Such is the case with Notorious C.H.O., Margaret Cho's follow-up to the successful I'm the One That I Want. A comedienne with chutzpah and natural sense of comic timing, Cho can provoke laughter through the most overused humor, while the camera operators switch between continuously unmotivated angles in the hopes that your eyes won't get too bored. Maybe if you have access to several cameras you should use them regardless, but if a film keeps cutting between lenses without purpose, attention span will drop to zero.
Continue reading: Notorious C.H.O. Review
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