The newbie actresses are out to show that they are women of many talents.
Rihanna and Cara Delevingne are proving that they are taking this transition into acting very seriously indeed, by starring alongside each other in an upcoming science fiction epic. 'Valérian and the City of a Thousand Planets' is being directed by Luc Besson and is coming to theaters in 2017.
Rihanna is returning to the big screen
While London model Cara has been doing her damn hardest to convince the world that acting is her biggest passion in life, despite her extensive work in the fashion industry, Rihanna has also been coasting along and getting involved in Hollywood - though her busy music-making schedule hasn't made it easy. So far she's only had cameos in 2012's 'Battleship' and 2013 comedy 'This Is the End' and one main role as the voice of Tip in the animated film 'Home'. But now she's taking it to the next level by landing an as yet undefined role in time-travelling sci-fi adventure 'Valérian and the City of a Thousand Planets'.
Continue reading: Rihanna Joins Forces With Cara Delevingne In Forthcoming Luc Besson Film
Like James Bond, wilfully anonymous driver Frank Martin is reborn as a new actor without any fuss, shifting the tone of the franchise from Jason Statham's knowing wink to Ed Skrein's stone-faced glower. But even though the new film is a lot less camp, it's still deliriously preposterous, pinging between dimwitted dialogue and jaw-droppingly silly action. It's utterly inane, but never dull and often very funny, sometimes intentionally so.
Skrein's Frank is still based on the French Riviera, where he has three simple rules to ensure plausible deniability about whoever or whatever he carries around in his shiny, seemingly indestructible Audi (product placement alert!). Then he's contacted by high-class hooker Anna (Loan Chabanol), who has escaped from her Russian mafioso bosses and is out for revenge. She hires Frank to carry her and a mini-UN of angry ex-prostitutes (Gabriella Wright, Tatiana Pajkovic and Wenxia Wu) to a variety of heists aimed at top Russians, with their final sites on kingpin Karasov (Radivoje Bukvic). When Frank balks at this, the women kidnap his father (Ray Stevenson) to force him to comply, and soon both dad and son are in the middle of the action themselves. Chases in cars, motorbikes, planes and boats ensue, as gangsters shoot at them and the police try to catch them.
Basically, this is a series of elaborately staged set-pieces held together by the bare hint of a plot, as this quartet of scantily clad women take on the macho thugs who have enslaved them. In the middle, Frank looks like a model in his sleek suit, while his dad provides some comical relief. It never makes much sense at all, and the action sequences aren't particularly well staged, relying on lots of slow motion to make everything look achingly cool. But there's a level of inventiveness in the mayhem that keeps us watching, as well as laughing along with everything that happens.
Continue reading: The Transporter Refuelled Review
Cara Delevigne as been cast in Luc Besson's new movie, Valerian.
Luc Besson's next movie will be an adaptation of the graphic-novel Valerian, with Cara Delevingne and Dane DeHaan in the lead roles. The French director's action-thriller Lucy earned in excess of $450 million last year.
Luc Besson has cast Cara Delevingne and Dane DeHaan in Valerian
Based on the hugely popular French book series, Valerian will follow an 11th century peasant girl and her time-travelling companion. The movie will be written and directed by Besson and produced by his wife Virgnie Besson Silla. Production is set to begin at the end of the year with a global release slated for summer 2017.
Continue reading: Luc Besson Casts Cara Delevingne For Sci-Fi 'Valerian'
As with the first two films in this dumb but bombastically watchable franchise, writers Luc Besson and Robert Mark Kamen seemingly put no effort into writing a script that can even remotely hold water. This is such a boneheaded story that it boggles the mind, eliciting laughter every time it tries to show some emotion or menace. But watching Liam Neeson charge around on a personal mission, cleaning up the criminal underworld in the process, is still rather good fun.
