Len Cariou

Len Cariou

Len Cariou Quick Links

News Pictures Video Film RSS

Spotlight Trailer


Michael Rezendes is a dedicted reporter for the Boston Globe and part of their Spotlight Team; an investigative division focused on justice and whistle-blowing. When accusations of child sex abuse by members of the Catholic Church arise, he leads the team into their latest case, determined to uncover the truth about a morally questionable priest and his scandalous activities across six different parishes over the course of several decades. It is alleged that the church knew what was going on, but chose not to act and hold their reputation above the welfare of their children. Not only that, but past statements from attorneys don't appear to add up and a delicate battle ensues with the government and police all getting involved as the Boston Globe take on the church. There's a large team at the newspaper working on bringing this case into the open once and for all, and they refuse to let these atrocities be swept under the rug another time.

Continue: Spotlight Trailer

Opening of Wahlburgers in Coney Island

Len Cariou, Donnie Wahlberg and Abibail Hawk - Opening of Wahlburgers in Coney Island - Arrivals - New York City, United States - Wednesday 24th June 2015

Len Cariou
Len Cariou and Abibail Hawk

SAG Foundation Actors Center

Len Cariou - Celebrities turn out for the opening of SAG Foundation Actors Center in New York City - New York City, New York, United States - Wednesday 30th April 2014

Prisoners Trailer


Keller Dover is just a regular guy from Boston who goes with his wife Grace and six-year-old daughter Anna to their neighbours' house on what seems like a routine social occasion. No parent blinks an eye when Anna asks if she can take the neighbours' daughter Joy to their house to play, but when there's no sign of them back home later on, panic ensues as the families scour the nearby streets trying to find their precious children. The only clue as to what may have happened to them lies with a banged up RV that had been parked nearby. When young Detective Loki gets involved with the case, he manages to make an arrest on the driver - a seemingly timid and quiet young man called Alex Jones. However, with no solid evidence against him for the cops to keep him in custody in the case for the missing girls, they are forced to release him after 48 hours. Keller, angry with the verdict and fearing for the life of his daughter who he believes is still alive, decides to embark on his own investigation and kidnaps Alex at gunpoint in an attempt to extract information. Though through his panic and frustration in his quest to find his daughter, he may lose himself along the way.

Continue: Prisoners Trailer

Marty Richards Memorial benefiting the New York Center for Children held at the Edison Ballroom - Performance

Len Cariou - Marty Richards Memorial benefiting the New York Center for Children held at the Edison Ballroom - Performance - New York, New York, United States - Monday 8th April 2013

Marty Richards Memorial benefiting the New York Center for Children

Len Cariou - Marty Richards Memorial benefiting the New York Center for Children held at the Edison Ballroom - Arrivals - New York City, NY, United States - Monday 8th April 2013

Chita Rivera and Len Cariou

Picture - Will Estes, Amy Carlson, Len... , Wednesday 16th May 2012

Will Estes, Bridget Moynahan, Len Cariou and Tom Selleck - Will Estes, Amy Carlson, Len Cariou, Bridget Moynahan, Tom Selleck Wednesday 16th May 2012 2012 CBS Upfronts at The Tent at Lincoln Center

Will Estes, Bridget Moynahan, Len Cariou and Tom Selleck

About Schmidt Review


Grim
See Jack brood. See Jack rebelliously piss standing up (no, no frontal nudity). See Jack cry. Notice the use of the name "Jack" and not Schmidt because, no matter how much Jack Nicholson is supposed to be restrained from his normally boisterous persona, the amount of tightly shot footage in About Schmidt dedicated specifically to closely framing Jack's mug never lets you forget exactly who you are looking at. There should be plenty of available excerpt material for Oscar this year. It certainly doesn't help derail the notion of this being a vanity piece that none of the supporting characters get a chance to shine.

Not that Jack can't be remarkably and convincingly low-key. His roles in both of Sean Penn's directorial projects, The Crossing Guard and The Pledge, are some of the best and most understated work he's ever done. And having enjoyed Citizen Ruth and Election, it's surprising to find that writer/director Alexander Payne's latest attempt at satire falls short of impressing when it stars someone that is capable of delivering. Maybe a comparison of the type of respect Penn must demand versus a relative newcomer to Hollywood is in order.

Continue reading: About Schmidt Review

The Four Seasons Review


Good
Back in the '70s, Alan Alda gained a rep as a "sensitive man," a pro-ERA, Marlo Thomas-loving, abortion-rights-advocating bleeding heart. The Four Seasons, written, directed, and starring Alda at the peak of his M*A*S*H fame, is his feminist apotheosis. This sparkling comedy tracking the travails of three upscale middle-aged couples as they vacation together four times a year (accompanied by a vibrant Vivaldi soundtrack, natch) is told from a distinctly female, and feminist, perspective. Alda is really in touch with his softer side.

Jack and Kate Burroughs (Alda and Carol Burnett), Danny and Claudia Zimmer (Jack Weston and Rita Moreno), and Nick and Anne Callan (Len Cariou and Sandy Dennis) head off for the first of their four annual trips in spring, but it's not going to be a good time. The fragile and seemingly unstable Anne announces that Nick has dumped her and that a divorce is imminent. The women rally around their long-time friend while the men stand back and try to avoid emoting at all.

