The cast and crew of restaurant drama 'The Hundred-Foot Journey' were seen arriving at the New York premiere held at the Ziegfeld Theater. Among them were producers Oprah Winfrey and Steven Spielberg, director Lasse Hallstrom and his wife Lena Olin and stars Om Puri and Charlotte Le Bon who play Papa and Marguerite respectively.
Tyler (Pattinson) is a 21-year-old student who still hasn't recovered from the suicide of his big brother six years ago. He devotes himself to his little sister Caroline (Jerins) and rebels against their wealthy father (Brosnan). When he's brutally arrested by a cop (Cooper), his chucklehead flatmate (Ellington) suggests that he get even by dating the cop's daughter Ally (de Ravin), a fellow student. It turns out that Ally also has a personal tragedy in her life, and of course they fall in love as they try to sort out their issues.
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Clay, like so many men before him, tries to block out the pain by intense concentration on thoughts of Jessica Alba (playing his girlfriend Sam -- though oddly enough, Clay's strongest memories reveal nothing more explicit than Alba's demurely exposed back). His focus breaks down when he overhears some, shall we say, less than reassuring words from his doctors, and from there a trapped Clay races against time, desperately attempting to alert Sam and/or his possessive mother (Lena Olin) of the danger he's in.
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Call him an 18th century Hitch, if you will -- he's Casanova (Heath Ledger), and he has so many admirers he doesn't need to sleep with the same woman more than once, and seldom does. How does he do it? Is it his uncanny charm? His undeniable charisma? His stunning good looks? His fashionable wardrobe? Who knows? But what whatever he's doing, it definitely works.
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Like a long road trip to nowhere, Spanish director Jaume Balagueró's Darkness is miserable, frustrating, and hard on the buttocks. Though the film's run time is a mere 102 minutes, the psychological impact of wasting precious money and energy staring at the screen and waiting for something -- anything -- to happen could take years off your life.
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As part of its tired buddy-cop routine, Homicide suggests that everyone in La La Land works one career but dreams of another. Cops want to be real estate brokers, musicians want to be actors. So it's only appropriate that the film plays along with this concept, laboring as a police investigation by day and moonlighting as an entertainment industry spoof after hours.
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Mystery Men is one of the funniest films I've seen all year. It combines the hilarious randomness of films like Austin Powers: The Spy Who Shagged Me, with a satirical twist that today's audiences are sure to appreciate. Now don't get me wrong, Mystery Men is no masterpiece, but it made me laugh (a lot) and that's what the film is about. Mystery Men scores high in all areas. It has an entirely kooky and original plot fueled by crack up dialogue, mesmerizing scenery, (which is reminiscent of the Batman movies) and an awesome cast.
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The Unbearable Lightness of Being focuses on Tomas (Daniel-Day Lewis), a Don Juanist terrified of commitment and a surgeon at a Prague hospital. He is trapped between his platonic and semi-erotic love of Teresa (Academy Award winner Juliette Binoche), a photographer and his wife and a erotic and semi-platonic love of Sabina (Lena Olin), a painter and his mistress.
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