Lucy Darwin

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Match Point Review


Extraordinary
I'm tired of apologizing for Woody Allen. I've rated his recent films higher than most critics. Not sure why, but I probably gave Celebrity a higher rating than anyone else who saw it. (There are, of course, exceptions to this.) I just like Allen's sensibility. He was Seinfeld before Seinfeld.

I like almost all Woody Allen movies: When he's in them, when he's not in them, when he's being funny, and when he's being serious. But aside from a couple of classic straight-up comedies -- Annie Hall and Hannah and Her Sisters -- Allen is at his very best when he's being slyly funny and deadly serious at the same time.

Continue reading: Match Point Review

Lost In La Mancha Review


Very Good
It's always a struggle to get a film made, but few filmmakers have had to endure as much hardship in seeing their visions realized than Terry Gilliam. The Monty Python alum and director of such modern-day fantasy classics as Time Bandits, The Fisher King, and Twelve Monkeys, Gilliam is a director who finds order only in disorder, and anyone familiar with the unbelievably troubled productions of The Adventures of Baron von Munchausen and Brazil knows that he has often had to fight tooth and nail to protect his films from the studios financing them. So when word came out that Gilliam was ready to set sail on his dream project - a unique and expensive version of the Don Quixote legend entitled The Man Who Killed Don Quixote, to be filmed on location in Spain - it was, as usual, taken with a grain of salt. A Gilliam film, fans know, is not something to count on until the ads start running in the newspaper.

Well, the skeptics won this round. Beset by innumerable obstacles, The Man Who Killed Don Quixote never made it past the first few days of principal photography, and all that was left was Lost in La Mancha, Keith Fulton and Louis Pepe's alternately entertaining and depressing account of Gilliam's failed attempt to film his Quixote opus. The documentarians, who previously collaborated with Gilliam on The Hamster Factor and Other Tales of Twelve Monkeys - a behind-the-scenes look at the production of his 1995 Bruce Willis time-travel vehicle - were granted unprecedented access to the Quixote set. In a fortuitous decision for Fulton and Pepe, the duo chose to accompany Gilliam to Spain for preproduction, and were therefore privy to the tumultuous series of events that would eventually lead to the project's downfall.

Continue reading: Lost In La Mancha Review

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Lucy Darwin Movies

Match Point Movie Review

Match Point Movie Review

I'm tired of apologizing for Woody Allen. I've rated his recent films higher than most...

Lost in La Mancha Movie Review

Lost in La Mancha Movie Review

It's always a struggle to get a film made, but few filmmakers have had to...

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