The 'Monster Trucks' star had a lot of fun on set.
Released this week is a hilarious new action comedy entitled 'Monster Trucks' starring Lucas Till, who you may know as Havok in the 'X-Men' film series. With that in mind, he's probably used to a lot of action on set, so he was glad to get to do more stunt-work on this movie.
Lucas Till stars in 'Monster Trucks'
Directed by the Oscar winning Chris Wedge ('Ice Age', 'Epic'), with a screenplay by Derek Connolly ('Jurassic World') who is set to pen the script for 'Star Wars: Episode IX', the film follows an enterprising high schooler who is building a truck from scrap.
Continue reading: Lucas Till: Doing My Own Stunts Was A Childhood Dream Come True
Word has it that a 4-year-old came up with the idea for this unapologetically silly action movie. And it's a proper guilty pleasure. From the director of Ice Age, it never takes itself seriously, so disarms even the grouchiest members of the audience with its energetic mayhem and characters. It's very childish, and sometimes rather too cute, but it's also a lot of fun.
In rural North Dakota, an oil drilling company has unearthed something from deep underground. And it's teenage loner Tripp (Lucas Till) who discovers a huge octopus-type creature that turns out to be friendly, intelligent and rather adorable. It immediately takes refuge in the empty engine cavity of the truck Tripp is building, and it provides more power than Tripp imagined. All of which drags Tripp's popular-girl lab partner Meredith (Jane Levy) into the adventure as the oil company boss (Rob Lowe) sends his henchman (Holt McCallany) to find and dispose of the creature before the environmental officials can shut him down. But his chief scientist Bill (Thomas Lennon) is having doubts about killing the two endearing monsters they've already captured.
Yes, it sounds like a premise a 4-year-old might come up with, mixed with an ecological message for our times and some surprisingly impressive digital effects. The script breezes through all of this, as the cast and crew blithely charge forward through a series of laughably entertaining action set-pieces. It's never terribly thrilling, but the scenes are so good-natured that they keep us smiling. Till and Levy are charming heroes, and their strong chemistry is thankfully allowed to simmer in the background. Pepper is initially the film's antagonist as Tripp's harsh sheriff stepdad, but he hands over these reins to an enjoyably evil Lowe. And Lennon provides some nice moments of comic relief as the sensitive scientist won over by these blobby beasts.
Continue reading: Monster Trucks Review
It's been a busy year for 26-year-old actor Lucas Till. He reprised his role as Havok in the X-Men franchise, then went on to play the iconic 1980s TV character MacGuyver in a new series that kicked off in September.
Now he has a very different movie in cinemas, Monster Trucks, which is basically what it says on the tin. "When you say Monster Trucks, people don't think monsters inside of trucks," he says. "So it's funny to get the reaction of people like, 'Oh, literally monster trucks!'"
Till enjoyed the way the film plays with the usual family movie cliches, never becoming a boy and his alien movie like E.T. "This is more like little brother, big brother," he says. "They don't have the best relationship with each other in the beginning, and then they certainly do by the end. But yeah, my character doesn't coddle him very much. He actually kind of cracks a whip on him like, 'Get to work. This is my truck. You're my engine now.' But then obviously it develops into much more than that."
Continue reading: Lucas Till Loved The Fresh Action Of Monster Trucks
Tripp doesn't like the small town life that's currently encapsulating his life. He's a senior in high school and can't wait to make a break for a fresh start as soon as possible. Tripp is a great mechanic and starts building his own monster truck but what happens next was beyond belief for the student.
As Tripp works on his car, he discovers a monster living inside his car. Initially scared of the oddity, the human eventually warms to his unlikely new friend and realises that he must've come to the surface after a recent oil drilling accident.
Tripp calls the monster Creatch and notes that he's incredibly intelligent and loves dining on large quantities of fuel. With hunters hot on the heels of Creatch, Tripp must devise a way to protect his new friend.
Continue: Monster Trucks Trailer
Delious Kennedy, Diane Warren, Robert Englund, Mena Suvari, Lucas Till , Ron Truppa - Catalina Film Festival Saturday September 26 2015 at Avalon Theater - Avalon, California, United States - Saturday 26th September 2015
Continuing to be the most original and resonant of the Marvel superhero franchises, the X-men return in the capable hands of director Bryan Singer, who again stirs plenty of meaty subtext beneath the thrilling action. He also has one of the best casts imaginable, including Oscar winners, cinema royalty, rising stars and matinee idols.
Best of all, Wolverine (Hugh Jackman) returns to the fold after two less-than-thrilling solo adventures. He's at the centre of everything here, as Professor X and Magneto (Patrick Stewart and Ian McKellen) ask Kitty Pryde (Ellen Page) to send Wolverine's consciousness back 50 years to 1973. His mission is to prevent Dr Trask (Peter Dinklage) from inventing mutant-hunting robots, because they will go out of control and cause a present-day dystopia in which mutants and anyone who sympathises with them are killed. But Wolverine's biggest task will be to get the then-feuding Professor X and Magneto (James McAvoy and Michael Fassbender) to work together to keep renegade mutant Raven (Jennifer Lawrence) from making everything worse.
Thankfully, Simon Kinberg's script doesn't worry too much about the whole time-travel thing, shrugging off dubious logic by keeping the focus on the characters. And there are a lot of people to keep an eye on, which makes the film sometimes feel a bit crowded and leaves some characters barely on-screen at all (blink and you'll miss Anna Paquin's Rogue). The best newbie is Evan Peters' Quicksilver, who gets the film's most entertaining sequence as he races around tweaking an action sequence frame by frame. Other set-pieces are grippingly darker, and some don't quite make sense (why does Magneto feel the need to levitate an entire stadium?).
