The stars of the upcoming adaptation of 'Romeo and Juliet' Douglas Booth, Hailee Steinfeld, Ed Westwick, Damian Lewis and Paul Giamatti as well as costume designer Carlo Poggioli and Nadja Swarovski of Swarovski Entertainment Ltd. talk about the new movie in a short featurette.
Continue: Romeo And Juliet - Featurette
Romeo and Juliet are two young lovers whose lives together cannot escape their inevitable tragic fate. They are from opposite feuding families; Romeo is a Montague while Juliet is a Capulet. They meet and fall immediately in love when Romeo sneaks into the Capulet family ball and they soon vow to be married. Unfortunately, their happy matrimony does not last long when Romeo is forced to kill a relative of hers who challenges him and he is subsequently banished from Verona. Juliet, meanwhile, is being forced to marry another man against her wishes. Blinded by her misery, she accepts the help of Friar Laurence who offers to help her fake her own death so that she and Romeo may elope. However, after a cruel twist of fate, Romeo fails to receive word of the plan and discovers his wife apparently dead in her tomb. The grief that ensues becomes the deadly fate for this star-crossed couple.
Continue: Romeo and Juliet Trailer
It all starts with Thierry (the great André Dussollier), a realtor trying to find an apartment for Nicole (Laura Morante) and her contemptible husband Dan (Lambert Wilson). Thierry is harboring yearnings for his secretary Charlotte (Sabine Azéma), whose scattershot persona lends itself both to the religious and the carnal. Charlotte's night-job finds her taking care of the curmudgeonly father of bartender Lionel (Pierre Arditi) while he is serving drinks to Dan and Thierry's sister Gaelle (Isabelle Carre) at a classy hotel bar. All of this is connected by Charlotte's bible, a mysterious videotape of a woman go-go dancing and the search for a perfect apartment.
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Set in Paris's small theater district, the movie tracks the intersecting lives of a virtuoso pianist, a successful actress, and a rich old art collector, each of whom is facing a huge life change. The connections between them are facilitated by Jessica (Cécile De France), a young and innocent country girl who has arrived in the big city and taken a job at an atmospheric cafe patronized mainly by the artistic types who live and work nearby.
Continue reading: Avenue Montaigne Review
The film opens interestingly, almost Matrix-like, as a woman (Arly Jover) is seen undergoing some kind of treatment for amnesia -- she can remember just about everyone except her husband. Increasingly suspicious and susceptible to flashbacks, she help from a psychiatrist who turns her on to the scars behind her ears and on her scalp. An x-ray reveals she's full of metal pins. Someone has done a major plastic surgery number on the gal. An hour into the 128-minute affair we get the film's primary revelation: Jover's Anna was once Turkish!
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In this outing, all four family members are dropped right in the middle of their respective crises: Dad (Fabrizio Bentivoglio) is rekindling an affair with an old girlfriend (played by Monica Bellucci, who could possibly blame him?), while Mom (Laura Morante) is tentatively dipping a toe into the world of acting. Sis Valentina (Nicoletta Romanoff) is the proto-teen who hates everything and dresses like a whore -- and she's trying to become a dancer on TV... and what good could come of that? Then there's brooding Paolo (Silvio Muccino, Gabriele's kid brother and a regular in his films), who can't score with the girls and seems on the verge of suicide from frame one.
Continue reading: Remember Me, My Love Review
Slow is the best description for the film at first. It takes its time in establishing the habits of what appears to be a normal, happy family. Father and mother both work but still find the time to support their son and daughter through homework and after school activities. They laugh, spend free time together, and reprimand the kids for innocent wrongs with a sigh and soft pat on the shoulder. You get the feeling there is open communication and unconditional love amongst the foursome.
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To set the tone, Malkovich begins by taking us on a long truck ride through the mountains of South America. The countryside is beautiful and we are treated to long, wide-angle shots of the truck weaving its way along the base of snow-capped peaks. The passengers listen quietly to a broadcast of Nina Simone babbling to an audience as she prepares to sing her next song. Everyone seems calm, if not peaceful. And then, without a word, the driver guns the engine and slams the vehicle into a policeman standing at a hillside checkpoint. It's this sort of unexpected violence that returns again and again during the first half of the movie. Children blow up their fathers, cars careen into restaurants, politicians are executed on stage in theaters. And, as Inspector Rejas (Javier Bardem) soon learns, these are just the early signs of what could end up being a much bloodier revolution for the impoverished country.
Continue reading: The Dancer Upstairs Review
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