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Attends The 2012 AFI FEST - "Holy Motors" Special Screening Held At Grauman's Chinese Theatre In Hollywood

Martin Washington Jr, Shaz Bennett and Grauman's Chinese Theatre - Martin Washington Jr., Shaz Bennett Saturday 3rd November 2012 attends the 2012 AFI FEST - "Holy Motors" Special Screening held at Grauman's Chinese Theatre in Hollywood

Martin Washington Jr, Shaz Bennett and Grauman's Chinese Theatre
China Ahlander and Grauman's Chinese Theatre
Anabella Moreira, Rafael Morai and Grauman's Chinese Theatre
Zach Weintraub, Sophia Takal and Grauman's Chinese Theatre
Ashley Young, Kevin Clancy and Grauman's Chinese Theatre
Amy Berge and Grauman's Chinese Theatre

Holy Motors: Kylie Minogue Charms Critics In New Art-House Movie

Kylie Minogue Leos Carax Eva Mendes Denis Lavant

Kylie Minogue’s new movie Holy Motors has impressed the critics. It’s been a long time since the Aussie pop star ventured in the word of movies but with this art-house offering, directed by Leos Carax, she seems to have done herself proud. It’s an unusual film, seemingly with little in the way of a fixed narrative structure, but that’s part of its off-beat charm.

The Telegraph review reveals that Kylie’s starring moment, though brief, is a highlight: ” Kylie Minogue, memorably, singing an ex-lover’s torch song along the dusty walkways of a derelict department store. We’re left with a vast amount to puzzle over and process. One thing’s for sure: you may struggle to wrest unified meaning out of this entirely irreducible movie, but like Kylie’s other featured song, you can’t get it out of your head.” Equally, The Guardian describes Kylie Minogue’s performance in Holy Motors as “stylish yet gentle.” The New Statesman review does a better job of un-ravelling the meaning of Holy Motors by explaining “the central enigma of Holy Motors rests on where life ends and performance begins, or whether the distinction is irrelevant.”

Also starring Eva Mendes and Denis Lavant, Holy Motors may seem like a peculiarly avant-garde excursion for Kylie but she seems quite at home in front of the camera and look relaxed, though evidently excited at the movie’s recent London premiere, where she revealed that she “couldn’t not do” the film.

Holy Motors Review


Indescribably insane, this outrageously inventive French drama is so bracingly strange that we can't help but love every moment. It's certainly not like any movie you've ever seen before, and French director Carax packs it with so many offbeat touches - from wildly unexpected casting to witty movie references - that watching it is almost like a fever dream.

It's the story of Oscar (Lavant), who goes to work in a white stretch-limousine with his driver Celine (Scob). But the limo is actually his office, and his job entails dressing up in full make-up to play nine roles over the course of the day. These include a scabby homeless woman, a dying husband and a freaky green mischief-maker who invades a funeral and bites off people's fingers. But as the day progresses, Oscar begins to crack under the strain. Is it because of the job's huge emotional demands or because he's not living his own life?

The film is like a razor sharp satire of reality TV and social networking, as Carax cuts through the layers of artificiality of modern life. At the centre, these are all actors playing actors in a variety of scenarios. But who is watching? Some of these scenes are sexy and funny, while others are terrifying or darkly moving. But for all of the intensity of feeling, the situations are essentially shallow simply because they're not actually real. And Carax pushes each segment far beyond what we expect.

Continue reading: Holy Motors Review

Kylie Minogue Dazzles In Dolce & Gabbana At Holy Motors Premiere

Kylie Minogue Denis Lavant Edith Scob Eva Mendes Leos Carax

When Kylie Minogue hit the red carpet for the premiere of her new movie, she cut a dazzling figure in a stunning black sequinned Dolce & Gabbana gown. On Tuesday night (September 17, 2012), the UK premiere for Holy Motors took place at the Curzon Mayfair and the movie’s Aussie star made sure that she really stood out in her shimmering, floor-length frock. She finished the look off with smoky eye-shadow and dangling diamond earrings.

