'Churchill's Secret' is based on a recent book by Jonathan Smith, concerning the ex-PM's battle to recover from a stroke while still in office in the 1950s.
Sir Michael Gambon will play Winston Churchill in a newly-announced ITV drama about his final years as Prime Minster in the 1950s. He’ll be starring alongside Lindsay Duncan, who portrays Churchill’s long-suffering wife, Clementine.
Entitled ‘Churchill’s Secret’, the two-hour feature-length special will be based on the recently published book by Jonathan Smith, ‘The Churchill Secret: KBO’. It’s to be set during the summer of 1953 when the Prime Minister, during his second term in office, suffered a stroke. His condition was kept a secret from the world.
Sir Michael Gambon will be taking the role of Winston Churchill in a forthcoming ITV drama special
Continue reading: Sir Michael Gambon To Play Winston Churchill In ITV Drama
Mexican filmmaker Alejandro Gonzalez Inarritu continues to reject traditional narrative structures with this whizzy, ambitious exploration of celebrity, art and commerce. And the clever casting of Michael Keaton adds another layer of meaning to the whole film, which is shot as one long wildly entertaining single take and pointedly subtitled "The Unexpected Virtue of Ignorance". Blackly hilarious and darkly emotional, this is an exploration of how show business can push a person to the brink of madness. And maybe knock them over the edge.
Keaton stars as Riggan, once a top movie star known for his three Birdman blockbusters. But he hasn't done anything notable since, and is now trying to reboot his career by directing, adapting and starring in a Broadway play based on a Raymond Chandler story. The problem is that no one will let him escape from the iconic superhero character he's best known for, least of all Birdman himself, who mentally haunts and taunts Riggan at every turn. Meanwhile in the theatre, Riggan locks horns with costar Mike (Edward Nortan), a controlling show-off brought in at the request of lead actress Lesley (Naomi Watts). As opening night approaches, Riggan and his producer-friend Jake (Zach Galifianakis) are also struggling with the demands of high-maintenance costar Laura (Andrea Riseborough), plus distractions from Riggan's daughter-assistant (Emma Stone) and ex-wife (Amy Ryan).
Inarritu and ace cinematographer Emmanuel Lubezki tell this story as if it's one continuous snaky shot with the camera following Riggan through the maze-like backstage corridors, into the theatre and out into nearby Times Square streets. The virtuoso filmmaking is simply breathtaking, and it works perfectly because all of the characters are packed with pungent details and fully developed inner lives. The actors find all kinds of quirks that are both hilarious and darkly thoughtful, creating jagged interaction as they cross paths with each other, sparring riotously for attention. Every scene bristles with startling revelations and barbed jabs at the Hollywood system.
Continue reading: Birdman Review
Mia Wasikowska, Ed Speleers and Lindsay Duncan are spotted shooting a scene in London for 'Through the Looking Glass'; the sequel to 2010's 'Alice In Wonderland' which was directed by Tim Burton. Mia and Lindsay are returning stars, though the new movie - scheduled for release in 2016 - is being directed by James Bobin who worked on 'Muppets Most Wanted'.
Scroll for photos from the film set
The on-set photos give a fascinating insight into the sequel to Tim Burton’s 2010 film. Johnny Depp, Anne Hathaway, Mia Wasikowska and Helena Bonham Carter are this time joined by Sacha Baron Cohen, in a film that is said to revisit Lewis Carroll’s stories with an “all-new new tale that travels back to Underland —and back in Time.”
Depp stars once again as The Mad Hatter in yet another chance for him to reinvigorate his career, which has plummeted since the critics panned movies like The Tourist, Lone Ranger and Transcendence. However, for Wasikowska, working with Depp was exactly what she thought it would be: like working with a legendary actor
Continue reading: On Set With 'Alice in Wonderland: Through The Looking Glass' [Pictures]
Mia Wasikowska, Lindsay Duncan and Ed Speleers - Mia Wasikowska, Lindsay Duncan and Ed Speleers film scenes for 'Alice in Wonderland:Through the Looking Glass' on location in Gloucester - Gloucester, United Kingdom - Monday 18th August 2014
The BIFA 2013 honored some of the best in independent cinema from this past year.
This year’s British Independent Film Awards honored world-renowned Hollywood actors and actresses, as well as small, independent productions and rising stars, from James McAvoy and Julie Walters, to newcomers like The Shell’s Chloe Pirrie.
Lindsay Duncan and James McAvoy won for best actress and actor, respectively.
