My nominee for the culprit would be the plot, which is convoluted and plodding. In short, Paris is in flux as the Nazis make their advances in 1940. A spoiled, petulant actress (Isabelle Adjani) travels with her new beau of convenience, the Prime Minister, played by a slim Gérard Depardieu. Meanwhile, her childhood friend (Grégori Derangère) - whom she inadvertently framed for murder - has escaped from jail.
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Murderous Maids tells the story of two sisters that are just a little to close and a little too sociopathic... which means plenty of incestual lesbianism capped off with the murder of their employer. This story -- a true-ish account that occured in the 1930s -- was told in film once before in the lackluster Sister My Sister, and it keeps cropping up in plays, books, and popular culture. In fact, this version of the film is based on a novelization of the events called L'affaire Papin.
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Rosetta, played by newcomer Emilie Dequenne, is a seventeen year-old adolescent suffering through a miserable life in Seraing, Belgium. She lives in a trailer park with an alcoholic mother who prostitutes herself for booze and food. Her home barely has running water and cannot even provide shelter from the cold wind. Despite her horrid circumstances, the film chronicles her incredible perseverance and strength as she attempts to get a job that will provide food and rent money for her desolate family to survive.
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He gives us a Paris neighborhood for the underclass, a place where prostitutes take up their posts along the street and where young Moses (Pierre Boulanger in a first time role) watches them ply their trade from his modest apartment where he lives with his father (Gilbert Melik). Instead of wanting the latest board game or bicycle he's seen in a store, this 13-year old develops a strong hankering for one of the women on the street. Driven by hormonal awakenings, he breaks open his piggy bank and bravely offers what it contained to the lady of his dreams. She turns him down, but he's taken for deflowering by another streetwalker with a more generous attitude.
Continue reading: Monsieur Ibrahim Review