Though Ingrid and Ingmar Bergman aren't related, their pairing on a movie set was a long-anticipated event -- each of their careers were marked by a certain Scandinavian iciness -- and it turned out to be a wholly successful one. Ingrid has a stubborn, indomitable attitude in the opening of the film that turns out to be only selfish shallowness - she resents being in the presence of Helena, and seems anxious to get away from Eva, who she always felt fell short of expectations. As each reveal the losses they've suffered and the slights they've felt, it slowly becomes clear that resentment has built up between them for years. But the brutality of Eva and Charlotte's final fight doesn't come from the noise they make - it's in the way their words cut. "You should be hidden away and kept from doing others harm," Eva tells her mother towards the end, and it seems to annihilate her.
Continue reading: Autumn Sonata Review
For well over 35 minutes the film gives us the story of a young Swedish woman named Lena (Lena Nyman) coming of age in a politically aware time period. And by the way, she happens to be sexually active too, so at the 38 minute mark the woman and her new boyfriend (Börje Ahlstedt) take each other's clothes off. Finally, I thought the film is going to deliver. But since the scene is fairly innocent - it would most likely pass PG-13 today - I figured this must be just a warm-up.
Continue reading: I Am Curious (Yellow) Review