Unfortunately, this "torrid love affair" between a grieving American (Brando) and a pouty Parisian (Maria Schneider) -- they don't even tell one another their names -- is overlong and overblown. It's Bertolucci, after all, making a film inspired by his creepy desire to bone an anonymous woman he once saw. The story is one of dysfunction and thinly veiled misanthropy; love is left as an afterthought.
Continue reading: Last Tango In Paris Review
He'll also be on board as a producer for the book to screen adaptation.
Gendry has been living under Cersei Lannister's nose for quite some time now.
The director would love to take the films in a different direction.