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Equity Trailer


Naomi Bishop is a senior investment banker who works in the male dominated world of Wall St Finance, and who quickly becomes involved in a world of corruption and scandal. In 'Equity', Bishop misses out on an opportunity for a promotion in her company when it becomes apparent that she miscalculated the IPO's (Initial Public Offering) value and didn't handle the going public news effectively, as a result she needs to prove herself once again. This leads to her courting the promising newcomers in order to get her foot in the door and spot a potential business opportunity.

Continue: Equity Trailer

Video - Kylie Minogue Was Stunning In White At The 25th Annual GLAAD Media Awards - Part 6


Kylie Minogue looked dazzling in white as she smiled at the paparazzi and chatted to some reporters on the red carpet at the 25th Annual GLAAD Media Awards in New York. The singer has long been an advocate for LGBT causes among her many humanitarian ventures.

Continue: Video - Kylie Minogue Was Stunning In White At The 25th Annual GLAAD Media Awards - Part 6

Lee Tergesen - 25th Annual GLAAD Media Awards held at the Waldorf Astoria Hotel - Arrivals - New York, New York, United States - Sunday 4th May 2014

Lee Tergesen
Lee Tergesen

No One Lives Review


Good

Clearly designed to be as grisly as humanly possible, this movie combines a brutal central character with a very flimsy premise. And the result is actually rather good fun simply because it's so over-the-top. While happily indulging in every gross-out cliche they can think of, the filmmakers may play it far too straight but they also give horror fans exactly what they want.

There's even the hint of a back-story, as an unnamed man (Evans) drives through the American Northwest with his reluctant girlfriend (Ramsey), who is furious over an affair he had. When they stop in a small town for the night, the televisions are full of stories about the hunt for kidnapped heiress Emma (Clemens). And they inadvertently become the target for a gang of violent burglars (Tergesen, Magyar, Olivo, Knapp and Clay) who have just killed an entire family. But the driver isn't a man to mess with, and when the thugs discover Emma hidden in his car, she warns them that he's a psychopathic maniac who won't leave any of them alive.

From here the movie essentially becomes an extreme slasher horror from the killer's perspective, as director Kitamura merrily indulges in the most grotesque torture and carnage he can think of. And it's so bloodthirsty that we can hardly stifle our laughter. There's also a level of soapy psychological tension to go along with the physical nastiness, which gives the actors something to work with. Evans prowls through each scene with unblinking ferocity, deploying whatever he finds on the gang's farm (oh look, a wood-chipper!). Meanwhile, the goons reply by having a vicious power struggle between Tergeson's cool-headed leader and Magyar's trigger-happy meathead.

Continue reading: No One Lives Review

Lee Tergesen - ABC's 'Red Widow' Red Carpet Event at Romanov Restaurant Lounge at Studio City - Studio City, CA, United States - Tuesday 26th February 2013

Lee Tergesen
Lee Tergesen
Lee Tergesen

The Collection Trailer


The Collector is a brutal masked serial killer who enjoys torturing, mutilating and killing his victims through booby-traps after luring them to secret locations to collect them. Despite being the subject of an immense manhunt, he manages another ruthless slaughter by rigging up a set of traps at an underground nightclub. Elena is persuaded by her friends to attend the club, but becomes the only survivor after every other attendee is murdered. She is instead kidnapped and taken to an old hotel, again lined with traps. The only person who knows where she is is Arkin; an ex-con who is still traumatised by his own experiences and narrow escape from the Collector. He is persuaded to help look for her after being approached by Elena's wealthy father and his team of headstrong mercenaries, but will they find her in time to save her? And will they struggle to hold themselves together along the way?

'The Collection' is the grisly sequel to 2009 horror flick 'The Collector'. It has been directed by Marcus Dunstan ('Saw IV', 'Piranha 3DD') who co-wrote the screenplay with his previous writing partner Patrick Melton and it has already been released in cinemas in Fall 2012 in the US.

Starring:Josh Stewart, Emma Fitzpatrick, Lee Tergesen, Johanna Braddy, Navi Rawat, Randall Archer, Michael Nardelli, Christopher McDonald, Tim Griffin, Andre Royo, Brandon Molale, Daniel Sharman, Erin Way, Shannon Kane, Justin Mortelliti,

Continue: The Collection Trailer

Lee Tergesen - Kristin Rohde and Lee Tergesen Tuesday 12th June 2012 The premiere after party for 'Rapture, Blister, Burn' held at Heartland Brewery

Lee Tergesen
Lee Tergesen and Amy Brenneman
Lee Tergesen
Amy Brenneman and Lee Tergesen

Red Tails Trailer


In the height of World War II, the American Army have devised an experimental training programme, known as the Tuskegee Training Programme, that consists of African American soldiers. Despite their hard work training, they are beginning to lose hope that they will ever fight in the war. Discrimination in the army was so rife, the men were often seen as unable to fight for their country.

