Lou Taylor Pucci

Lou Taylor Pucci

Lou Taylor Pucci Quick Links

News Pictures Video Film RSS

Evil Dead Review


Remaking an iconic classic is dangerous business, even if the original filmmakers are on board as producers, but at least Uruguayan writer-director Alvarez has a few clever ideas up his sleeve. And a willingness to go gleefully over-the-top with the grisliness. But aside from a few gimmicky jolts, the film is never actually scary.

There are essentially only five characters in the story, which gives the actors a chance to find entertaining details along the way. Mia (Levy) is a drug addict whose three best friends (Lucas, Pucci and Blackmore) take her to her family's creaky old cabin in the woods to go cold turkey. They're joined by Mia's aloof brother David (Fernandez). But none of them know that locals have used the basement for a sinister ritual, and they left a creepy book behind that supposedly has the power to summon a vicious demon who wants to possess them all. So is Mia's freaky behaviour because of her withdrawal, or has something evil got hold of her?

This twist is rather clever, as it adds a level of mordant wit to the film, giving texture to the relationships between these five young people who we fully expect will begin to die horribly nasty deaths one by one. Indeed, what follows is an escalating series of blood-soaked set-pieces involving dismemberment and death at the sharp edge of any implement on hand.

Continue reading: Evil Dead Review

"The Story Of Luke" Los Angeles Premiere

Seth Green, Lou Taylor Pucci, Mackenzie Munro and Tyler Stentiford - "The Story Of Luke" Los Angeles Premiere at the Music Hall Theater - Beverly Hills, California, United States - Tuesday 2nd April 2013

Seth Green and Clare Grant
Seth Green
Seth Green
Seth Green and Clare Grant
Lou Taylor Pucci and Seth Green

Sam Raimi Goes In Hard With Evil Dead Remake Trailer

Sam Raimi Bruce Campbell Diablo Cody Jane Levy Jessica Lucas Lou Taylor Pucci

Sam Raimi and his production team have gone in hard with the trailer for the Evil Dead remake.

Branded for mature audiences only, there are moments in this teaser that are so gory, they leave you wondering what hell they’ve put in the rest of the movie. This remake of Raimi’s classic 1981 movie starring Bruce Campbell was initially met with a degree of pessimism from horror purists but he’s back on board, with Sam Raimi and indie movie darling Diablo Cody both claiming a writing credit for the remake and with Fede Alvarez in the director’s seat, they appear to have taken no prisoners with this resurrection and the trailer alone is sure to silence the cynics.

2013’s Evil Dead stars Jane Levy as Mia. Shiloh Fernadez, Jessica Lucas, Lou Taylor Pucci and Elizabeth Blackmore all join her onscreen, as does Bruce Campbell himself, albeit briefly. Campbell, of course, is a huge part of the success of the original 1980s movies, so it’s a relief to see him on production duties here as well.

Continue reading: Sam Raimi Goes In Hard With Evil Dead Remake Trailer

Carriers Review

Well-made but not particularly inventive, this post-apocalyptic thriller is like a college road movie crossed with Mad Max. The cast is much better than this thin script deserves, but the film does generate some great jolts.

Brainy Danny (Pucci) and his more action-oriented brother Brian (Pine) are driving through Colorado with Brian's girlfriend Bobby (Perabo) and their friend Kate (VanCamp) when they encounter a man (Meloni) who's trying to get his sick daughter (Shipka) to a clinic. She has the highly contagious disease that has killed off almost everyone, so extreme measures are needed to prevent infection. As they continue across the Southwest, heading for a Gulf Coast beach they remember from childhood, they encounter various other survivors and are forced to make some brutal decisions.

Continue reading: Carriers Review

The Informers Review

Here's another entry to the all-star multi-strand Los Angeles ensemble drama genre (see Short Cuts, Magnolia, Crash, Southland Tales). But while this one features strong acting and stylish filmmaking, it's emotionally empty.

In 1983 L.A., studio exec William (Thornton) wants to reconcile with his heavily medicated wife Laura (Basinger) while continuing to see his self-doubting TV newscaster mistress (Ryder). Their son Graham (Foster) is indulging in drugs and sex with his girlfriend (Heard) and best pal (Nichols), who's also sleeping with Laura for cash. Meanwhile, Graham's doorman (Renfro) is trying to please his criminal father figure (Rourke), but Graham's friend Tim (Pucci) has no interest in connecting with his dad (Isaak).

Continue reading: The Informers Review

The Go-Getter Review

Unless you're a Star Wars nerd, you've probably never set eyes on Martin Hynes. Nine years ago, Hynes played a young George Lucas in George Lucas in Love, a smart comedy short that offered the supposition that the grand lord of geekdom got his inspiration for the classic trilogy from classmates at a Los Angeles college. Since its release, it has garnered a cult classic status while its director went on to direct limp teen comedies Sleepover and Sydney White. As for Hynes, he became a screenwriter for several unrealized properties and ended up writing the first draft of Stealing Harvard, the thankfully-forgotten Tom Green comedy.

