Lance Henricksen

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The Terminator Review


Essential
I'll never forget the first time I saw James Cameron's The Terminator. I must have watched that movie at least 100 times during my youth. But during the 101st viewing, the VHS copy I stole from my uncle Dave's video collection was eaten by my crappy old-school, top-loading VHS player. Damn, that sucked.

The Terminator stands as a personal favorite. Schwarzenegger was in his prime in the 1980s -- in guilty pleasures like Commando, Raw Deal, Predator, Conan The Barbarian, and The Running Man. But he gave many kids my age something to hang on to during the Reagan years. Schwarzenegger was our generation's John Wayne, a muscle-bound bodyguard extracting his own kind of vengeance from a cold and dangerous world. He was always the good guy, but it's almost ironic that his first indelible impression on our minds was that of a killer robot from the future sent back in time to murder a hot coffee shop waitress.

Continue reading: The Terminator Review

The Terminator Review


Essential
I'll never forget the first time I saw James Cameron's The Terminator. I must have watched that movie at least 100 times during my youth. But during the 101st viewing, the VHS copy I stole from my uncle Dave's video collection was eaten by my crappy old-school, top-loading VHS player. Damn, that sucked.

The Terminator stands as a personal favorite. Schwarzenegger was in his prime in the 1980s -- in guilty pleasures like Commando, Raw Deal, Predator, Conan The Barbarian, and The Running Man. But he gave many kids my age something to hang on to during the Reagan years. Schwarzenegger was our generation's John Wayne, a muscle-bound bodyguard extracting his own kind of vengeance from a cold and dangerous world. He was always the good guy, but it's almost ironic that his first indelible impression on our minds was that of a killer robot from the future sent back in time to murder a hot coffee shop waitress.

Continue reading: The Terminator Review

Scream 3 Review


Grim

The minute Kevin Williamson said no to writing "Scream 3," that should have been the end of it. The only thing that made "Scream" special in the first place was the writer's dark, self-aware wit regarding the conventions of the cheesy teen horror genre.

But then, Williamson had already run out of steam when he wrote the series' second installment, which was little more than an unnecessarily convoluted, workaday slasher flick with a couple well-placed sardonic remarks.

Continuing the decline, now comes "Scream 3," which Wes Craven -- the director of the whole series -- swears will be the last one. Good thing, too.

Continue reading: Scream 3 Review

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