The actress is being honoured for her over 40 year career in film and television.
Lily Tomlin is to become the 53rd recipient of the prestigious Life Achievement Award at the 23rd Screen Actors Guild Awards. The six-time Emmy winner and star of Netflix’s ‘Grace and Frankie’ will be celebrated for her career in movies and television, which has spanned over 40 years.
Lily Tomlin will receive the SAG Life Achievement Award
Announcing Tomlin as this year’s recipient, SAG-AFTRA president Gabrielle Carteris said: "Lily Tomlin is an extraordinary actress, as equally adept at narrative drama as in comedy roles. But it is through her many original characters that Lily's creative genius fully shines.”
Continue reading: Lily Tomlin To Receive SAG Life Achievement Award
Lily Tomlin - 53rd Annual ICG Publicists Awards at the Beverly Hills Hotel - Arrivals at Beverly Hilton - Beverly Hills, CA, Beverly Hills Hotel - Los Angeles, California, United States - Friday 26th February 2016
The fabulous Lily Tomlin finally gets the lead role she deserves in this smart, engaging comedy-drama. Like her title character, the film itself refuses to play nice, tackling big issues like abortion and the strain between mothers and daughters without ever simplifying the topics or the people involved. The plot may feel a bit contrived, and the entire movie rather lightweight, but it's thoroughly entertaining. And the subtle approach to the big themes gives it a strong kick.
Tomlin plays Elle, a mature woman who has just broken up with her girlfriend Olivia (Judy Greer) for no real reason. Then her young granddaughter Sage (Julia Garner) turns up asking for money to terminate her pregnancy. Elle doesn't have the cash, but offers to help her find it, so they head off into Los Angeles in her rattling 1955 Dodge, visiting the unborn baby's stoner father (Nat Wolff) and some of Elle's colourful old friends (Elizabeth Pena, Laverne Cox and Sam Elliott). But both Elle and Sage are terrified that they might ultimately need to get in contact with Sage's workaholic mother Judy (Marcia Gay Harden), the daughter Elle never knew how to talk to.
The layers of mother-daughter interaction in this film are fascinating, and played with riotously jagged chemistry by the gifted cast. Tomlin punches every witty one-liner perfectly, capturing Elle's life-loving spirit and also her weary exhaustion at the way the world keeps changing around her. Tomlin finds terrific angles in each of Elle's relationships, drawing out Garner's wide-eyed yearning, Greer's steeliness and Harden's professional bluster. Each of the side roles feels like a fully formed person with a life of his or her own, which gives context to the humour and makes the entire film feel more weighty and meaningful.
Continue reading: Grandma Review
Elle Reid may be tough, but she's struggling coping with a recent break-up with her girlfriend. If that wasn't enough to contend with, her 18-year-old granddaughter Sage has just shown up at her house, and she needs over $600 immediately. She's pregnant and Elle's financial situation isn't at its best, but she's determined to do everything she can to help her granddaughter. She takes her on a roadtrip to recover cash from Sage's ex-boyfriend - and while her method of extracting money could be more polite, Sage is glad of her company when she manages to obtain it. Elle gives Sage a lesson in tough-talking as she continues to tour the country selling her possessions and begging cash of some old friends. When the pair arrive to see Sage's mom, it's another story; she's a high-flying business woman and the complete opposite of her mother and daughter - and it's clear to see why Sage chose Elle to help her out.
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Elle Reid is an ageing poet recovering from a broken heart following her break-up with her long term girlfriend. When her troubled 18-year-old granddaughter Sage turns up on her doorstep one day, she thinks she finally has the distraction she needs. However, Sage needs $600 and Elle, now being pretty much broke, can't give it to her. Instead, she offers to drive her around on a long road trip to recover cash from various friends and ex-boyfriends; though it's not only cash they find on the way. Numerous secrets are uncovered and old conflict is resurfaced, and Sage is forced to face responsibility and start becoming an adult. At the same time, Elle knows it's time for her to start thinking about the most important things in life, accept the troubles of her past and stop living under the 'tough woman' guise.
Continue: Grandma - Clip
This isn't a tell-all doc about the iconic filmmaker: it's a love letter from his friends and family. With a terrific range of film clips, home movies, behind-the-scenes footage and never-seen stills, this movie explores how Robert Altman's work has forever changed the way Hollywood makes movies, simply because his inventive filmmaking style forced everyone else to try and keep up.
After getting his start directing industrial films in Kansas City, Altman made the jump to Hollywood in the late 1950s, annoying a range of studio executives with his preference for naturalistic, overlapping dialogue in television programmes. Then he made the jump to cinema and took the world by storm with M.A.S.H. In 1970, winning the Palme d'Or at Cannes and introducing the "Altmanesque" combination of earthy interaction, ensemble casts and political subtext. In his documentary, filmmaker Ron Mann cleverly asks many of Altman's actors to define the word Altmanesque, not as it relates to the movies but as it relates to the man himself.
