Laura Harring

Laura Harring

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Laura Harring - Premiere of AMC's 'The Night Manager' at the DGA Theatre - Arrivals at DGA Theater - West Hollywood, California, United States - Tuesday 5th April 2016

Laura Harring
Laura Harring
Laura Harring
Laura Harring
Laura Harring
Laura Harring

Laura Elena Harring - The premiere of AMC's 'The Night Manager' at the DGA Theater - Arrivals - Los Angeles, California, United States - Tuesday 5th April 2016

Laura Elena Harring
Laura Elena Harring
Laura Elena Harring
Laura Elena Harring
Laura Elena Harring

Laura Harring - Los Angeles premiere 'She's Funny That Way' at Harmony Gold - Arrivals at Harmony Gold - Los Angeles, California, United States - Wednesday 19th August 2015

Laura Harring
Laura Harring

Laura Harring - Laura Harring grabs a yoghurt in Beverly Hills - Los Angeles, California, United States - Monday 17th August 2015

Laura Harring
Laura Harring
Laura Harring
Laura Harring
Laura Harring
Laura Harring

Laura Harring - MAXIM Hot 100 Celebration Event - West Hollywood, California, United States - Tuesday 10th June 2014

Laura Harring
Laura Harring
Laura Harring

The Caller Review


Weak
Richard Ledes's cool and haunted neo-noir The Caller at least for half its running time goes down like a smoky Old Fashioned. But as the film winds down, the cocktail turns out to have been mixed with a vat of cheap bourbon.

Frank Langella, in all his icy glory, plays Jimmy Stevens, a meticulous and cultured executive from a nefarious international energy conglomerate called the EN Corporation. The EN Corporation has committed atrocities in South America that Jimmy could not abide, and he has blown the whistle on their corporate evils. But since the corporation has its agents everywhere, Jimmy knows he is doomed and, with a slump of his shoulders and deep sigh, he awaits his impending assassination (in Red Bank, New Jersey no less).

Continue reading: The Caller Review

Nancy Drew Review


Very Good
After watching the postmodern teen-detective stars of Brick and Veronica Mars, reviving Nancy Drew, girl detective, might seem a redundant, backwards task. The trailers for this project appeared in line with those expectations, casting Nancy in what looked like a snarky, reductive fusion of The Brady Bunch Movie and Mean Girls: the '50s-style sleuth adrift in cynical modern (which is to say, imminently outdated) high school.

But Andrew Fleming's take on Nancy Drew turns out to be a snappy charmer. Though the film takes place in the present, Nancy's life could still be described by the MPAA tags on a trailer for a PG movie: mild peril, brief teen partying; she hasn't been glammed into 2007. But the film uses this mildness to its advantage, starting with the decision not to play Nancy's old-fashioned virtues -- lawful curiosity, modest fashions, and an unfailing politeness even in the face of peril -- for satire. That is not to say that Nancy (Emma Roberts, niece of Julia, son of Eric) isn't oblivious to modern life; she knows about iPods and laptops. She's just old-fashioned (she prefers vinyl and books), which makes her dedication to old-timey detecting (or "sleuthing," as she calls it) all the more individualistic, even touching, as well as sweetly funny.

Continue reading: Nancy Drew Review

Derailed (2002) Review


Terrible
Proving that her brazen performance in Mulholland Drive was a total fluke, Laura Harring's sad attempt at acting in this Jean-Claude Van Damme vehicle is nonetheless the best part of the movie. At least she has personality, if you catch my meaning.

Sadly, this apparent remake of Under Siege II, if you can believe that, has a speeding train, a biological weapon as cargo, terrorists, and Van Damme to muck up the operation. With all the usual atrocious dialogue ("We've got to clear the tracks now... and call the World Health Organization!"), awful effects (some of the worst bluescreening I've ever seen, and isn't that the cutest little model train???), and of course, fisticuffs (poor Van Damme isn't getting any younger), this is one bad, bad movie.

