Hellboy II takes the fantastic make-up artistry, creature creation, and set design that we grew fond of in Pan's Labyrinth and combines all of these elements with mindblowing CGI and stunning choreography. The script this time around is sharp and witty; you'll be laughing for most of this movie (which is good, because Hellboy II would look silly if it took itself too seriously). Most importantly, the movie contains some of the best (i.e., least-fake-looking) action sequences I've ever seen in a comic-book movie, and lots of them, too, which makes it even better than Iron Man, its biggest summer contender next to the upcoming Dark Knight.
Continue reading: Hellboy II: The Golden Army Review
The plot concerns a scientific spaceship - the Event Horizon - that was sent into a black hole with a full crew. The ship, naturally, vanishes and reappears years later, empty and sulking in a space fog. A small rescue crew is sent out to rendezvous with the Event Horizon, comprised of all your traditional stock characters (stoic Captain Miller (Laurence Fishburne), Dr. William Weir (Sam Neill), Med Tech Peters (Kathleen Quinlan), and the usual spacefaring grunts). Once onboard the desolate Event Horizon, all manner of bizarre things begin taking place, and it's quite clear from the outset that wherever the Event Horizon was, it didn't come back alone. We're not talking Alien territory here, nothing that tangible, but the residue of some otherworldly hell that has infested the hulk of the ship and imbued it was a hideous life of its own. Or perhaps, it really did go to the hell. It's a bit unclear.
Continue reading: Event Horizon Review
Since Predator took place in the jungle, Hollywood's sense of irony dictates that the sequel should take place in the city: In this case, Los Angeles, where a bloody gang war is underway. But the cops (notably renegade do-gooder Danny Glover) can't quite reconcile the body count, and it isn't long until they start to realize that another force is at work, which might explain the metallic bits that no one can identify and the corpses missing all their vital organs.
Continue reading: Predator 2 Review
Unfortunately, star Bruce Willis, director John McTiernan and company couldn't duplicate the heart-pulling thrill of the first one with two increasingly mediocre sequels. Die Hard 2 and Die Hard: With a Vengeance suffered because of stuffing thrills and spills in every crevice, to the point where I expected the Road Runner to make a cameo. Everyone involved seemed to forget that simplicity made the original so riveting. There's one flawed New York City detective trapped in a skyscraper with only his wits and some firearms to stop a band of talented international terrorists.
Continue reading: Die Hard Review
What money is that? Oh, just $30 million, left to Montgomery Brewster (Richard Pryor) by his sole relative. The catch? The real inheritance is $300 million -- and if Monty wants it, he has to spend the $30 million in 30 days, and at the end of that time he can't have any assets to show for it. Oh, and he can't tell anyone what's going on, either.
Continue reading: Brewster's Millions Review
What a pity that Die Hard 2: Die Harder (based on the novel 58 Minutes) falls into the trap of being just another Die Hard in Washington's Dulles Airport. I mean, it's kinda funny that John McClane (Bruce Willis, having a good ol' time) acknowledges his pathetic luck. Not this shit again! He's waiting for his wife's plane to land when terrorists seize control of the airport, crashing a plane just to prove that they'll stop at nothing. Yes, they will stop at nothing! Insert an evil laugh here, and throw in a moustache twirl, why dontcha?
Continue reading: Die Hard 2 Review
In the '90s, Costner's messianic ambitions - his belief that his aw-shucks Everyman demanded an epic canvas to match his bank account - produced some of the worst films ever made. But his attitude works perfectly in 1989's Field of Dreams (based on the book Shoeless Joe) because the setting is appropriately modest; if we could never buy him as a post-apocalyptic savior, he's just fine as a middle-class hero. Costner plays Ray Kinsella, a rat-race refugee who's moved his wife Anni (Amy Madigan) and daughter Karin (Gaby Hoffmann) to a farmhouse in Iowa. One evening, alone amongst the corn, Ray hears a voice tell him, "If you build it, they will come." A vision of a baseball field is presented before him, and he immediately sets to work re-creating it, believing that it might help him better understand his late father, from whom he was long estranged.
Continue reading: Field Of Dreams Review
So the genre we're talking about in the case of K-PAX: A crazy man thinks he's an alien (a psychic, a king, etc.). The obvious question: Which is he: crazy, or an alien, or both? (A crazy alien, now that would be a fun twist on the whole genre wouldn't it?)
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Mystery Men is one of the funniest films I've seen all year. It combines the hilarious randomness of films like Austin Powers: The Spy Who Shagged Me, with a satirical twist that today's audiences are sure to appreciate. Now don't get me wrong, Mystery Men is no masterpiece, but it made me laugh (a lot) and that's what the film is about. Mystery Men scores high in all areas. It has an entirely kooky and original plot fueled by crack up dialogue, mesmerizing scenery, (which is reminiscent of the Batman movies) and an awesome cast.
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Even the teen hormones that live in all us guys are squashed by this one. Jolie, trying to play our heroine Lady Lara Croft as sexy and supercool, just looks mildly amused by the goings-on. I half expected her to check her watch while on camera, searching for lunch or a better project. [Never underestimate crafty film editing. -Ed.]
Continue reading: Lara Croft: Tomb Raider Review
What you feel about Hellboy the movie is an altogether different topic.
Continue reading: Hellboy Review
Surprise albums are becoming increasingly common in 2015, to the point where they’re failing...