Back home in Los Angeles, former super-spy Bryan (Neeson) is trying to re-bond with his daughter Kim (Maggie Grace) while waiting for his ex-wife Lenore (Famke Janssen) to leave her sweaty but wealthy husband Stuart (Dougray Scott) and come back to him. But this dream is cut short in a twisted act of violence that leaves Bryan as the prime suspect. With Inspector Franck (Forest Whitaker) on his tail, Bryan traverses the city trying to unknot the mystery and find out who the real villain is, so he can clear his name and protect his family. With the help of an old pal (Leland Orser), Bryan manages to taunt and elude the cops at every turn while tracking down the nasty Russian mafioso Malankov (Sam Spruell). But something is clearly not right here.
Instead of centring on one far-fetched kidnapping, pretty much every character in the story gets "taken" at some point in the movie. The film benefits from this break in the formula, creating a relentless pursuit that runs right through the story. So even if the details never remotely ring true, and even if most scenes feel badly contrived, it's thoroughly entertaining to watch Neeson's stand-in stuntman leap across backyard fences or drive like a maniac on the freeway, causing mass carnage in his wake. Sadly, director Olivier Megaton directs and edits the film by chopping scenes into splinters, then reassembling them so they make no sense at all. It's loud and fast and incomprehensible.
Continue reading: Taken 3 Review
John D'Leo, Luc Besson and Talia Besson - Shots of a variety of stars as they arrived for the Los Angeles premiere of the action drama movie 'Unbroken' directed by Angelina Jolie. The premiere was held at the Dolby Theatre in Los Angeles, California, United States - Monday 15th December 2014
Strong characters and a vivid sense of life in frontier America give this film a kick of authentic energy that makes it a gripping journey. While it may be a little too serious for its own good, the movie is strikingly shot and played to bring out the gritty tenacity of people who dare to live in such a foreboding place. And a couple of shocking twists in the tale keep us on our toes.
In the Nebraska Territory in 1853, life was so difficult that three women (Grace Gummer, Miranda Otto and Sonja Richter) in a small community are driven mad by the isolation, desperation and harsh weather. Their husbands are too busy surviving to do anything about it, so the local pastor (John Lithgow) arranges for the strong-willed spinster farmer Mary Bee (Hilary Swank) to escort them back east to civilisation. She needs a "homesman" to help make the arduous five-week journey, so she drafts in drunken scoundrel George (Tommy Lee Jones). During their long trek across the plains, they have a series of potentially life-threatening encounters with the likes of well-armed Native Americans, an interfering opportunist (Tim Blake Nelson) and a cruelly dismissive hotel owner (James Spader).
The characters are strikingly feisty, starting with Swank's fiercely no-nonsense, self-sufficient Mary Bee, who one local observes is as good as any man around. She's also rather annoyingly holier-than-thou, which explains why she's has so much trouble finding a husband to help her. And these three women really push her to the breaking point: Gummer's Bella is consumed by grief, Otto's Theoline moans day and night, and Richter's Gro is a delusional menace. So it's a good thing that Jones provides some comic relief as the rapscallion George, a snarky realist who's the only likeable person on-screen.He also emerges along the way as the true protagonist of the tale.
Continue reading: The Homesman Review
Scarlett Johansson heads up Luc Besson's 'Lucy'
Luc Besson is clearly a cinematic force to reckon with, invading our cinemas this year as a producer (The Homesman) and writer (3 Days to Kill and Brick Mansions). And as a writer-director, his action romp Lucy has already topped the US box office and is expanding globally over the next two weeks to Europe, South America, Africa and Southeast Asia.
Scarlett Johansson in 'Lucy'
Besson hasn't made many films that didn't have some element of action in them. But he never blows things up just for the spectacle. "If the action doesn't have a soul or purpose, I'm not interested," he says. "If it's pure action for its own sake, I enjoy it like a cheeseburger: you eat it, then you're hungry."
Continue reading: 'Lucy' Merges Bessons' Obsessions: Action, And Beautiful Women
'Lucy' has been a big hit and Universal want a sequel.
Director Luc Besson has generated modest acclaim for his action-thriller Lucy, though the Frenchman says it is unlikely there will be a sequel. Fans of the movie have been clamouring for news of a second movie - as have representatives of Universal Pictures - but Besson told reporters in Taiwan: "I don't see how we can do one."
Scarlett Johansson in 'Lucy'
"It's not made for that," he said in an interview with the local press. "If I find something good enough, maybe I will, but for now I don't even think about it."
