An impressive cinematic experiment, this film is worth seeing for its big concept and documentary touches, even if the narrative is frustratingly underdeveloped. We can actually see the passage of time, as the cast and crew shot this fly-on-the-wall drama over five years. So it's a shame there's so little going on to hold our interest.
The story takes place in rural Norfolk, where Karen (Henderson) is struggling to take care of her four young children (played by the four Kirk siblings, using their own names). Her husband Ian (Simm) is in prison, and taking the kids to visit him is a big outing. Things get easier when he's transferred to a lower security location and given weekend passes to visit his family. But as the years pass, the children grow up and Karen and Ian's relationship begins to shift. And for help, Karen befriends a local man who fills Ian's upcoming release with mixed emotion.
Winterbottom assembles this as an intriguing blending of the kitchen-sink drama (most notably portrayed through Michael Nyman's surging score) and a grainy, hand-held documentary. There is no shape of a plot to speak of, and few significant events along the way. Essentially, the film is merely examining these four children as they age over five years, which is rather astonishing as we've never seen it captured on film like this. Their scenes with Henderson and Simm are especially well-played, beautifully revealing the affection and tension between parents, children, spouses, brothers and sisters. Even though we never find out why Ian was imprisoned, Simm gives him a quiet realism that plays nicely opposite Henderson's superbly underplayed exhaustion.
Continue reading: Everyday Review
Viv (Driver) is an unorthodox drama teacher at a Swansea school, where she encourages her students to express themselves. But this causes problems when Davey (Barnard) keeps getting knocked back by his crush Stella (Branch), Kenny (Evans) hangs out with a band of skinhead thugs, Jake (MacKay) starts seeing this sister (Nixon) of his best pal (Byard), and Evan (Harries) realises he doesn't like girls. As their class production, a rock-infused version of The Tempest, approaches, everyone will need to take a stand. And it could get rather messy.
Continue reading: Hunky Dory Review
At the center are three sisters lookin' for a little love and compassion. Perky Soho waitress Nadia (Gina McKee, Croupier), her hair punked out in cute rabbit ears, indulges in the lonely hearts club of personal ads for Mr. Right, or at least a decent lay. Abrasive, no-nonsense hairdresser Debbie (Shirley Henderson, Topsy-Turvy) settles into a tract of not taking shit from anyone, especially her irresponsible ex, Dan (Ian Hart, Spring Forward). He can barely be counted on for weekend visits to their teenage son (Peter Marfleet). Molly (Molly Parker, Waking the Dead) is very pregnant and needs a little support from her friends, especially when her husband (John Simm) goes through a mid-life career meltdown.
Continue reading: Wonderland (2000) Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...