Lee Grant and Jon Robin Baitz Thursday 13th January 2011 Opening night of the Lincoln Center production of 'Other Desert Cities by Jon Robin Baitz' at the Mitzi E. Newhouse Theater - Arrivals New York City, USA
No longer a toddler, Damien: Omen II finds our young antichrist shipped to Chicago to live with his aunt (Lee Grant) and uncle (William Holden -- yeah, that William Holden). He's a hugely successful titan of industry, which is perfect for Damien: Eventually he'll become the boss of Thorn Industries, a great vantage point for ruling the world as the dark lord.
Continue reading: Damien: Omen II Review
Of course it turns out that Poitier's Virgil Tibbs is also a police detective, and in one of cinema's least logical plot twists, he is asked by his supervisors back home to pitch in with the murder investigation. All sides are reluctant, at least until the crime is ultimately solved and everyone comes to understand a bit about the other side of the fence. (How that got Tibbs to stick around in redneck central for two sequels and eight years as a TV show is never really explained.)
Continue reading: In The Heat Of The Night Review
Detective Story takes place almost entirely within a detective squad room of a police station. Originally a play, the film focuses on the dramas -- large and small -- that go on during this fateful day. A woman (Lee Grant) is hauled in for shoplifting. She spends the entire day just sitting there, waiting. Another man is brought in for stealing from his boss in order to fund his girlfriend's expensive tastes, while her sister begs for the cops to let him go. Two burglars are given the shakedown. And, in what drives the film's most critical plot forward, McLeod spars continuously with a suspicious doctor for reasons unknown. When McLoed's wife (Eleanor Parker) shows up, it'll come to a head.
Continue reading: Detective Story Review
Given just a few days to live (a rather contrived Dark Victory-style setup but one that is apparently based on a true story), Nick decides to commit suicide rather than suffer at the end the way so many of his AIDS-afflicted friends have. But before he goes, he decides to throw a two-day party to which he will invite all his friends, hand out parting gifts, and say goodbye with laughs and drinks rather than with tears and sadness.
Continue reading: It's My Party Review
Written and directed by Anne De Salvo, this sickeningly saccharine 91 minutes revolves around a supposedly tight-knit, triple-generation family of women. Each character embodies the ultimate in annoying stereotypes, from selfless martyr to irresponsible wanderer. And of course, they each have a male in their life to represent the standard issues of women's liberation from 30 years ago.
Continue reading: The Amati Girls Review
In the parlance of Elmore Leonard's 1960s novel, a bounce refers to a crime, and party girl Nancy (Leigh Taylor-Young in one of her first screen roles) is really into bouncing. When drifter Jack Ryan (no, not that Jack Ryan), played by Ryan O'Neal, shows up, Nancy encourages Jack's bad-boy past, goading him into riding along on her minor crime wave. Eventually of course that takes a turn for the worse (this being an Elmore Leonard book), and while much of this is obviously intended as twisty comedy a la Get Shorty, television director Alex March never gets a firm grasp of the material, leaving the proceedings quite flat. The big finale couldn't be more unsatisfying.
Continue reading: The Big Bounce (1969) Review
Oh, and all of them star Walter Matthau, in three different roles, with three different leading ladies.
Continue reading: Plaza Suite Review
After spending the better part of his adult life in a storm of estrogen, OB-GYN Dr. Sullivan Travis (Richard Gere) is still a man in awe of women and still at a loss to understand them.
The fashionable gynecologist to every flaky high society dame in Dallas, his overbooked office waiting room is always a circus of air-kissing aristocrats in leopard print hats and feather boas.
At home he has a wife (Farrah Fawcett) who may be ready for a stay at a well-heeled asylum. Also under his roof are one slightly ditzy daughter (Kate Hudson) preoccupied with planning her deluxe wedding and another offspring (Tara Reid) who wants to throw a wrench in the works because she's suspicious of the curious influence the bourgeois maid of honor (Liv Tyler) seems to have over her sister.
Continue reading: Dr T & The Women Review
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