But Leone's mixture of seemingly incompatible elements is what makes The Good, the Bad, and the Ugly so great. Not only does he combine a Cinemascope-era outlook with an eye for grittiness, but he mingles tasteful realism with a flamboyant, self-conscious style. Freeze frames, intertitles, and point-of-view shots brilliantly co-exist with the meticulously appointed period sets and sweeping frontier vistas. This fusion, in addition to a surplus of creativity and lack of restraint, makes the third in the so-called "man with no name" series the crowning glory of his career.
Continue reading: The Good, The Bad, And The Ugly Review
In addition to the Jaws sequels, Orca stands at the very nadir of these "nature's killers from the sea." In its opening scenes, Orca tries to tell us that Jaws was a wuss: A killer whale smashes into a great white shark, sending him shooting 20 feet into the sky and devouring him in a foaming mess of blood. Ooh, that killer whale's one to be reckoned with, ain't he?
Continue reading: Orca Review
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Luc Besson has loved the Valerian story for many, many years.