Hellboy II takes the fantastic make-up artistry, creature creation, and set design that we grew fond of in Pan's Labyrinth and combines all of these elements with mindblowing CGI and stunning choreography. The script this time around is sharp and witty; you'll be laughing for most of this movie (which is good, because Hellboy II would look silly if it took itself too seriously). Most importantly, the movie contains some of the best (i.e., least-fake-looking) action sequences I've ever seen in a comic-book movie, and lots of them, too, which makes it even better than Iron Man, its biggest summer contender next to the upcoming Dark Knight.
Continue reading: Hellboy II: The Golden Army Review
The plot concerns a scientific spaceship - the Event Horizon - that was sent into a black hole with a full crew. The ship, naturally, vanishes and reappears years later, empty and sulking in a space fog. A small rescue crew is sent out to rendezvous with the Event Horizon, comprised of all your traditional stock characters (stoic Captain Miller (Laurence Fishburne), Dr. William Weir (Sam Neill), Med Tech Peters (Kathleen Quinlan), and the usual spacefaring grunts). Once onboard the desolate Event Horizon, all manner of bizarre things begin taking place, and it's quite clear from the outset that wherever the Event Horizon was, it didn't come back alone. We're not talking Alien territory here, nothing that tangible, but the residue of some otherworldly hell that has infested the hulk of the ship and imbued it was a hideous life of its own. Or perhaps, it really did go to the hell. It's a bit unclear.
Continue reading: Event Horizon Review
Since Predator took place in the jungle, Hollywood's sense of irony dictates that the sequel should take place in the city: In this case, Los Angeles, where a bloody gang war is underway. But the cops (notably renegade do-gooder Danny Glover) can't quite reconcile the body count, and it isn't long until they start to realize that another force is at work, which might explain the metallic bits that no one can identify and the corpses missing all their vital organs.
Continue reading: Predator 2 Review
Unfortunately, star Bruce Willis, director John McTiernan and company couldn't duplicate the heart-pulling thrill of the first one with two increasingly mediocre sequels. Die Hard 2 and Die Hard: With a Vengeance suffered because of stuffing thrills and spills in every crevice, to the point where I expected the Road Runner to make a cameo. Everyone involved seemed to forget that simplicity made the original so riveting. There's one flawed New York City detective trapped in a skyscraper with only his wits and some firearms to stop a band of talented international terrorists.
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What a pity that Die Hard 2: Die Harder (based on the novel 58 Minutes) falls into the trap of being just another Die Hard in Washington's Dulles Airport. I mean, it's kinda funny that John McClane (Bruce Willis, having a good ol' time) acknowledges his pathetic luck. Not this shit again! He's waiting for his wife's plane to land when terrorists seize control of the airport, crashing a plane just to prove that they'll stop at nothing. Yes, they will stop at nothing! Insert an evil laugh here, and throw in a moustache twirl, why dontcha?
Continue reading: Die Hard 2 Review
So the genre we're talking about in the case of K-PAX: A crazy man thinks he's an alien (a psychic, a king, etc.). The obvious question: Which is he: crazy, or an alien, or both? (A crazy alien, now that would be a fun twist on the whole genre wouldn't it?)
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Yet, Predator does exhibit a few morsels of potential. Given the effective atmosphere and pacing of the film, it is evident that more capable minds could have molded this thriller into an ageless, unrelenting struggle between man and beast. Unfortunately, instead of penning a daring, original plot, writers Jim Thomas and John Thomas recycle formulas from movies like Rambo and Alien. It goes without saying that Predator brings nothing new to the table, and lacks both surprise and suspense.
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The Warriors isn't really a movie about a gang trying to get home. It's an archetypal tale of survival, of revenge, of power and corruption and the human spirit. Sounds like a load of over-educated/under-paid horseshit, I admit. But The Warriors really does have that kind of power.
Continue reading: The Warriors Review
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