Ryuhei (Kagawa) manages a busy office and is so stunned when he's made redundant that he doesn't tell his wife Megumi (Koizumi). He pretends to go to work every day, hanging out near a homeless centre with an unemployed friend (Tsuda). Meanwhile, Megumi is battling her own inner demons, wishing her life wasn't so dull. And their sons have problems too: teen Takashi (Koyanagi) decides to join the US military in Iraq, while preteen Kenji (Inowaki) spends his lunch money on piano lessons, discovering that he's a prodigy.
Continue reading: Tokyo Sonata Review
Entering the office one day, Ryuhei (Teruyuki Kagawa), husband and father of two, finds his job thrown to a younger man and his new place at the back of the unemployment line. He goes home and acts as if nothing happened, even helping a fellow severed salaryman with his own charade. Meanwhile, his eldest son (Yu Koyanagi) thinks his best place is in the U.S. Army, serving the Iraq Occupation. On the other hand, his youngest son (Kai Inowaki) takes his lunch money and begins taking piano lessons. Ryuhei approves of neither.
Continue reading: Tokyo Sonata Review
It's a shame, too, because computer-centric horror is usually a good bet for ridiculousness. Here, the computer stuff isn't detailed enough to really bug the geeks; they'll be too busy pointing out how the movie's screenplay could be improved, and how Kristen Bell takes one of the most disappointing baths in horror history.
Continue reading: Pulse (2006) Review
Communication breakdown is Pulse's primary preoccupation, an infectious ailment that spreads throughout Tokyo like a plague - or, more aptly, like a computer virus, as a program on botanical nursery worker Taguchi's (Kenji Mizuhashi) floppy disk seems to spark a chain of catastrophic web-based events involving forlorn ghosts. When Taguchi goes missing from work, colleague Michi (Kumiko Aso) visits his apartment, where a disheveled Taguchi - when his guest's back is turned - uses a rope for fatal purposes. Examining the disk her friend had been working on, Michi and friend Junco (Kurume Arisaka) discover a haunting image of Taguchi's flat in which a computer screen projects the identical scene they're looking at, as well as a shadowy spectre staring into another monitor. Not long afterwards, Michi's television goes haywire (while a newsman discusses a long-lost communiqué) while her other co-worker Yabe (Masatoshi Matsuo), after receiving anonymous phone calls from someone pleading "Help me," unlocks a mysterious room whose doors are sealed with red duct tape. And in a concurrent storyline, technophobic economics student Kawashima (Haruhiko Kato) teams up with a computer lab worker named Harue (Koyuki) after stumbling upon a strange website called The Forbidden Room which depicts fuzzy people somnolently moving about their tiny abodes.
Continue reading: Pulse (2001) Review
Two go-nowhere factory workers are content to make moist towelettes by day, sit around their apartment by night. One fellow is slowly acclimating a jellyfish from salt water to fresh. That's the extent of the excitement.
Continue reading: Bright Future Review
The killings haunt detective Takabi (Koji Yakusho), not least because he worries about the safety of his wife, a disturbed woman who is prone to become disoriented and lost when out of the home. The first half of the 1997 thriller Cure, directed by Kiyoshi Kurosawa (no relation) and now available stateside on DVD, details the crimes themselves, revealing the true culprit in the killings and showing the ways in which this murderous cipher gets inside his subjects' heads. The second half is about the detective, and about his struggle to keep the villain out of his own head.
Continue reading: Cure Review
Continue reading: Doppelgänger Review
Once a fire fighter, always a fire fighter.
Today (September 14th) marks the 25th anniversary since the album's 1993 release.
Labrinth has teamed up with Sia and Diplo to form a new supergroup: LSD.
The Struts teamed up with Kesha for a red and gold themed music video as part of their collaboration on 'Body Talks'.
Sometimes actors are not acting.