The movie, a French drama, also stars Denis Lavant, Edith Scob and Eva Mendes. After posing for photos on the red carpet, Kylie then “cosied up to director Leos Carax,” according to the Daily Mail. It’s a rare film role for Kylie; even though she started out as an actress – in Australian soaps such as Neighbours - she has spent the last twenty-five years focusing mainly on her music career. Speaking about her decision to take part in the movie, Kylie said “I’m always intrigued and enticed by that which I haven’t done, so… there was every reason to do it and no reason not to do it… it turned out to be one of the best experiences I’ve ever had.”

Kylie plays the role of Eva Grace (Jean) in the movie. She has her hair cropped short for the role, a far cry from the elegant long locks that she was sporting Tuesday night. There are no Kylie Minogue songs in the movie, though she does have a singing part. Holy Motors receives its general release in the UK on September 28, 2012.

'Holy Motors' UK Film Premiere Held At The Curzon Mayfair - Arrivals.

Leos Carax Tuesday 18th September 2012 'Holy Motors' UK film premiere held at the Curzon Mayfair - Arrivals.

Leos Carax
Leos Carax
Leos Carax
Leos Carax
Leos Carax

'Holy Motors' Photocall During The 65th Cannes Film Festival

Edith Scob Wednesday 23rd May 2012 'Holy Motors' photocall during the 65th Cannes Film Festival

Edith Scob
Edith Scob, Denis Lavant, Kylie Minogue and Leos Carax
Edith Scob, Denis Lavant, Kylie Minogue and Leos Carax
Edith Scob

Tokyo! Review

Tokyo! is a curious conundrum. The movie is a triptych of short films about the titular metropolis made by Michel Gondry, Leos Carax, and Joon-ho Bong, three non-Japanese filmmakers. Each tries to offer up personalized impressions of the Japanese capital, and that alone would suggest a worthwhile cinematic experience. But the films themselves lack the intimacy with Tokyo's cultural nuances that we crave from a piece like this, trafficking instead in stereotypes and platitudes.

For its easy charm and humor, Michel Gondry's "Interior Design" comes off best. Gondry's story follows a young couple -- Hiroko and Akira (Ayako Fujitani and Ryo Kase) -- who have just moved to Tokyo, struggling to find an apartment, jobs, and generally to start their new lives. Akira's an aspiring filmmaker-artist, hence a bit of a space case, while his girlfriend Hiroko is smart but directionless. While getting started in Tokyo, they bunk up with a friend in her absurdly tiny apartment. Gradually, Hiroko pulls away from Akira and, in a Gondry-esque bit of transmogrification, she suddenly has the ability to shift from human to chair form and back. As a chair, she becomes part of the furnishings in a stranger's home, and feels herself an object of value, something she lacked as a human being. Gondry pokes fun at Tokyo's housing crisis: The living spaces are hilariously cramped, hardly more than glorified closets. With the low-key bantering of its characters, the quotidian details of Tokyo street life, its movie-within-a-movie device, the human-chair magic trick, and the overall theme of life-as-reverie, this is a Gondry project through and through. And, though not illuminating on the subject of its city, it's still a cute, clever take on Tokyo to keep us amused.

Continue reading: Tokyo! Review

Pola X Review

When I left the theater, an angry woman was berating her boyfriend for dragging her to another one of those films, to which I assume she meant a pompous French soap opera. Furthermore, she didn't understand what the title had to do with anything. Seems she didn't read the press release, which the theater was kind enough to dole out. Pola X is a French acronym of the Hermann Melville novel on which this film is based (and shakily updated to modern times): Pierre, Or, the Ambiguities. The X stands for the tenth draft of the screenplay which writer/director Leos Carax completed.

While the title, Pola X, certainly has a nice ring to it, it stands representative of everything Carax's movie is: all flash, pointless trickery, grating snobbery and, ultimately, no more substance than a private joke only one person finds amusing.

Continue reading: Pola X Review

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