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Lee Tergesen - Saturday 22nd January 2011 at Sundance Film Festival Park City, Utah

Lee Tergesen
Lee Tergesen
Lee Tergesen

Generation Kill Review


Excellent
In their seven-part Iraq War miniseries adaptation of Evan Wright's book Generation Kill, David Simon and Ed Burns roll up a quiverful of arrows to fire off at various topics, ranging from the rampaging adrenaline of young men at war to the supreme idiocy of the invasion itself. However, the bright and gleaming theme running through most of these hard-bitten episodes has the filmmakers illustrating an age-old military maxim: Soldiers are often much more likely to be killed by the decisions of their submoronic leadership than they are by actions undertaken by the enemy. When that enemy is as pathetic a force as Saddam's Republican Guard, and the American officer corps obsessed more with the idea of taking Baghdad at warp speed than properly clearing the territory they're pushing through (both points made time and again in this series), that maxim is even more true than usual.

Wright was a Rolling Stone reporter who somehow got himself embedded in the First Recon Marine unit that was frequently at the very point of the entire American military machine rolling into Iraq in 2003. In the capable hands of Simon and Burns, his story of these turbo-trained alpha-male hunter-killers becomes something unlike most any other film project about the war. It opens in the sands of Kuwait, with the platoons tussling in the sand like overgrown boys, primed with teeth-bared intensity to launch themselves at Saddam's forces; only, in the manner of Jarhead, that great battle never quite seems to come.

Continue reading: Generation Kill Review

Lee Tergesen and Tom Fontana - Lee Tergesen, Tom Fontana New York City, USA - Screening of 'Run Fatboy Run' - Arrivals Tuesday 18th March 2008

Lee Tergesen and Tom Fontana
Lee Tergesen

Monster (2003) Review


Good
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster (2003) Review

Shot In The Heart Review


Bad
Here's another made for HBO movie that clearly aspires for cinematic splendor, circling the actors in dizzying tracking shots. Shot in the Heart overcompensates for the small screen. Since it's largely told in scenes where death row inmate Gary Gilmore (Elias Koteas) and his younger brother Mikal (Giovanni Ribisi) discuss their family history and right-to-die ethics across the table from each other, such grandiose flourishes ring false. I much preferred the non-flashy functionality of HBO's recent Conspiracy (the nazi board room meeting to discuss the Final Solution to the "Jewish problem," starring Kenneth Branagh) because at least it was willing to follow the boxed-in rules of TV conventions. Shot in the Heart feels overcooked.

In the allegory-seeking hands of director Agnieszka Holland (Total Eclipse), no opportunity is resisted for family dinner flashbacks where sinister dad Sam Shepard knocks over the turkey and throws young Gary around the room. Religious fervor is represented through wide-eyed mania in Shepard's resident madman and Amy Madigan's Carrie-tinged Mormon mother. More interesting are the prison scenes (shades of Oz), where Ribisi and Koteas are boxed in by walls of glass, steel, and wire frames. Unfortunately, the two ferociously talented lead performers are encouraged to conform to Actor's Studio emoting--Koteas can't keep still, Ribisi's hands are constantly kneading handy props (and, barring that, are continually rubbing away thinly veiled tears).

Continue reading: Shot In The Heart Review

Monster Review


Good
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster Review

Monster Review


Very Good

Curvy, leggy, drop-dead gorgeous Charlize Theron ("The Italian Job," "Mighty Joe Young") has always had the chops to play deeper and more challenging roles than the girlfriends and temptresses she's been making a living from since her cat-fighting sexpot debut in "2 days in the Valley." But to date few in Hollywood have seen past her looks.

That's about to change.

The actress has made an astonishing physical and quintessential transformation to play leather-hearted truck-stop prostitute and serial killer Aileen Wuornos in the riveting, bleak and exceptionally intuitive biopic "Monster," and I guarantee she'll be taken seriously from now on.

Continue reading: Monster Review

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Lee Tergesen Movies

Equity Trailer

Equity Trailer

Naomi Bishop is a senior investment banker who works in the male dominated world of...

No One Lives Movie Review

No One Lives Movie Review

Clearly designed to be as grisly as humanly possible, this movie combines a brutal central...

The Collection Trailer

The Collection Trailer

The Collector is a brutal masked serial killer who enjoys torturing, mutilating and killing his...

Red Tails Trailer

Red Tails Trailer

In the height of World War II, the American Army have devised an experimental training...

Generation Kill Movie Review

Generation Kill Movie Review

In their seven-part Iraq War miniseries adaptation of Evan Wright's book Generation Kill, David Simon...

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Monster (2003) Movie Review

Monster (2003) Movie Review

Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back...

Monster Movie Review

Monster Movie Review

Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back...

Monster Movie Review

Monster Movie Review

Curvy, leggy, drop-dead gorgeous Charlize Theron ("The Italian Job," "Mighty Joe Young") has always had...

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