The Other Woman, starring Cameron Diaz, Leslie Man, Nikolaj-Coster Waldau and Kate Upton in her acting debut, is yet to be released in cinemas, but is already floundering in the review department. The film lays on the clichés with a heavy hand – Coster-Waldau is the uber-confident, uber-annoying cheating husband, Mann is his neurotic wife, Diaz is his mistress and Upton is his younger mistress. Neither of the women knows about the other two. Until they find out, that is. The biggest twist to recommend this movie is that instead of the plot devolving into the tired old catfight cliché, the three band together to get even with the cheater. They go on a vengeance rampage, presumably because that’s what the writers think scorned women do.
The Other Woman shoots for originality, but ultimately stops at mediocrity.
The LA Times’ review gives credit where credit is due – the plot isn’t all that original, but the easy laughs are still abundant, at least in the beginning. Unfortunately, at some point The Other Women significantly dumbs down both its characters and its story, making it hard to watch through to the end. “Slyness, slapstick and sex can often be mixed to amusing effect whatever the specifics — the original "Hangover," for example, did a credible job of it — but "The Other Woman" is ultimately undone by its indecision,” writes Betsey Sharkey.
Continue reading: Nobody's Laughing With 'The Other Woman', Least Of All The Critics