Kurosawa doesn't have a monopoly on the story told from different perspectives -- Bernardo Bertolucci, of all people, made one too. In fact, La Commare Secca was his first film.

Secca is awfully rough around the edges, and viewers more accustomed to polished work like Last Tango in Paris and The Dreamers are going to have a tough time reconciling it with Bertolucci's early attempt here.

Continue reading: La Commare Secca Review