I'll admit now that I wore an "I killed Laura Palmer" t-shirt thoughout my freshman year of college. Am I embarrassed by that now? Yes, but not as much as you'd think. Twin Peaks was a bona-fide phenomenon, the most subversively popular thing of its day and still a brainy-slash-guilty pleasure with few equals.
Continue reading: Twin Peaks: The Complete Series Review
Rifkin wrote the film when he was 19 and probably had it sitting in his proverbial "back pocket" just waiting for the day he had enough clout and experience to get it made. Judd Nelson (great when playing bizarro characters) stars as Marty Malt, a garbage man who moonlights as a terrible stand up comedian. His pal Gus (the seemingly ubiquitous Bill Paxton -- was he in every quirky '90s flick?) thinks Marty's actually pretty funny, but he's really the only one. Worse than Marty's shtick are his attempts at romancing Rosarita (Lara Flynn Boyle).
Continue reading: The Dark Backward Review
The catch: Cassel's only doing it on a bet that he can turn any old jerk into the toast of the Cannes film festival.
Continue reading: Cannes Man Review
And so this straight-to-DVD-after-five-years-on-the-shelf flick would be dismissed as a pale imitation of In the Company of Men, if only it weren't written and directed by a woman, Allison Burnett. And not only is she a woman, she's the very woman who wrote both Bloodsport III: Forced to Fight and Autumn in New York!*
Continue reading: Red Meat Review
Rudolph makes movies about characters living out their fates in ways we often understand and see in ourselves. And though his characters come off as real, his movies seem contrived, sliding between the edges of sweet and biting, while running off on tangents that both intrigue and bore. All at the same time. It's a disorientation he relishes: his view of life and how people really behave. With movies like Choose Me, Trixie, Investigating Sex, and The Secret Lives of Dentists, Rudolph's career is a living, breathing embodiment of quixotic variability.
Continue reading: Afterglow Review
And so Will Smith and Tommy Lee Jones return to their black suits in one of the most uninspired sequels in recent memory, going through the motions while spouting one-liners en route to encounters with familiar characters at the familiar locations which made the original Men in Black so endearing.
Continue reading: Men In Black II Review
Happiness has been mired in controversy for the entire year, and not without good reason. Put simply, Happiness is one of the most shocking films I've ever seen - this from a man who adores A Clockwork Orange.
Continue reading: Happiness Review
The most memorable television I watched in my teens consisted primarily of those "not ready for prime time players" at Saturday Night Live. They had cutting edge music and hosts who could act. Not to mention they had talented writers, including Michael Myers and Dana Carvey. Carvey had the Church Lady and Myers had Dieter and Simon. And when they worked together to produce the Wayne's World sketch, I never thought I'd love a pair of naïve losers more.
Continue reading: Wayne's World Review