Wong's fan base may be most surprised at the stillness of this new entry. Putting aside the hyperkinetic blurry visuals of his earlier works, Wong favors careful compositions and warmer lighting. If this film were in black and white, it might be confused for early Bresson. Wong shoots entire scenes of Love in static, pristine minute-long takes emphasizing the distant spatial relationships between a handsome young man, Mr. Chow (Tony Leung, Hard Boiled) and a beautiful young woman, Mrs. Chan (Maggie Cheung, Irma Vep).
Continue reading: In the Mood for Love Review
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