Some of the winners included Blue Is The Warmest Color (Best International Independent Film), Filth and Le Week-end, but with three awards in total, Sean Ellis’ Metro Manila was by far the most successful. The film won for Best Achievement in Production, Best Director and the top honor of the night, Best British Independent Film.Click here to check out the full review of Metro Manila.
If you're looking for a new favorite autumn movie, this is probably it.
Le week-end is sweet, it’s quirky and it has its token dose of snark – the perfect combination to warm those chilly autumn nights. To top it all off, this Jim Broadbent and Lindsay Duncan starrer is set in Paris, adding another dose of romance to the whole affair. The affair in question is a weekend getaway for an ageing couple, which leads them to reevaluate their relationship and their lives overall.
Like a 20-years-later sequel to Before Midnight, this sharply observant comedy-drama follows a couple through a soul-searching weekend in which they evaluate their relationship with real wit and emotion. And transparent performances make it something to savour, as it offers us a rare grown-up movie about real issues we can identify with.
As the title suggests, the weekend in question takes place in France, and it's a 30th anniversary treat for Nick and Meg (Broadbent and Duncan). They can't really afford a trip to Paris, especially after ditching their dodgy pre-booked hotel in lieu of something far nicer, but they figure out ways to make their time special. Meanwhile, they talk about their years together, and the hopes and regrets that are haunting their thoughts. There are some hard questions to ask about their future, even as they haven't lost that spark of sexuality. Then they run into Nick's old Cambridge pal Morgan (Goldblum), who invites them to a party where they meet academics and artists just like them. Which only makes them think even more.
The key issues for them include Nick's early retirement (for an ill-timed comment to a student) and Meg's desire to change her life completely. As they consider the options, their conversations drive the film forward forcefully, flowing through cycles of flirtation and laughter to bitterness and cruelty. The depth of their love is never in doubt, even as they wonder how secure their relationship actually is. Broadbent and Duncan play these scenes effortlessly, taking our breath away because it's all so honest, often both funny and scary at the same time.
Continue reading: Le Week-end Review
Can they repair their stagnant marriage in the most romantic city ever?
We’ve seen screen-legends combine to bring us the other side of a ‘coming of age’ story before - The Best Exotic Marigold Hotel did it to some degree of success – and now we have Le Week-End, which see Jim Broadbent and Lindsay Duncan’s characters head to the city of love to see if theirs can be reignited.
Jim Broadbent and Lindsay Duncan in le Week-end
The Guardian, on the strength of the film’s Toronto 2013 screening, certainly liked it, giving it four stars. “All three lead characters are brimful of insight, with Broadbent brilliant as a man berated by his wife, scorned by his employers, exploited by his son, and offered scant compensation from anyone,” says their review.
Meg and Nick are a seemingly devoted couple who venture to the romantic city of Paris on their thirtieth wedding anniversary in the hope of rekindling old feelings from their honeymoon. They may claim to love each other, but things are far from perfect in their relationship as their routine lifestyles have caused a dramatic rift between them without them even noticing. Their weekend is tainted by frequent arguments, though always warmed by frequent displays of affection and childish exploits. However, when they bump into old American friend who invites them for dinner at his Parisian apartment, they start to feel depressed that their lives are several shades less colourful than his with his gorgeous pregnant wife, success in the city and an impressive book deal. Will this long-devoted couple find peace within themselves to be content with one another? Or will Paris cause them to finally drift apart?
Continue: Le Week-End Trailer
Curtis has said he may stop making movies, and on the basis of this film you can kind of see why: he's clearly in a rut. While this romance attempts a bit of magical whimsy, it's the same collection of sassy comedy, romantic drama and sudsy sentimentality that characterised Love Actually and Notting Hill. More troubling is how it presents that same almost offensively slanted view of British society.
The magical element is time travel, as young Tim (Gleeson) learns from his father (Nighy) that the men in his family can flit back along their timelines at will, reliving past events and fixing things where needed. Tim decides this will come in handy as he looks for a wife, and indeed he uses his skill to circle round and round charming American Mary (McAdams) until they fall in love. And over the next several years, as he figures out how to make their life together as amazing as possible, he learns that there are some limitations to this gift.
As always, Curtis gives his characters a fantasy level of wealth that doesn't really make sense. We never see Tim travel back to win the lottery, but there's no other explanation for how he and Mary are able to buy a house in a posh Maida Vale street. And these characters also live in an imagined pocket of London that has no diversity at all, as we never see anyone who isn't white and straight. But then, Tim's idyllic childhood on the Cornish coast isn't exactly believable either, complete with a quirky earth-adoring sister (Wilson) and always-confused uncle (Cordery).
Continue reading: About Time Review