Elite hitman Arthur (Statham) lives a solitary life in a New Orleans bayou with his stinking wealth and exquisite taste. But he's shocked when his boss (Goldwyn) gives him his next assignment: to kill his mentor Harry (Sutherland).
Arthur is a cool professional, but now he's also wracked with guilt. So he takes Harry's wastrel son Steve (Foster) under his wing, teaching him the assassination trade and letting him practice during a few jobs. But the work gets increasingly dangerous, and soon it becomes apparent that Harry was set up. Revenge is in the air.
Continue reading: The Mechanic Review
An old friend phones him out of the blue: Come to this address and prepare for an unimaginable new future. Indeed, no sooner has Hamilton entered the building (couriered there from a meat-packing plant, naturally) than he has become a customer, willing or not, of "the organization," which provides a radical plastic surgery regemin to cut about 30 years off the looks of its clients. Oh, and it also fakes the death of the client and provides a new identity -- and the client's new life is paid for with backdated insurance policies (after the organization takes its cut, of course).
Continue reading: Seconds Review
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