When a Latin professor, Raimund Gregorius (Jeremy Irons), sees a young Portuguese woman in a red coat about to throw herself from a bridge, he is compelled to save her. She wrestles her way out of the coat and runs off into the rain, leaving the bemused and mystified professor pondering what it all means. When he discovers a small book in the pocket of her coat, he begins to embark on an odyssey to find her, yet very soon he becomes more interested in the novel's author, Amadeu do Prado (Jack Huston). After discovering tickets for a train to Lisbon stuffed inside the book, Gregorius hastily boards the train himself, throwing caution to the wind, along with his normal, boring life.
Continue: Night Train To Lisbon Trailer
The cast and crew of restaurant drama 'The Hundred-Foot Journey' were seen arriving at the New York premiere held at the Ziegfeld Theater. Among them were producers Oprah Winfrey and Steven Spielberg, director Lasse Hallstrom and his wife Lena Olin and stars Om Puri and Charlotte Le Bon who play Papa and Marguerite respectively.
Tyler (Pattinson) is a 21-year-old student who still hasn't recovered from the suicide of his big brother six years ago. He devotes himself to his little sister Caroline (Jerins) and rebels against their wealthy father (Brosnan). When he's brutally arrested by a cop (Cooper), his chucklehead flatmate (Ellington) suggests that he get even by dating the cop's daughter Ally (de Ravin), a fellow student. It turns out that Ally also has a personal tragedy in her life, and of course they fall in love as they try to sort out their issues.
Continue reading: Remember Me Review
Clay, like so many men before him, tries to block out the pain by intense concentration on thoughts of Jessica Alba (playing his girlfriend Sam -- though oddly enough, Clay's strongest memories reveal nothing more explicit than Alba's demurely exposed back). His focus breaks down when he overhears some, shall we say, less than reassuring words from his doctors, and from there a trapped Clay races against time, desperately attempting to alert Sam and/or his possessive mother (Lena Olin) of the danger he's in.
Continue reading: Awake Review
Call him an 18th century Hitch, if you will -- he's Casanova (Heath Ledger), and he has so many admirers he doesn't need to sleep with the same woman more than once, and seldom does. How does he do it? Is it his uncanny charm? His undeniable charisma? His stunning good looks? His fashionable wardrobe? Who knows? But what whatever he's doing, it definitely works.
Continue reading: Casanova Review
The Unbearable Lightness of Being focuses on Tomas (Daniel-Day Lewis), a Don Juanist terrified of commitment and a surgeon at a Prague hospital. He is trapped between his platonic and semi-erotic love of Teresa (Academy Award winner Juliette Binoche), a photographer and his wife and a erotic and semi-platonic love of Sabina (Lena Olin), a painter and his mistress.
Continue reading: The Unbearable Lightness Of Being Review
The Queen of the Damned stars Stuart Townsend as the vampire Lestat, a character first made popular in film by Tom Cruise in the engaging Interview With the Vampire. This time around, Lestat has risen from his slumber again, intent on making his mark. Tired of hiding in shadows, he starts a career as a rock star, much to the ire of his maker Marius (Vincent Perez). But the anger of the world's vampire covens is the least of his problems when his music awakens the mother of all Vampires, the all-powerful Queen Akasha (Aaliyah).
Continue reading: The Queen Of The Damned Review
Set against the idyllic backdrop of a quaint puritanical village in the French countryside, mysterious Vianne (Juliette Binoche) and her daughter, dressed in identical Red Riding Hood outfits, literally blow into town "on the North Wind." Within days, the duo brazenly opens a magical chocolaterie across the street -- gasp -- from the church, and on the first week of Lent, no less. Vianne -- who comes off as a 50's-era Erin Brockovich sporting low-cut tops and bright red stilettos -- is turning the townsfolk on to her sweets, which a la Pleasantville miraculously inspire increased sex drives, feminist awakenings, familial reconciliation and even criminal rehabilitation. Soon, the town's prudish mayor launches a campaign to drive the sin-inducing shop out of business.
Continue reading: Chocolat Review
Opening like a cheap horror movie with titles that fly out of computer-animated castle facades, "The Ninth Gate" has an uphill battle to recover respectability from the very beginning.
Director Roman Polanski bounces back nicely at first though, weaving an eerie, Gothic fabric around this film featuring Johnny Depp as an unscrupulous rare book expert, hired by a cadaverous demonology collector (Frank Langella) to find and authenticate two similar copies of an ancient Satanic volume he has acquired through questionable means.
Sent to Portugal and Paris to study the other editions, Dean Corso (Depp) discovers the demonic engravings that grace each book differ slightly from copy to copy. Some of the drawings, he seems to believe, are signed by Lucifer himself.
Continue reading: The Ninth Gate Review
"Hollywood Homicide" is a sly satire of buddy-cop action-comedies that replicates the genre's trappings so precisely many moviegoers will mistake it for a genuinely bad buddy-cop action-comedy.
The vaguely ridiculous title and overtly assembly-line plot all by themselves had me dreading the press screening. A handsome, aging, grumpy detective (Harrison Ford) in a wise-cracking reluctant partnership with a handsome rookie detective (Josh Hartnett), both of whom are way out of their depths investigating the gunning down of a rap group in a hip-hop club? Talk about knee-deep in Hollywood pig slop.
But writer-director Ron Shelton ("Tin Cup," "Bull Durham") -- who wrote this film just after completing his for-hire helming of the genuinely cliché-riddled L.A. cop drama "Dark Blue" -- embraces this ostensible triteness and reshapes it into comedy of the absurd without being conspicuously ironic or self-aware. "Hollywood Homicide" is often authentically slapdash, shallow and hackneyed because its mockery of Hollywood's pre-fabricated blockbuster mentality is meant to sneak up on you.
Continue reading: Hollywood Homicide Review
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The BBC drama starring Aidan Turner returns to BBC One on September 4th.
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