The mood here is a mix of solemnity and sensuality -- the sisters' relationships are by turns abusive, loving, and tormented -- but Bergman's emphasis on deep reds and blacks throughout emphasizes the split between Marie and Karin much too formally. Moreover, the hushed, interior tone fails to generate much drama, and the tension never explodes as it does in a much better Bergman '70s drama, Autumn Sonata. But it has the benefit of some tremendous performances, particularly from Ullmann and Kari Sylwan, who plays the family's indomitable caretaker, Anna. And Sven Nykvist's cinematography, particularly in the exterior shots, have a pastoral, painterly grace.
Continue reading: Cries And Whispers Review
The plot is simplicity itself. The Rosenbergs (played by Liv Ullman and Max von Sydow) are a youngish couple enjoying average happiness on an island that's part of a larger, unnamed country. (The fact that Bergman chooses not to specify the film's setting, nor to clarify the conflict that follows, contributes to the film's surreal yet universal feel.) Both are musicians; they farm a little, too, and they drive their ailing truck into town to sell their produce. It's not an idyllic existence, exactly; the two are not above bickering, for instance, and in their discontented moments they may feel that they've settled for something. But it's essentially (and believably) a happy life.
Continue reading: Shame Review
Played by Bergman regulars Max von Sydow and Liv Ullmann, the couple quickly -- inside an hour and a half -- comes completely apart as von Sydow's visions become indistinguishable from reality. Hour of the Wolf has been described as Bergman's only horror film and that's not far from the mark, with creepy characters and imagery pervading the entire second half of the movie.
Continue reading: Hour Of The Wolf Review
And then it kind of vanished. That's not to say that you couldn't, with some effort, get your hands on a copy of the American release. But Bergman's original vision - the five-hour Scenes - joined the company of fabled films, such as von Stroheim's Greed, that lived a high life in film criticism while going largely unseen by film enthusiasts. Criterion, with its new, three-disc DVD edition of the original TV series, plus the American theatrical version, restores a great film to the shelves.
Continue reading: Scenes From A Marriage Review