Continue reading: The Four Seasons Review

Thirteen Days Review


Excellent
I don't often override the writers at filmcritic.com, free speech and individual preference being what they are, but every now and then I disagree with a critic so much, I am called to make a response. (And since we published this review in January 2001, the reader mail has let me know just what they thought of this bit of criticism....)

Thirteen Days is the film in question -- and unlike staff writer James Brundage I felt the film was a truly powerful one, an eye-opening dissection of the Cuban Missile Crisis, a sobering study of how close we came to annihialation during the Cold War, and a peek behind the scenes of detente. An excellent companion to another (even better) Kevin Costner vehicle, Oliver Stone's JFK, Thirteen Days is not an actor's showcase like JFK is, but rather lets its story do the telling, taking us behind the scenes as decisions with cascading consequences are made. To be sure, Roger Donaldson was likely a poor choice as director -- his arbitrary use of black and white vs. color, his heavy-handedness in glorifying Kennedy at every turn, and his preachy doomsaying all wear a bit thin. But even he can't ruin the film completely.

Continue reading: Thirteen Days Review

Shall We Dance Review


Grim

A warmhearted semi-romance of self-discovery, "Shall We Dance" opens so promisingly that it's a big disappointment when the picture suffers crucial missteps that throw off its entire rhythm.

Richard Gere stars as a melancholy Chicago probate lawyer whose prosaic life (established in an uncommonly affecting voice-over and a perfectly pitched montage of daily routine) gets a secret, seductive pick-me-up when he discovers a passion for ballroom dancing. Riding home on the elevated train day after day, he becomes drawn to a possible kindred spirit, a beautiful stranger (Jennifer Lopez) who seems to be forever staring sadly out a dance-studio window. One day his intuition gets the better of him. He signs up for a dance class to be near her.

As Gere's ennui is only tenuously related to his marriage (to Susan Sarandon), the film does not go the obvious direction with this attraction. But director Peter Chelsom ("Serendipity") and screenwriter Audrey Wells ("Under the Tuscan Sun") find other ways to turn this remake of a mediocre 1997 Japanese film about cultural repression into a wholly Hollywood affair.

Continue reading: Shall We Dance Review

Secret Window Review


OK

Any half-savvy moviegoer will have the entire plot of "Secret Window" sussed out so far in advance that after the first couple reels the only thing left to do is sit back and enjoy Johnny Depp as he turns this tattered Stephen King B-thriller into a one-man tour de force of gloriously glib psychodrama.

It's a movie that aspires only to entertain with easy apprehension, and harbors no delusions that it's anything more than second-rate horror cobbled together from familiar bits of other King stories (notably "The Dark Half" and "Misery") -- in short, a corny goosepimpler for genre gourmets who wish more drive-in flicks were made with a crafty cinematic élan.

Depp delves happily and headlong into playing Mort Rainey, a dejected divorcé novelist who is holed up in a lakeside cabin, wallowing in writer's block and self-pity until John Shooter -- a nerve-racking nut job played by John Turturro with a Mississippi-backwoods drawl -- turns up on his doorstep accusing him of plagiarism. "Yew stowal mah stowry," the slump-shouldered, slack-jawed whacko bug-eyes from behind the rim of an Amish farmer's round-topped hat.

Continue reading: Secret Window Review

Thirteen Days Review


OK

I don't know about you, but whenever I hear Kevin Costner is coming out with another two-hour-plus epic drama, I have a Pavlovian reaction of raging skepticism. After all, this man was the driving force behind "Waterworld" and "The Postman," not to mention the lengthy, maudlin romances "For the Love of the Game" and "Message In a Bottle."

So I admit I went in to "Thirteen Days" -- not only another Costner epic but another Costner revisionist history epic centering around John F. Kennedy -- expecting to cringe my way through it and subconsciously (?) looking for gaffes.

At first there were signs the film might live down to my expectations, like the title sequence's generically ominous stock footage of mushroom clouds and Costner's awk-cent, which begins as more Elmer Fudd than Kennedy compound before he eases into a smooth vocal rhythm. But within 10 minutes I was completely wrapped up in this fly-on-the-wall, pressure-cooker dramatization of what went down at the White House during the Cuban Missile Crisis.

Continue reading: Thirteen Days Review

About Schmidt Review


Good

Attention anyone who has ever complained about the lack of movies for adults and about adults: Now is your chance to prove to the studio suits a great film about growing old is economically viable.

"About Schmidt" is an unaffected, quietly ingenious, wonderfully melodious, melancholy comedy starring Jack Nicholson in what may be the most tactile, nuanced and natural performance of his exalted career. He plays Warren Schmidt, a former insurance actuary from Omaha, Neb., whose life has become untethered in the double-whammy wake of recent retirement and sudden widowhood.

Trying to cope with a glut of old emotional baggage, Schmidt sets out on a soul-searching trip -- the eventual destination of which his daughter's unfortunate wedding to a mullet-headed waterbed salesman -- in the monstrous, 35-foot deluxe motor home he'd reluctantly purchased at his loving late wife's behest.

Continue reading: About Schmidt Review

Len Cariou

Len Cariou Quick Links

News Pictures Video Film RSS