Into the Wild Green Yonder, the final-for-now Futurama DVD movie, comes closest to realizing the near-infinite potential of Groening's intricate and inventive world on a narrative level. It begins with a familiar yet, as before, somewhat dissonant approach to a feature-length rhythm: The first 20 minutes, featuring Bender the robot running afoul of the robot mafia in the newly renovated Mars Vegas, more closely resemble a stand-alone episode than just about anything else from the other DVDs.
Continue reading: Futurama: Into The Wild Green Yonder Review
Beast picks up on a dangling plot thread from Score and runs with it; when the Planet Express crew ventures out to investigate a tear in the space-time continuum, they and the rest of Earth (eventually) encounter an encompassing, tentacle-heavy alien life form called Yivo (voiced -- also eventually; Futurama movies offer plenty of skillful digressions -- by David Cross). Yivo's methods are reminiscent of Invasion of the Body Snatchers; its motivations, though, have the murky mix of creepiness and hope more akin to a particularly odd Twilight Zone episode.
Continue reading: Futurama: The Beast With A Billion Backs Review
Early in Bender's Big Score, a direct-to-DVD revival of the Futurama universe, Groening and his brainy writers have their revenge: Hubert Farnsworth (voice of Billy West) reveals that the "moronic" executives who briefly ran Planet Express, the interplanetary delivery service where all of the main characters work, were not only "themselves fired for incompetence," but beaten up pretty badly, and eventually killed and ground into a fine pink powder. Apparently those imaginary higher-ups (of the "Box Network," naturally) are indispensable in this form, as Torgo's Executive Powder appears throughout the film, put to a variety of uses including fish food, glue, and relieving jock itch.
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GUY #1: I don't know how he doesn't sleep with Famke Janssen in that movie, it's friggin' mystifying to me. She's all legs and hair.
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Lo, who plays Dwayne, uses these circumstances to attempt an original look at families and their identities, but his basic concepts are better than their execution. The effort is certainly worth noticing -- his script is an impressive debut, trying to flesh out nine closely-knit characters -- but some stale and predictable presentation drags down a strong idea.
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