After political (Raise the Red Lantern), sexy (Ju Dou) and reflective (The Road Home) films, writer-director Zhang Yimou embraces the aerodynamic action of digitally enhanced kung fu swordplay made famous in Crouching Tiger, Hidden Dragon. The object here is to outdazzle that genre landmark and, perhaps, to outdo it at the box office.
It's probably too late and too familiar a technique to do either, but there's plenty to admire despite those limitations, for which it has already received critical and award level acclaim. At the time of this writing, it is one of the 2002 Oscar nominees for Best Foreign Language Film.
Continue reading: Hero (2002) Review