Lana Turner

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Imitation of Life (1959) Review


Weak
Douglas Sirk's Imitation of Life sadly doesn't hold a candle to the 1934 original, which spoke to the difficulties of single parenting, race relations, and American entrepreneurship. By making lead Lora (Lana Turner) an actress instead of a pancake magnate, Sirk's film is robbed of much of the story's charm, turning this into some strange rendition of Mommie Dearest.

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The Bad and the Beautiful Review


Excellent
This biting behind-the-scenes look at Hollywood is as sharp as they come. Opening on the funeral of a producer, the film follows three people as they spew vitriol on the man. Kirk Douglas and Lana Turner are particularly fun. Hollywood wouldn't be skewered this horribly again until The Player, 40 years later.

The Postman Always Rings Twice (1946) Review


Excellent
Lana Turner - or, more precisely, her legs - are the star of the first film adaptation of James M. Cain's classic novel, released in 1946. Frank Chambers, a restless drifter, arrives in a roadside restaurant run by Nick Smith (Cecil Kellaway). A tube of lipstick drops from the counter and rolls slowly to the feet of Nick's wife Cora (Turner). So begins one of the most lascivious upward pans of '30s and '40s film, climbing up Turner's legs and torso to her lit-from-the-inside golden-tressed face. There's more eroticism in that moment than in most of Bob Rafelson's ill-advised 1981 remake, which pretended to be a sexier, lustier adaptation.

The plot of Postman is, indeed, sexier than usual - the perceived naughtiness of Cain's original, excellent novel got it a "Banned in Boston" stamp. But toned down for the screen, Postman is mainly an excellent noir that's fueled by one of John Garfield's best performances. As Frank and Cora fall deeper into their romance, they begin to plan doing away with Nick. The first attempt sadly and (thanks to a clumsy shot of an electrocuted cat) hilariously fails to take, but the second works out ghoulishly. From there, the story becomes a noir classic of shifting loyalties, betrayal, and paranoia. Few actors of the time were as good as portraying the decent man in a conundrum, but there's something about the combination of Garfield's mannish broad shoulders and childish eyes that make him perfect for noirs. Body and Soul is his finest hour, but Postman is worth Garfield as well.

Continue reading: The Postman Always Rings Twice (1946) Review

Lana Turner

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