Continue reading: Derailed (2002) Review

Willard Review


Good
A pallid complexion, stuttered speech pattern, and naturally creepy persona have prevented Crispin Glover from achieving leading man status over the course of his 20-year career. Best known as George McFly from Back to the Future, Glover's main challenge lies in finding the right role for his unmistakable screen presence.

One such role is Willard, an introverted loner who discovers an innate ability to control rats. When the original Willard was released in 1971 with Bruce Davison in the title role, Glover was seven years old and probably horrifying a helpless babysitter. Thirty-two years later, with this remake from director Glen Morgan, the actor finally sinks his teeth into the role of his lifetime.

Continue reading: Willard Review

The Punisher (2004) Review


Bad
Over the course of two hours, the Punisher, Marvel Comics' black-clad antihero (played by Thomas Jane -- now rebranded as "Tom Jane") kills more people than cardiovascular disease. Bad guys get their head split in two, knives in the throat, and shot in all kinds of sensitive places. So, why will action junkies, like myself, feel like they've been duped? Read on.

The plot stars promisingly enough. Frank Castle (Jane, *61, The Sweetest Thing) is an FBI undercover agent, the kind of guy who's so good that the Bureau moves him around for his own protection. At his final job in Tampa, he busts up a major weapons deal that kills the son of powerful crime lord Howard Saint (poor, poor John Travolta).

Continue reading: The Punisher (2004) Review

The King Review


Very Good
The creepy prodigal son tale The King takes a young sailor (just out of the navy) named Elvis, sends him to find his father, a born-again preacher who never married Elvis' mom (a whore), then falls in love with the preacher's teenage daughter (his half-sister), and somehow never descends into sheer idiocy. This may be pulp material, but the telling is first-rate.Elvis is played by Gael Garcia Bernal, who, in his second English-language role, absolutely walks away with the film. His Elvis is an intriguing blank from the get-go, striding off his ship and back into the world with just a small bag of clothes and a his M1 rifle (how he was able to smuggle this out of the military so easily is never quite clear). In a sharply-edited opening sequence - first-time feature director James Marsh has a tight hold on his material - Elvis heads to his childhood home of Corpus Christi, visits a hooker, buys a car, checks into a motel, and finds his father, all with the same determined yet casual expression on his face; just checking things off his list. His father, David Sandow (William Hurt, managing not to overact for once, even with the bad facial hair and deep Texas accent) is a preacher at a small church where his teenage son plays uptempo Christian rock songs and service times are announced outside on a garish red LED display. When Elvis finally confronts his estranged father, Sandow acknowledges that that was a different time in his life and tells Elvis in no uncertain terms to stay the hell away from his family.Elvis is nothing, however, if not determined. He starts shadowing the Sandows, quickly befriending, and then seducing, their 16-year-old daughter Malerie (a sunny Pell James). The fact that this is his half-sister doesn't seem to bother Elvis one bit. He's content to work his pizza delivery job, assist Malerie in some good old-fashioned pastor's daughter rebellion, and worm his way ever closer into their lives. It's easy to see how Malerie falls for Elvis. Bernal's insistently cheery and earnest demeanor would, when used to full effect, melt the iciest of hearts. It's a sublimely subtle performance, likeable to the extreme, yet showing a flicker of sociopathy every now and again to keep everything unhinged just enough.Marsh co-wrote the elegant script with Milo Addica, a co-writer on Monster's Ball, a film which shares with this one a red-state setting and certain bloody sense of fate. They aren't afraid to upturn audience expectations on a dime and to plummet very quickly into surprisingly dark places. It's a gorgeously shot film, with some of the outdoor scenes shared by Malerie and Elvis holding a sun-soaked youthful beauty that recalls Badlands. Like Malick, the filmmakers are digging at the malevolence behind the beauty, a malevolence that they unleash later on with a disturbingly calm fury.This is not to say that The King doesn't occasionally take things too far. The stabs at black humor are mostly mistimed and the film almost blows it completely by laying on the Biblical overtones with a trowel. It's not a story easily shaken, however, or easily pigeonholed, inhabiting instead a bright and evil category all its own.King and queen.