Six years after his Harvard cred, Hynes seems to have returned to more fertile and vital ground with The Go-Getter, his second full-length film and a minor hit at the 2007 Sundance Film Festival. Hynes, who also wrote the film, never shows up on screen but the nerdy impresario he embodied years ago can be seen in the guise of Mercer White (Lou Taylor Pucci), a high-school dropout who takes to the road with a stolen car not long after his mother's death. Initially, Mercer's voyage has two goals: to find and inform his half-brother Arlen (Jsu Garcia) of their mother's death, and to get all sweaty-like with Joely (Jena Malone), a thong-sporting, middle-school crush of Mercer's.

Continue reading: The Go-Getter Review

Southland Tales Review

At its Cannes 2006 inception, Richard Kelly's Southland Tales was plagued with walkouts that, reportedly, rang close to triple digits. The follow-up to Kelly's post-millennial, Reagan-era-set cult hit Donnie Darko, Tales seems destined for the same cult bin: a film maudit with a cast best suited for the WB or for the next slate of romantic comedies to hit the multiplex. If Darko was post-9/11, Southland is post-Republican justification. It makes sense that they would end up in roughly the same nebula.

A terrorist group has just set off a bomb in Texas that, while killing hundreds, has also created a parallel universe unbeknownst to the general population. Not too long after, the Republicans have an eye on everything, the Democrats have turned into militant twits under the banner of Karl Marx, and action superstar Boxer Santaros (Dwayne "The Rock Johnson) has gone missing. Though his wife (a brilliantly bitchy Mandy Moore) is the daughter of prez-to-be Bobby Frost (Holmes Osborne), Santaros appears in plain sight with his current flame, porn diva Krysta Now (Sarah Michelle Gellar). It's to Kelly's credit that almost every shot of them together is framed to look like it was taken by the paparazzi.

Continue reading: Southland Tales Review

Fifty Pills Review

If the movies are any judge, I did not have nearly as much fun in college as I was supposed to. In Fifty Pills, young Darren (Lou Taylor Pucci, a kind of cross between Colin Hanks and DJ Qualls) finds himself on probation on the second day of school! By Christmas he's lost his scholarship, all because he and his jerk roommate Coleman (John Hensley) like to have a little party.

Dad's lost his job, too, and both his parents think he's gay (thanks to what turns out to be the movie's funniest single moment), so Darren scrambles back to the dorms to figure out how to raise another $1000 so he can stay in school. (Naturally, he's also in love with another resident named Gracie (Kristen Bell), but he can't profess him affections to her.)

Continue reading: Fifty Pills Review

The Chumscrubber Review

The starry-eyed cross-breed of American Beauty and Donnie Darko, here comes The Chumscrubber, another self-righteous satire on self-absorbed parents and their estranged offspring. With the over-extended reach of a callow teenager, it fails to conquer its peaks of social relevancy. But it does have a titular headless video-game anti-hero, who, like the film's residents, uses his head as a weapon and presides over the film like a post-apocalyptic master-of-ceremonies.

A facetious voice-over -- "This was the best of all possible worlds" -- introduces brooding loner Dean Stiffle (Jamie Bell of Billy Elliot), a teen caught between dueling self-helper parents, who's soon to discover his dead friend Troy (Josh Janowicz) behind the house of his party-throwing mother, Carrie (Glenn Close). Weeks later, Dean's best-selling psychiatrist-author father, Bill (William Fichtner), therapy-talks Dean sick about his lack of grief. Dad's cure: More of the same pharmaceuticals Dean's school's already drowning in.

Continue reading: The Chumscrubber Review

Personal Velocity Review


Comprised of three frank and psychologically resounding stories of women at crossroads in their relationships with men, writer-director Rebecca Miller's "Personal Velocity" creates a visceral sense of its characters' lives and conflicted emotions that carries it far above and beyond what could have been a melodramatic, Lifetime Channel-style anthology, had it fallen into the wrong hands.

Miller is the daughter of playwright Arthur Miller, and she's learned a thing or two about delving into the human psyche and building an empathetic relationship between characters and audience from her dad's works like "The Crucible" and "Death of a Salesman." Her stories are profound and penetrating on a small, personal scale, and succinct without seeming like allegorical models of modern women's adversity.

Tied loosely together by each character hearing a news report of a hit-and-run accident, the film's three segments follow an abused wife (Kyra Sedgwick) who is finally ready to run away from her husband but has nowhere to go, a yuppie Manhattan book editor (Parker Posey) whose career is taking off just as she's falling out of love with her fiancé and hating herself for it, and an already troubled young punkette (Fairuza Balk) whose direct connection to the hit-and-run has shaken her faith in her relationship barometer just as she's learned she's pregnant.

Continue reading: Personal Velocity Review

Lou Taylor Pucci

Lou Taylor Pucci Quick Links

News Pictures Video Film RSS