Continue reading: 'Lucy' Is Fantastic, But There Will Be No Sequel, Says Besson
Luc Besson gleefully combines two of his favourite movie elements - fit women and wildly insane action - in this raucous guilty pleasure. It's almost as if he's trying to make his own version of Inception, but this is one of those films that only pretends to be brainy and existential. It's actually a slick, silly, improbable action romp. And it's a lot of fun.
The title refers both to the very first female and an American student (Scarlett Johansson) living in Taipei whose loser boyfriend (A Hijacking's Pilou Asbaek) ropes her into making a delivery to notoriously vicious crime boss Jang (Oldboy's Choi Min-sik). Grabbed by Jang's goons, she's forced to become a mule, with a kilo of experimental drugs implanted in her abdomen. When it bursts, the drug allows her to access much more than the 10 percent of the brain humans normally use. By the time she hits 20%, she can already control people and objects around her. And the percentage keeps climbing. So she heads to Paris to meet mental capacity expert Norman (Morgan Freeman) and figure out what to do. But Jang and his army of thugs are in hot pursuit, so she enlists a local cop (Syriana's Amr Waked) to help.
Besson doesn't like to hang around, so the film takes off like a shot, only barely pausing for breath in its brisk 89-minute running time. On-screen captions keep us updated on Lucy's brain capacity, and it's great fun seeing every advancement she makes on her way to 100%. This allows Besson to indulge in deliriously enjoyable mind-bending action sequences that play out like he's a kid with a giant set of very cool toys. Outrageous car chases, giant explosions and random epic shootouts fill the screen as Lucy expands her mind, begins to bend reality around her and transcends the limits of numbers and letters.
Continue reading: Lucy Review
The film of the year it isn't, but as a vehicle for Scarlett Johansson's budding action career, "Lucy" works.
Let’s talk about Lucy. Luc Besson’s latest sci-fi/action/horror/mess has so far been described as anything from unscientific to outlandish to downright laughable. So far critics have decried the plot, interspersed with gratuitous stock footage of hunting cheetahs (no, really) as a “frantic exercise in pseudoscience and goofball metaphysics” (The Chicago Reader). Still, even its worst critics admit that Lucy has its strong points – Scarlett Johansson’s performance being the strongest. Based mostly on her acting, The Telegraph's review goes as far as to call Lucy "the blockbuster of the summer."
If nothing else, Lucy is worth seeing for Scarlett Johansson alone.
According to Den of Geek’s Ryan Lambie, Johansson is “the magnet which holds Besson’s bonkers storyline together. The genre elements may scratch up against one another or sometimes collapse entirely, but Johansson remains a relateable, likeable lead, even when her character does things that go against the grain of a leading lady somewhat.”
Continue reading: Reviews: Scarlett Johansson Saves Luc Besson's Messy "Lucy"
The cast and crew of 'Lucy' - actors Scarlett Johansson, Morgan Freeman and Amr Waked, and producer Virginie Besson-Silla - talk about their experiences working with director Luc Besson in a short featurette ahead of the release of the new sci-fi movie.
'The most interesting thing about working with Luc is that he's the cameraman', Amr reveals. 'He's a director that knows precisely every little atom on his frame.'
'He's a formidable type of character because he knows what he sees in his mind and wants that vision to be executed perfectly', Scarlett adds, as Luc admits that he thinks his technique works so well because he doesn't cut. '[The actors] appreciate that a lot because all this part before action is where they have to prep and if they have to do that every thirty seconds, it's just exhausting for them', he says.
Date of birth
18th March, 1958
Like James Bond, wilfully anonymous driver Frank Martin is reborn as a new actor without...
As with the first two films in this dumb but bombastically watchable franchise, writers Luc...
Strong characters and a vivid sense of life in frontier America give this film a...
Luc Besson gleefully combines two of his favourite movie elements - fit women and wildly...
The cast and crew of 'Lucy' - actors Scarlett Johansson, Morgan Freeman and Amr Waked,...
French filmmaker Luc Besson continues to combine family themes with intense violence (see Taken), but...
Lucy was just a regular girl living in Taipei, Taiwan before she was brutally kidnapped...
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