Leigh Taylor-young

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Looker Review


Weak
You gotta love technology. Without technology and the naturally amoral things it does, we'd have no villains in the movies. I mean what's more frightening than extreme rationality? Clones? Oh my! Circuit boards and vacuum tubes? Yikes! According to Michael Crichton's early flick Looker, technology -- in particular, television -- holds us fast in its undeniable sway and there is very little we can do to escape its cold grasp. I guess that's the point in Looker, though it's still a bit unclear.

Albert Finney is a popular plastic surgeon and business is great. Thing is, some of his models start turning up dead and, naturally, there's a conspiracy afoot. One that involves digitized people, high-tech guns (the Lookers of the title or Light Ocular Oriented Kinetic Energetic Responsers), and big business. Susan Dey play Cindy (and doffs every stitch of clothing), a model who wants perfection to get a modeling contract with the ominous sounding Digital Matrix. James Coburn plays the tycoon behind Digital Matrix and like all tycoons he's thoroughly bad.

Continue reading: Looker Review

The Gang That Couldn't Shoot Straight Review


Bad
As much as I like Hervé Villechaize, it's pretty impossible to like much about The Gang That Couldn't Shoot Straight, a mob slapstick comedy that features Tattoo is one of a bunch of hapless thugs who want to get rid of the local heavy (Lionel Stander) so they can take over in his stead. Too bad the crew, you know, can't shoot straight... and though they try endlessly to get rid of him, they just can't manage to do it.

That's pretty much the story, with rising star Robert De Niro strangely inserted into the movie to take advantage of his upcoming celebrity (he's a bicycle racer that falls for the gang leader's (Jerry Orbach) kid sister (Leigh Taylor-Young, completely lost here). The bulk of the film has Orbach and co. scheming endlessly to off Stander's Baccala, and over and over it fails to amuse us, even when a live lion is thrown into the mix. That's the film. If it weren't for Villechaize, there'd be nary a laugh in the whole movie, and even that kind of comedy is hardly highbrow.

Continue reading: The Gang That Couldn't Shoot Straight Review

I Love You, Alice B. Toklas! Review


Weak
Peter Sellers made a lot of good movies, and history has been kind enough to purge the memory of the bad ones from our collective minds. The painfully titled I Love You, Alice B. Toklas! is one of those bad ones, the kind I'd now -- having just sat through it -- would prefer to forget altogether.

The setup is straight out of a '60s sitcom: Harold Fine (Sellers) is a stuffy lawyer. He re-encounters his dippy hippie brother Herbie (David Arkin) to take him to a funeral, and is immediately disgusted by his free-living ways. But when Herbie's pal Nancy (Leigh Taylor-Young) concocts a batch of pot brownies, Harold suddenly goes nuts for the hippie life. He turns his apartment into a love shrine, where he and Nancy can, well, eat a lot of pot brownies. Will he tire of this in the end and go back to his wife-to-be (whom he left at the altar to head off with Nancy)? Who cares?

Continue reading: I Love You, Alice B. Toklas! Review

Klepto Review


Good
Now here's a funny idea: Kleptomaniac teen and shopping mall security guard fall in love and have a grand adventure.

Cute premise, and Klepto is indeed plenty charming... but ultimately it becomes too serious for its own good, forgetting that it's basically, you know, a love story between a kleptomaniac (and otherwise troubled) teen and shopping mall security guard that is better played for ironic laughs.

Continue reading: Klepto Review

The Big Bounce (1969) Review


Weak
Alex March takes his sweet time getting us to even a small bounce, much less the titular big one.

In the parlance of Elmore Leonard's 1960s novel, a bounce refers to a crime, and party girl Nancy (Leigh Taylor-Young in one of her first screen roles) is really into bouncing. When drifter Jack Ryan (no, not that Jack Ryan), played by Ryan O'Neal, shows up, Nancy encourages Jack's bad-boy past, goading him into riding along on her minor crime wave. Eventually of course that takes a turn for the worse (this being an Elmore Leonard book), and while much of this is obviously intended as twisty comedy a la Get Shorty, television director Alex March never gets a firm grasp of the material, leaving the proceedings quite flat. The big finale couldn't be more unsatisfying.

Continue reading: The Big Bounce (1969) Review

Soylent Green Review


Good
Charlton Heston runs down the crowded street shrieking at the top of his lungs, "Soy-LENT green is PUR-PLLLLLE! IHHHT'S PUHHHHR-PLLLLLLE!" All right, that scene does not occur in the actual '70s pulp sci-fi movie -- it was the nifty Saturday Night Live parody where the late Phil Hartman made a mockery of Chuck's hambone line delivery.

Let's pause for a moment and reflect on Charlton Heston's wonderful '70s science fiction career. He had a penchant for wincing his way through angry line deliveries like, "Gehhhht yer STINKING PAWS off me, you DAMN DIRTY APE!" using every wrinkle in his brow, his shark-like teeth gleaming in the sun. Sweat would glisten on his prominent brow and chiseled cheeks. When he dies, we shall say there was an actor.

Continue reading: Soylent Green Review

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Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

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There's already an Oscars buzz surrounding this movie.

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