Salvatore Di Vita is an Italian film director who has nursed a passion for film ever since he was a boy. As a youngster, he learned how to operate the projector at the movie house Cinema Paradiso from the paternal projectionist at the time, Alfredo. As time went on, he continued to spent every free moment there before meeting a girl, Elena, who he fell in love with. As the stars would have it, however, they were torn apart and Salvatore left his hometown to pursue his lifelong film ambition elsewhere. Having not had contact with Alfredo for several years, he hears news of his death and subsequently discovers a priceless gift left to him by Alfredo.
Continue: Cinema Paradiso Trailer
Um, I've already slipped into geek speak. Peplum, that's the "fancy" word for "sword and sandal" flicks like Steve Reeves' 1960s Hercules films. Most of the most popular peplums (believe it or not there is (or was, it's been a while since I looked) a 'zine devoted to the study of them) involve hordes of barbarians, Romans, infidels, or nameless thugs battling lone supermen in loincloths. These are mythic tales told with shoestring budgets and dubbed. They are quite a bit of fun after a few beers but watching them sober is quite dangerous.
Continue reading: Sinbad Of The Seven Seas Review