Alan is a hopeful young man in a hopeless situation. After years estranged from his father Doug (Tom Atkins), he heads to San Diego for a long overdue reunion with the hope of starting anew. But as soon as he arrives, he sees that things are different in this late-1950s household. His new stepmother Ronnie (Lindsay Crouse), is warm and welcoming, but the house is already full and brimming with conflict.
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They say you should never see two things being made: Sausage and legislation. Add journalism to that list. I've been in this racket long enough to know that objectivity is painfully lacking in the places you expect to find it the most. Backroom deals make strange bedfellows of interest-conflicted parties (e.g. Time-Warner owns Entertainment Weekly magazine, which reviews Warner Bros. films, etc.) So when 60 Minutes producer Lowell Bergman (Pacino) decided to do a story about the hazards of cigarettes in 1996, he found himself embroiled in controversy.
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Don't tell the other movie critics I said this, but once in a very great while I see an independent film I wish could have been a big budget Hollywood studio picture. Sometimes a good idea, a lot of enthusiasm and a shoestring budget just aren't enough.
Take "Cherish," for example. This creative but contrived and gimmick-driven comedy-thriller is about a geeky, socially inept young beauty (Robin Tunney), who is falsely accused of a hit-and-run and incarcerated in her own sparse and funky loft while awaiting trial, monitored by one of those electronic ankle bracelet programs.
Going stir-crazy because she's the kind of girl who can't stand to be alone (of men she says "I don't think I'd go out with so many if any one would call me back"), Tunney spends the movie trying to outwit the system that will set off an alarm at police headquarters if she wanders out of the bracelet's range.
Continue reading: Cherish Review