Jane Adams, Sophia Takal, Kent Osborne, Larry Fessenden and David Siskind - Jane Adams, Sophia Takal, Kent Osborne, Larry Fessenden, David Siskind Saturday 3rd November 2012 AFI Fest - 'All The Light In The Sky' - Special Screening - Arrivals
Claire and Luke (Paxton and Healy) aren't taking their last weekend on the job seriously. The hotel they work in is closing, so they're trying to finally get proof of a legendary ghost. They only have two guests: an angry mother (Bartlett) and her young son (Schlueter). Then a former actress (McGillis) arrives, who turns out to have some psychic abilities. And an older man (Riddle) also checks in, asking for a specific room on the closed-off floor.
Meanwhile, Claire is starting to think that the ghost might be real.
Continue reading: The Innkeepers Review
After his family is killed, teen Martin (Paolo) is taken under the wing of Mister (Damici), a gruff hunter who mercilessly stalks vampire/zombies. As they cross middle America in search of a rumoured safe zone called New Eden, they meet a friendly nun (McGillis), an ex-marine (Nelson) and a hot pregnant teen (Harris). They also run afoul of an extremist religious cult led by the vicious Jebedia (Cerveris), who believes the vampires are God's judgement on society.
And he starts hunting the hunters.
Continue reading: Stake Land Review
Williams plays the distraught Wendy, who finds herself desperately searching for her dog Lucy in a small town in suburban Portland, Oregon. Her shabby clothing, ramshackle hygiene procedures and ruffled bob of emo-black hair designate her as part of a burgeoning class of nomadic neo-hippies and wanderers, but she has ambition, yearning for a job and a warm place to come home to. Early on, Wendy -- on the run from something, we never know exactly what -- encounters a pack of fellow drifters -- Joy's Will Oldham naturally plays the alpha named Icky -- who point her towards fishery jobs in Alaska. She begins to count her money and things look OK, but then she is busted for stealing dog food from a local supermarket, an act that sets off a set of relatively minor but nevertheless tragic happenings that keep Wendy from leaving Portland and drain her wallet.
Continue reading: Wendy and Lucy Review
Derrick, who's the father of twin toddlers, calls himself a "visionary" and plans to get his GED to get the hell out of Brooklyn and go to college. (He's amused to find two army recruiters waiting to talk to all the test takers as they leave the exam room.) Tico sees a future in small-time drug dealing, and with bills to pay, Derrick reluctantly joins him. In one great scene, the two find themselves dealing at a quintessential Williamsburg hipster loft party. They clearly feel out of their element when surrounded by a bunch of overprivileged and overdressed white kids slumming on their streets.
Continue reading: Liberty Kid Review
Larry Fessenden, Kelly Reichardt and Will Patton - Larry Fessenden, Kelly Reichardt and Will Patton New York City, USA - New York Film Festival 2008 - Premiere of 'Wendy and Lucy' - arrivals Saturday 27th September 2008
Clearly drawing heavily on films like John Carpenter's The Thing as inspiration, Fessenden builds his characters from the ground up before hurling them to the wolves. He's helped by a cast that's sharp as a tack, particularly the roaring and bear-like Ron Perlman as Ed Pollack, an oil company operative gung-ho on getting machinery up to their station as quick as possible, by any means necessary, and screw the environment. Facing him are a couple of "green flags" -- one of whom is the gloomy notebook scribbler, scientist James Hoffman, played close to the vest by the always reliable James LeGros -- environmental do-gooders hired by the company as sort of eco-fig leaves whom they want to pressure to sign off on impact statements so the drilling can begin. In between are Abby Sellers (Connie Britton), a tough-as-nails type caught in a love triangle, the dazed and confused mechanic Motor (Kevin Corrigan, nailing it), and their Native American cook Dawn Russell (singer Joanne Shenandoah).
Continue reading: The Last Winter Review
After seeing Steve Buscemi's sophomore directorial effort, Animal Factory (following 1996's Trees Lounge), I nearly reconsidered choosing film criticism as a career path. For the first hour of this film, it seemed the way to go was to become a convict. (By the way, ma, they don't call 'em inmates in the pen, they call 'em convicts.)
Continue reading: Animal Factory Review
Five irresponsible late-twentysomething mommies meet at an El Cheapo Mexican restaurant to splurge on $2 Margaritas. What better way to hang on to their last vestige of rebellious slacker spirit? They drink to each other's health or bitch about the state of affairs while their two-year-old babies crawl around under the table having tea parties. It's pretty goddamned cute without being precious or sentimental.
Continue reading: Margarita Happy Hour Review
River of Grass, set amidst the endless weeds of the Florida Everglades, features to go-nowhere losers, a bored mother named Cozy (Lisa Bowman) and a homeless loser named Lee (filmmaker Larry Fessenden). They happen upon one another and decide, almost by accident, to head off on a new life of adventure (and crime, thanks to a stolen gun and an accidental murder) on the open road. Alas, they don't get far: They don't even have a quarter for the toll road. (And they didn't even kill the guy, either.)
Continue reading: River of Grass Review
The imagination is a powerful tool, untrustworthy but also oddly protective. When you're a child, sometimes it's all you have to shield you from the hard, cold facts of reality. Eight-year-old Miles (Erik Per Sullivan, The Cider House Rules) is our perceptive guide into the world of the unknown during a long weekend trip to snowy Vermont. Real danger comes into his path when his father, George (Jake Weber, The Cell), hits a deer, leading to an apprehensive confrontation with angry backwoods hunters. These men with guns want some retribution for losing their prize -- the antler has been cracked. As Kim (Patricia Clarkson, The Pledge) tells her son not to worry, we wonder whether writer-director Larry Fessenden is taking us into unsettling Flannery O'Connor territory.
Continue reading: Wendigo Review
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