The stars of the upcoming adaptation of 'Romeo and Juliet' Douglas Booth, Hailee Steinfeld, Ed Westwick, Damian Lewis and Paul Giamatti as well as costume designer Carlo Poggioli and Nadja Swarovski of Swarovski Entertainment Ltd. talk about the new movie in a short featurette.
Continue: Romeo And Juliet - Featurette
There's a terrific blast of nostalgia in this finely crafted film, which will probably make it a hit for Stone Roses fans, but it's so jaggedly edited that the plot is almost impenetrable. Without a real sense of who the characters are, it's very difficult to get involved in their adventure.
It's 1990, and a group of teens are overexcited about the upcoming Stone Roses concert on Spike Island in Widnes. Gary (Tittensor), known as "Tits", is the ostensible leader of the garage band Shadowcaster, along with his best pal Dodge (Mirallegro) and their friends Zippy, Gaz and Penfold (Murphy, Long and Heald). The problem is that they don't have tickets for the event, and Gary plans to meet there with his long-time crush Sally (Clarke). Meanwhile, he's distracted by the fact that his father (Evets) is ill and his mother is annoyed that he's spending all his time with his friends instead of being with her at the hospital.
Along with the various strands of Gary's story, there are also sideplots for several other characters, which diffuses the film away from the central narrative about five guys trying to get into a landmark concert staged by their idols. The film leaps around between all of these storylines without properly settling down, which means none of the relationships ever come to life. For example, we can see that Gary and Dodge have years of camaraderie, although we don't really understand why they're still friends now.
Continue reading: Spike Island Review
Gary (aka Tits) and his friends Dodge, Zippy, Little Gaz and Penfold are an ambitious amateur indie band from Manchester with an unshakeable adoration for The Stone Roses. As a once in a lifetime major gig for the legendary group approaches, the friends are determined to watch musical history unfold as they set out to gatecrash the show on Spike Island. Their plan? Break into the venue without tickets and hand over their precious demo tape to the lead singer with the hope that it will shape their musical futures. However, things aren't as easy as they sound with school and girls as constant distractions, and no initial way of getting to the Island. Not to mention the swarming security and high fences they'll have to pass to get in. Their determined mission will no doubt test their friendship and the way they view the future as they are about to face hard facts about life and dreams.
Continue: Spike Island Trailer
Romeo and Juliet are two young lovers whose lives together cannot escape their inevitable tragic fate. They are from opposite feuding families; Romeo is a Montague while Juliet is a Capulet. They meet and fall immediately in love when Romeo sneaks into the Capulet family ball and they soon vow to be married. Unfortunately, their happy matrimony does not last long when Romeo is forced to kill a relative of hers who challenges him and he is subsequently banished from Verona. Juliet, meanwhile, is being forced to marry another man against her wishes. Blinded by her misery, she accepts the help of Friar Laurence who offers to help her fake her own death so that she and Romeo may elope. However, after a cruel twist of fate, Romeo fails to receive word of the plan and discovers his wife apparently dead in her tomb. The grief that ensues becomes the deadly fate for this star-crossed couple.
Continue: Romeo and Juliet Trailer
Tom and Gerri (Broadbent and Sheen) are a happy middle-aged couple in London with an equally contented 30-year-old son Joe (Maltman). But Gerri's friend Mary (Manville) is another story: single and more a bit desperate, she also has a creeping alcohol problem. While she seems like the perfect fit for Tom's friend Ken (Wight), she instead has her eye on Joe, which becomes a problem when he brings a girlfriend (Fernandez) home. Meanwhile, Tom's brother (Bradley) is struggling with his strained relationship with his surly son (Savage).
Continue reading: Another Year Review
Meet Tom and Gerri, a happily married couple who're closer to the end of their life to the start. Another Year is a touching and true-to-life story that explores the meaning of friendships and relationships through all stages of life.
Another Year was written and directed by British film maker Mike Leigh and sees him collaborate with Lesley Manville for the eighth time, his seventh with Jim Broadbent and fifth with Ruth Sheen.
Another Year is released in the UK through Momentum Pictures on November 5th 2010
Directed by: Mike Leigh
Starring: Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Martin Savage, Michele Austin, Philip Davis, Imelda Staunton, Stuart McQuarrie, Eileen Davies, Mary Jo Randle and Ben Roberts
For seven years after his business partner Marley dies, Ebenezer Scrooge (Carrey) ruthlessly pinches his pennies, underpaying his assistant Bob Cratchit (Oldman) and neglecting the family of his nephew Fred (Firth). Then on Christmas Eve, Marley's ghost informs Scrooge that he will be visited by three ghosts, and that night Scrooge takes a terrifying odyssey through his past, present and future, realising that he has completely missed the point of his life. And of Christmas.
Continue reading: A Christmas Carol Review
Sam (Shaun Evans) lives in Liverpool with his mum Jill (Lesley Manville), an aspiring singer. He dreams of moving to London and making his way in life. A chance meeting with Vince (Bob Hoskins) gives him the opportunity. Soon Sam has moved into Vince's spare flat in London - the only problem being that Jill insists on coming too. Through Vince he gets a job as a waiter and uses it to meet Sheila(Stockard Channing), a powerful woman who runs a PR company. Sam spots his chance - they start sleeping together, and she gives him a job. However life gets complicated when Sam meets a young woman, Kate (Amanda Ryan), and falls for her. He finds that his ambitions have been ambushed by love.
Now 20 years later, while watching another Gilbert and Sullivan performance (of sorts) I am still thinking the same things.
Continue reading: Topsy-Turvy Review
Leigh's storied, unconventional approach to filmmaking is part acting workshop, part pure cinema... and a performer's dream. He assembles a troupe of players, introduces them to character and storyline, and works through weeks of improvisation. The movie's dialogue and action are created on the spot during that exercise, are later morphed into a note-jammed screenplay, and then become a polished film.
Continue reading: Secrets & Lies Review
All or Nothing earns exactly the same complaints for exactly the same reasons, except instead of one central character there are dozens--so many that the press notes contain an entire list of "Who's Who" so reviewers won't get confused. I suppose the list did help me define each character's role in the story, but the problem isn't that there are too many characters, but that I didn't care about any of them!
Continue reading: All Or Nothing Review
Director Mike Leigh has usurped his subjects' mirthful sense of humor and penchant for prolonged presentation in his new film "Topsy-Turvy," a jaunty, jolly, light-hearted look at the lives of Victorian operetta architects Gilbert and Sullivan.
Like G&S, Leigh delights in garnishments that add color to his characters and to the pliant performances such details inspire.
Leigh's actors are always especially absorbed in their parts because of the way he works -- creating the screenplay in concert with his players during incessant rehearsals -- but in contrast to his downcast-but-hopeful, slice-of-life dramas ("Secrets and Lies," "Career Girls"), this picture radiates a distinct playfulness that is nothing short of contagious.
Continue reading: Topsy Turvy Review
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