So you can imagine that during my formative years, my understanding of what the 1938 film Boys Town was about was pretty far from the mark.
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The Public Enemy, like Warner's own Little Caesar from a year earlier, is classically molded in the template of the early-'30s gangster genre. It follows the rise and fall of a vicious hoodlum who finally repents his ways but falls prey to the very cycle of violence that he himself instigated. Thankfully, the movie's prudish show of outrage at the liquor racket and its plea for civic order is overshadowed by its Pre-Code mischief and the sheer delight of watching James Cagney hone the cock-of-the-walk persona that made him an instant star.
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