Making your first feature film ain't easy. Assemble a decent, if not strong, cast, as writer/director Robert Moresco has done with One Eyed King, and you're already ahead of the game. But rehash old plot lines, tired dialogue, and standard clichés, and a well-intentioned effort such as this one could jeopardize your chance at a second feature film.
How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse? The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Again. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop. With teary music. And slow motion. In the film's first scene.
Continue reading: One Eyed King Review