Devlin, Barry Levinson and Leo Rossi - Producer Fay Devlin, Leo Rossi, director Barry Levinson and producer Marc Fiore with guests Cannes, France - 2011 Cannes International Film Festival - Day 2 - Gotti: Three Generations - Photocall Thursday 12th May 2011
William Forsythe, Lynn Eastman-Rossi, Skip Deneberg, Tony Luke and Leo Rossi - William Forsythe, Lynn Eastman-Rossi, Skip Deneberg, Tony Luke and Leo Rossi Philadelphia, USA - World premiere of 'The Nail: The Story of Joey Nardone' at the Philadelphia Film Festival Friday 27th March 2009
William Forsythe, Tony Luke Jr and Leo Rossi - William Forsythe, Tony Luke Jr, Leo Rossi Philadelphia, USA - World premiere of 'The Nail: The Story of Joey Nardone' at the Philadelphia Film Festival Friday 27th March 2009
Leo Rossi, Lynn Eastman-Rossi, William Forsythe, Tony Luke, James Quattrochi and Jason Noto - Leo Rossi, Lynn Eastman-Rossi, William Forsythe, Tony Luke, James Quattrochi, Jason Noto Philadelphia, USA - World premiere of 'The Nail: The Story of Joey Nardone' at the Philadelphia Film Festival Friday 27th March 2009
But seriously, Sticks is a good-looking movie, so well made you might not realize it's an independent production. The story sounds like Steven Seagal ought to be starring in it -- an everyday guy named Lenny (Lillo Brancato) makes his living selling illegal Cuban cigars to the rich and famous of L.A. Alas, he's soon robbed of his stash and finds himself embroiled in a mess that involves a local underground cigar club that wants Lenny dead, an FBI sting, and a plot to run guns back to Cuban freedom fighters. At the center of all this are 50 boxes of "El Mariposas," supposedly the most coveted cigar in all the world.
Continue reading: Sticks Review
How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse? The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Again. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop. With teary music. And slow motion. In the film's first scene.
Continue reading: One Eyed King Review
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