Altman was a rare filmmaker who was loved by his casts and crews as well as the critics. Notoriously picky film journalist Pauline Kael famously wrote that "he can make film fireworks out of next to nothing", and this documentary demonstrates this with clips and backstage moments from his classics, ranging from McCabe and Mrs. Miller (1971), Buffalo Bill and the Indians (1976) and Popeye (1980) to The Player (1992), Short Cuts (1993) and Gosford Park (2001). The film's focus is on his movies, although it's narrated through personal interviews with Altman and his widow Kathryn Reed and features some superb footage of his sons. It also traces his ongoing health issues, from his heart transplant to his death from leukaemia in 2006. But there's little mention of his lifelong anti-war efforts or his controversial efforts to legalise marijuana.
Continue reading: Altman Review
The actor is among five honourees that will be recognised at the annual Kennedy Center Honors
Tom Hanks is a mammoth actor who has delighted fans with extraordinary performances for just short of 40 years. He started his career by providing us with some delightfully 80s classics in the era of big hair and bright colours with greats such as Splash, Big and Turner & Hooch. In the 90s he gave us a cacophony of feel-good flicks including Sleepless in Seattle, Forrest Gump and the first of one of the most successful trilogies of all time, Toy Story.
Tom Hanks' illustrious career is being recognised at the Kennedy Center Honors
In the noughties Hanks got his serious side out and audiences were treated to Road to Perdition, The Da Vinci Code and its sequel Angels and Demons. Sheriff Woody came out in style twice more for Toy Story 2 and 3 and Hanks has been at the helm of some of the best films of the past few years as a main star in Captain Phillips and Saving Mr Banks.
Continue reading: Tom Hanks Gets Top American Honour For His Extensive Acting Catalogue
The online streaming service loads its arsenal with a brand new comedy series.
Netflix has placed a straight to series, 13-episode order of new comedy show Grace and Frankie, which will star Jane Fonda and Lily Tomlin. The half hour-long, single camera episodes will help flesh out the online streaming subscription service's originals line-up, joining the likes of Arrested Development, House of Cards and Orange is the New Black.
Jane Fonda Will Star In New Netflix Comedy, 'Grace And Frankie.'
Set to premiere in summer 2015, the show will reunite the stars of the 1980 feature hit 9 to 5 who will play two longtime rivals who are brought together when their husbands decide to run off together to get married. "The women find their lives both turned upside down and to their dismay, permanently intertwined. Eventually, to their surprise, they find they have each other," states Netflix, via LA Times.
Continue reading: Netflix Orders Jane Fonda, Lily Tomlin Sitcom, 'Grace And Frankie'
Lily Tomlin is finally married at the age of 74 to her girlfriend Jane Wagner, after a being in a relationship that spans over 4 decades.
Lily Tomlin has finally tied the knot.
The 74 year-old has married her partner Jane Wagner after courting for 42 years.
Their private ceremony took place on New Year's Eve in Los Angeles, Claif., on Tuesday December 31st, Us Weekly reports.
We generally expect more wacky humour from Fey and Rudd than this comedy, which is packed with perhaps too-smart dialog and a lot of warm sentiment. It's an odd mix, looking for jokes in gender roles and higher education, while also finding dramatic and romantic moments along the way. But in the end, the engaging actors make it worth a look.
Fey plays Portia, an admissions officer at the prestigious Princeton University, who's in competition with her office rival (Reuben) for a big promotion as their boss (Shawn) gets ready to retire. Unhelpfully, Portia's long-term boyfriend (Sheen) chooses this moment to leave her. Diving into her job, she visits a progressive high school where the director John (Rudd) is trying a bit too hard to get her to consider unconventionally gifted student Jeremiah (Wolff) for admission to Princeton. Then John tells Portia that he thinks Jeremiah is the son she gave up for adoption 18 years earlier. Meanwhile, Portia's aggressive feminist mother (the superb Tomlin) brings up even more past issues she's never quite dealt with.
The way the screenplay piles all of this on Portia at the same time is more than a little contrived, but Fey juggles it effortlessly, throwing hilariously intelligent one-liners around even in the more intensely serious scenes. Opposite her, Rudd is more understated than usual, and also creates a strongly defined character as a rootless wanderer who just wants to help make the world a better place, but needs to pay more attention to his adopted Ugandan son (Spears). Yes, screenwriter Kroner throws in every variety of parent-child issues too.
Continue reading: Admission Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
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