Anita Ekberg, one of the most celebrated beauties of classic Hollywood, has died.
Anita Ekberg, the actress who danced in the Fontana di Trevi in Federico Fellini’s film “La Dolce Vita,” has died at the age of 83. Ekberg had been hospitalized recently after a series of illnesses, her lawyer, Patrizia Ubaldi told the Associated Press. She died at the Rocca di Papa Hospital in Rome.
RIP Anita Ekberg, best known for her iconic role as "the most wonderful woman created since the beginning of time" pic.twitter.com/PQUD1MrZTm— BFI (@BFI) January 11, 2015
Continue reading: Anita Ekberg, Star Of "La Dolce Vita" Dies Aged 83
Admirers of Bacall's effortless style can say a final farewell to the actress at her FIT exhibition next spring.
Lauren Bacall, the Hollywood icon, who died this week at the age of 89, will receive a glamorous, comprehensive exhibition of her style through the years. Next spring, The Museum at FIT, in cooperation with students learning how to curate, will put on focused on five designers who helped define Bacall's personal style, her classic, seductive looks and subtle masculine energy.
Bacall defined a unique, smart and sensual style in the mid-20th century.
The exhibition will Bacall’s fashion favorites – Ives Saint Laurent and Norman Norell gowns, the kind of pieces the actress wore with grace and confidence.
Lauren Bacall should have the 'Oscar winner' Lauren Bacall.
After over 40-plus years as one of Hollywood's leading ladies, Lauren Bacall - who died on Tuesday (August 12, 2014) aged 89 - had to wait until 1997 for her first Oscar nomination. The 72-year-old had turned in a tour-de-force performance in Barbra Streisand's The Mirror Has Two Faces - out-acting the screen legend herself, as well as Jeff Bridges and Pierce Brosnan.
The Inimitable Lauren Bacall [Getty/1954]
Bacall was considered a shoo-in to win the Academy Award (think Daniel Day-Lewis for Lincoln) after winning best supporting actress at the Golden Globes and Screen Actors Guild Awards, but things didn't go to plan on the night. As has happened so often since, the Academy picked its movie of the year - The English Patient - and ran with it, dishing out awards for what seemed like the entire cast. Though what on paper appeared a mere formality became one of the biggest shocks in Oscars history - the French actress Juliette Binoche winning best supporting actress for Anthony Minghella's romantic drama. Bacall's attempt at "I'm happy for you" applause became one of the most talked about moments of the ceremony.
Continue reading: March 24, 1997: The Day Lauren Bacall Was Robbed Of An Oscar
Another one of Hollywood's classic icons, Lauren Bacall, had died.
More tragic news from Hollywood this week – actress Lauren Bacall has died at the age of 89. Bacall is one of the most recognized faces from the golden age of Hollywood and an actress hailed for her grace, wit and stunning looks. The actress’s own presence and sense of self never failed to match the celebrity of Humphrey Bogart, to whom she was married until his death in 1957. The Bogart estate announced that Bacall had died Tuesday at her apartment in the Dakota, according to the New York Daily News.
Bacall was one of the icons of her generation and Hollywood in general.
Tall, slender and confident, Bacall was always one to grab the attention of those around her. But it was her tough, no nonsense attitude, that friends and colleagues remember her by. Having grown up in the Bronx, Bacall became the “dame-est of the dames” as actor John Cusack put it in his tweet on Tuesday.
After the tragic loss of American screen and stage actress Lauren Bacall, fans leave flowers and momentos on her Hollywood walk of fame star - Los Angeles, California, United States - Tuesday 12th August 2014
Roger Corman and Lauren Bacall - Roger Corman, Lauren Bacall and Gordon Willis Hollywood, California - Academy Of Motion Pictures And Sciences' 2009 Governors Awards Gala - Arrivals held at Grand Ballroom at Hollywood & Highland Center Saturday 14th November 2009
As is explained by a pair of FBI agents, a walker is the title given to men who escort women of great importance (and elderly age) from here to there in the ladies' leisurely days of lunching and shopping. Like other men in his profession, Carter Page III (Woody Harrelson) has the breeding and education that the career demands and his taste in fashion and furniture is impeccable; he's also a flagrant homosexual. He shuttles away from his one-day-a-week job as a real estate insider to meet up with the likes of Lynn Locklear (Kristin Scott Thomas), the wife of a senator, and Abigail Delorean (Lily Tomlin), the wife of Washington's most powerful fixer (Ned Beatty).
Continue reading: The Walker Review
Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.
Continue reading: Birth Review
Picking up after the violent ending of Dogville, we catch up with Grace Mulligan (Bryce Dallas Howard, replacing Nicole Kidman) as her and her father (Willem Dafoe, replacing James Caan) end up at a small southern plantation named Manderlay. A young, black woman runs up to the car, yelling and crying about how they are going to whip Timothy (Isaach De Bankole). Stopping the car immediately and running onto the plantation, against her father's wishes, she finds that Manderlay is a plantation that still employs slavery. Seeing this as a grave injustice, Grace takes a few of her father's goons and starts running the plantation more like a business, making the white owners work while the slaves are given freedom to go about as they please, receiving shares in the crop's revenue. The slaves are led by Willhelm (Danny Glover), an older man who used to serve Mam (Lauren Bacall), the head of the plantation. As things progress, a dust storm, a child's death, the execution of an elder and Grace's slowly unraveling lust for Timothy start raising the issue that maybe things were better as they were.
Continue reading: Manderlay Review
Predictability reigns for much of the film, because we've seen the story far too often before. A stranger comes to town where the residents are skeptical of outsiders. She proceeds to go out of her way to ingratiate herself, they finally accept her, and then show their true colors against her of what they fear to inflict on one another due to extended co-habitation. The dysfunction turns into a gang of all versus one, regardless of any normal sense of morality, which they are able to slowly rationalize. On the one hand, the unhurried process through which this evolves respects the fact that nobody changes actions or views over night. But because we know it's going to happen, the path to getting there feels arduous.
Continue reading: Dogville Review
Lars von Trier's peculiar compulsion to humiliate his heroines (and by extension the actresses who play them) has finally crescendoed to a deafening din of indiscriminate, exasperating martyrdom in "Dogville," a daring experiment in heightened performance and minimalist filmmaking that is fatally undermined by the Danish writer-director's conceit as a narrator.
His last four movies ("Breaking the Waves," "The Idiots," "Dancer in the Dark" and now "Dogville") have all dealt largely with the psychological (and sometimes physical) torture of vulnerable female protagonists. While his storytelling and cinematic style are almost always compelling, he's never seemed so arbitrary in his sadism than in this allegory of a beautiful, 1930s flapper fugitive hiding from the mob in a ragged, remote, austere Colorado mountain hamlet, where the tiny populace goes from distrustful to accepting to maliciously cruel on little more than von Trier's say-so.
Played with discernible dedication by Nicole Kidman, Grace is a porcelain enigma of self-flagellation so determined to escape some kind of shadowy past that, in exchange for the skeptical township's shelter, she agrees to indentured servitude -- doing handy work, favors and manual labor one hour a day in each of the seven households. She gradually comes earn the friendship of all -- even those most reluctant to accept her.
Continue reading: Dogville Review
Similar to Princess Mononoke and Spirited Away, Hayao Miyazaki's Howl's Moving Castle is a sumptuously...