Continue reading: X-men: Days Of Future Past Review
The mutants of the world are quickly dwindling in their numbers, tearing each other apart until they are almost wiped out. Two of the wisest X-Men of the universe, Charles Xavier and Magneto, must now join forces despite their hostile relationship to go back in time and fix the world so that their kind can survive the horrors of their ravaged future. The duo enlist Wolverine to help them on their mission; a mutant whose healing powers make him the only one strong enough to travel in time. He must find the impulsive fools that are Xavier and Magneto as much younger mutants and warn them of what their actions will do for their future, while on the way attempt to save the life of an important political figure. Will the X-Men succeed in changing their future? Or are there some things in the past that can never be changed?
'X-Men: Days Of Future Past' is the latest instalment of the Marvel film franchise following on from 2006's 'X-Men: The Last Stand' and 2011's 'X-Men: First Class'. Director Bryan Singer ('The Usual Suspects', 'Superman Returns', 'Valkyrie') returns alongside screenwriter Simon Kinberg ('Mr. & Mrs. Smith', 'Sherlock Holmes', 'Jumper'). The movie is set for release in the UK on May 22nd 2014.
With a strong cast and striking production values, this thriller is sleek enough to hold our interest even if corporate espionage isn't a very exciting topic for the movies. As the title suggests, the film is trying to tap into the fear that our lives are being controlled by technology. But the script never goes anywhere with this idea, instead drifting through the usual plot involving shady bad guys, dark conspiracies and plucky heroics. All of which we've seen far too many times before.
It centres on young technical genius Adam (Hemsworth), who needs cash to pay the medical bills for his ill father (Dreyfuss). Working with his pal Kevin (Till), he goes for a big promotion but is instead sacked by his boss Wyatt (Oldman). The next morning, Wyatt makes Adam an offer he can't refuse: a chance to earn a fortune by spying on chief competitor Goddard (Ford). But this new undercover job brings all kinds of worries as Adam sees shadowy nastiness lurking around every corner. He's also suspicious that a recent one-night stand, Emma (Heard), works for Goddard. And that there's a strange man (Holloway) following his every move.
Rather than explore corrupt corporate culture or the idea that technology has eroded our privacy, the filmmakers create a fairly pedestrian thriller that tries to blind us with fake techno-speak and corny emotions. The plot continually hints that it will get darker and more momentous, but it never does. All of the stakes feel oddly small, the chain of events doesn't quite hang together and the characters never feel like more than rough outlines.
Continue reading: Paranoia Review
In a post-apocalyptic world where mutants are now scarce, Charles Xavier must convince Wolverine to travel back in time to warn Xavier's younger self about their impending disaster-struck world. Magneto is also united with his fellow mutants, as now all their kind must stick together if they want to survive a world that they are no longer welcome in. Previously, the battle between humankind and X-Men caused the attempted assassination of an important political figure, something that Wolverine must control as he goes back to instil some knowledge into the much more reckless X-Men of the 1980s.
Adam Cassidy is a technology whizz who wants nothing more than to take care of his ailing father who is struggling to live in poverty-stricken retirement despite working all his life. He has a low-paid job at a massive technology corporation but is presented with the chance of a lifetime by his boss Nicholas Wyatt who tells him he can make him rich. However, this involves infiltrating the firm's biggest rival business led by Wyatt's old mentor Jock Goddard in a plot of dangerous espionage to uncover their biggest secret. He finally succeeds in obtaining a revolutionary piece of equipment and presenting it to Wyatt, but he finds himself trapped as his boss refuses to let him leave the company as he now knows too much. Realising that he and his beloved father are in danger not only from Wyatt but from Goddard as well after discovering their ploy, he sets out to use what they taught him to destroy what they built.
Based on the 2004 novel of the same name by Joseph Finder, 'Paranoia' has been directed by Robert Luketic ('Legally Blonde', 'Monster-in-Law', 'Killers') with a screenplay by Jason Dean Hall ('Spread') and Barry Levy ('Vantage Point'). This corporate action thriller is set to hit the US on August 16th 2013.
You could argue that this film is all lurid style over substance, but there's actually a lot going on behind the stunningly gorgeous imagery. Korean director Park (Oldboy) beings his lavish visual approach to this Hitchcockian story about a family infiltrated by a predator. Packed with references to iconic movies and books, the film is heightened and deranged, and its intense moodiness gets under the skin.
It centres on 18-year-old India Stoker (Wasikowska), distraught after the death of her beloved father (Mulroney). Without him to soften her, she's also even angrier than usual at her needy mother Evie (Kidman). Then the charming, handsome Uncle Charlie (Goode) turns up at the funeral and moves in to help them grieve. Actually he seems to be trying to seduce Evie, who is flattered by his attention. But the housekeeper (Somerville) and an auntie (Weaver) don't stick around long enough to see what's really going on, and it becomes clear that Charlie actually has his sights set on India.
Both the script and the direction continually echo familiar literary and cinematic icons, from the family's name to the Shakespearean family plot to the prowling interloper (see Robert Mitchum in the 1950s classic The Night of the Hunter). Director Park's camera prowls through the house like a ghost, catching tiny details in every lushly designed scene while finding all kinds of shadings in the performances. Wasikowska is terrific as the sensitive, rather cruel young woman at the centre of the storm, while Kidman steals her scenes with a haunted, conflicted performance. Between them, Goode is almost painfully seductive. And clearly dangerous.
Continue reading: Stoker Review
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