Jeffrey (Campbell Scott) is a bottom line-driven producer interested in Robert's (Peter Sarsgaard) script "The Dying Gaul," a semi-autobiographical tale about AIDS based on his relationship with his now-dead agent and partner Malcolm (Bill Camp). However, to make the project commercially viable, Jeffrey demands that Robert change the central couple from a homosexual to heterosexual duo. Jettisoning his integrity, Robert sells out and does as Jeffrey asks, in the process pocketing $1 million and establishing a close-knit friendship with Jeffrey and his failed screenwriter wife Elaine (Patricia Clarkson), whose life is so purposeless that learning how to control her multi-million dollar house's blinds constitutes an exciting afternoon. Yet the happy threesome's relationship is soon torn asunder when, after learning that Robert frequents chat rooms, Elaine strikes up an in-disguise online conversation with her new friend and learns that he's having an affair with Jeffrey. This devastating discovery frighteningly undercuts Elaine's sense of security and stability while also igniting a desire for retribution, leading to a dangerous game of cyberspace cat-and-mouse in which Elaine poses as the back-from-the-dead spirit of Malcolm and, ultimately, each character's true, less-than-savory personalities are drawn out into the blinding L.A. light of day.
Continue reading: The Dying Gaul Review
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