Lamar Trotti

Lamar Trotti

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Drums Along The Mohawk Review


Excellent
For a beaten-down film critic as myself, the best thing about attending The New York Film Festival is not to get a jump on feature film releases that will quickly show up in local theaters a few days after their festival premieres, but to savor those obscure, febrile marvels of classic cinema that for whatever reasons (neglect, deterioration, ignorance) have been shuttled aside or locked away in film vaults to make way for the latest De Palma monstrosity, a fawning Las Vegas comic tribute documentary, or the most recent Sylvia Miles comeback film.

The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.

Continue reading: Drums Along The Mohawk Review

In Old Chicago Review


Weak
You know the O'Learys? Who had the famous cow that started the Chicago fire?

Well, this is not their story.

Continue reading: In Old Chicago Review

Young Mr. Lincoln Review


Good
Considering the legacy of films left by the great John Ford (The Man Who Shot Liberty Valance, The Searchers, The Grapes of Wrath), it's a little strange that Criterion chose Young Mr. Lincoln as the first of his films to get the luxe treatment it typically provides. I'm willing to bet that most moviegoers -- even cinefiles -- haven't seen the film, and I'd wager that few have ever even heard of it.

Nonetheless, here we are, with a mid-career, highly fictionalized story about Abraham Lincoln's days as a kid with gumption and a desire to become a lawyer, despite never attending law school for the training. The first of the film gives us Lincoln (Henry Fonda, with the perfect haircut for the job) losing his first love and meeting Mary Todd, then starting up a bootstrap law practice where his primary means of settling disputes is the threat of kicking his clients in the rump.

Continue reading: Young Mr. Lincoln Review

Young Mr. Lincoln Review


Good
Considering the legacy of films left by the great John Ford (The Man Who Shot Liberty Valance, The Searchers, The Grapes of Wrath), it's a little strange that Criterion chose Young Mr. Lincoln as the first of his films to get the luxe treatment it typically provides. I'm willing to bet that most moviegoers -- even cinefiles -- haven't seen the film, and I'd wager that few have ever even heard of it.

Nonetheless, here we are, with a mid-career, highly fictionalized story about Abraham Lincoln's days as a kid with gumption and a desire to become a lawyer, despite never attending law school for the training. The first of the film gives us Lincoln (Henry Fonda, with the perfect haircut for the job) losing his first love and meeting Mary Todd, then starting up a bootstrap law practice where his primary means of settling disputes is the threat of kicking his clients in the rump.

Continue reading: Young Mr. Lincoln Review

The Ox-Bow Incident Review


Extraordinary
Clocking in at just 75 minutes long, The Ox-Bow Incident is one of the shortest "classics" ever.

The story is simple and devastatingly tragic: In an old west town, word spreads that a well-liked rancher has been murdered and his cattle stolen. Before you know it, a lynch mob is formed and the cowboys head into the night to find the killers.

Continue reading: The Ox-Bow Incident Review

In Old Chicago Review


Weak
You know the O'Learys? Who had the famous cow that started the Chicago fire?

Well, this is not their story.

Continue reading: In Old Chicago Review

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