moral highroad and give dinner a miss but when he accidentally hits a man in his Porsche, he can't believe how perfect this guy would be for the meal.
Continue: Dinner for Schmucks Trailer
10 Things I Hate About You director Gil Junger gives us Hewitt at her most typical: She's an American violin student in London on the eve of her big graduation concert. She's living with a British boyfriend (Paul Nicholls), and they seem to be on the downswing. Sure enough, that night he forgets about the concert, they have a big fight, and she ends up dead in a car accident. WTF? That's right, 30 minutes in and J. Love is dead.
Continue reading: If Only Review
An appropriately moody, gray and madly passionate ode to misery-embracing, famously suicidal author and poetess Sylvia Plath, the biographical "Sylvia" nonetheless paints a very incomplete picture of its subject's life. In fact, it doesn't have much to offer anyone who isn't already well versed in Plath lore.
With only a few scattered, out-of-context quotes from her works (the film went ahead despite disapproval and refusals from the Plath estate), the film provides little sense of her emotionally blistering talent, instead relying on the appraisals of peers. "The wealth of imagery," one friend exalts. "Such horrors but expressed with such coolness."
With its awkward sense of time passage, the storytelling sometimes feels like Cliffs Notes. In one comprehensive segment Plath (Gwyneth Paltrow) and husband Ted Hughes (Daniel Craig) move from England to Boston (where Plath's mom is played by Paltrow's mom, Blythe Danner), then live on the coast for a summer, become frustrated by writer's block, move back to England, become college lecturers, begin struggling with marital problems, and have a baby -- all in 1960. Then suddenly it's two or three years later and she's launching a book of poems ("The Colossus") without even a mention of her revitalized inspiration or a shot of her actually writing.
Continue reading: Sylvia Review
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