The Punisher (2004) Review


Bad
Over the course of two hours, the Punisher, Marvel Comics' black-clad antihero (played by Thomas Jane -- now rebranded as "Tom Jane") kills more people than cardiovascular disease. Bad guys get their head split in two, knives in the throat, and shot in all kinds of sensitive places. So, why will action junkies, like myself, feel like they've been duped? Read on.

The plot stars promisingly enough. Frank Castle (Jane, *61, The Sweetest Thing) is an FBI undercover agent, the kind of guy who's so good that the Bureau moves him around for his own protection. At his final job in Tampa, he busts up a major weapons deal that kills the son of powerful crime lord Howard Saint (poor, poor John Travolta).

Continue reading: The Punisher (2004) Review

Mulholland Drive Review


Good
[In the spirit of competition, we present a rare filmcritic.com double review on David Lynch's sure-to-be-controversial Mulholland Drive as well as a feature discussion about the film. For additional, alternate looks at films, check out our feature "Respectfully, Yours." -Ed.]

Christopher Null, not overly impressed

Continue reading: Mulholland Drive Review

Loco Love Review


OK
Comparisons will be drawn to My Big Fat Greek Wedding, but nothing could be further from the truth.

Laura Harring (Mulholland Drive) is about the only thing memorable about this ethnicified update of The Taming of the Shrew, with -- get this -- a poor Mexican lottery winner (dig the mustache) setting up his down-and-out former employer (Roy Werner) into an arranged marriage with his sister (Harring), stuck in Mexico and lacking a green card. Eventually everyone moves into Donald's (Werner) house, but Donald's psychotic ex-wife gets in the way.

Continue reading: Loco Love Review

John Q Review


Bad

From its very first scene, "John Q" feels as if it's designed to put a choke leash around your neck so director Nick Cassavetes can give it a good, hard yank whenever he wants you to feel something.

In this opening scene we watch a pretty blonde in a white BMW passing cars on a winding mountain road with a double yellow line. I'm sure I don't have to tell you what's coming, but Cassavetes toys with the viewer, dragging out a couple close calls to make your heart race before -- whammo! Squashed blonde.

What does this have to do with a movie about factory worker Denzel Washington taking over an emergency room at gunpoint to get his dying son a heart transplant? You guessed it -- the girl's an organ donor. But "John Q" doesn't get back to her until 10 minutes before the end of the movie. Cassavetes just puts it at the beginning for shock value.

Continue reading: John Q Review

Laura Harring

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Laura Harring Movies

Nancy Drew Movie Review

Nancy Drew Movie Review

After watching the postmodern teen-detective stars of Brick and Veronica Mars, reviving Nancy Drew, girl...

Willard Movie Review

Willard Movie Review

A pallid complexion, stuttered speech pattern, and naturally creepy persona have prevented Crispin Glover from...

The Punisher (2004) Movie Review

The Punisher (2004) Movie Review

Over the course of two hours, the Punisher, Marvel Comics' black-clad antihero (played by Thomas...

The King Movie Review

The King Movie Review

The creepy prodigal son tale The King takes a young sailor (just out of the...

The Punisher (2004) Movie Review

The Punisher (2004) Movie Review

Over the course of two hours, the Punisher, Marvel Comics' black-clad antihero (played by Thomas...

Mulholland Drive Movie Review

Mulholland Drive Movie Review

[In the spirit of competition, we present a rare filmcritic.com double review on David Lynch's...

The Punisher Movie Review

The Punisher Movie Review

Stone-cold antihero vigilante Frank Castle (Thomas Jane) begins this adaptation of Marvel comics' morose cult...

John Q Movie Review

John Q Movie Review

From its very first scene, "John Q" feels as if it's designed to put a...

Mulholland Drive Movie Review

Mulholland Drive Movie Review

I have only one complaint about the latest of David Lynch's B-movie noir flicks for...

Willard Movie Review

Willard Movie Review

Could there be any dobut that a horror movie starring kooky, uncanny string-bean Crispin Glover...

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