Kieu Chinh

Kieu Chinh

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Kieu Chinh - 'Till We Meet Again' premiere at the Egyptian Theatre in Hollywood - Los Angeles, California, United States - Tuesday 20th October 2015

Kieu Chinh

The Joy Luck Club Review


Excellent
SCENE: Two guys shooting baskets at a basketball court. The conversation is mundane, until GUY #1 starts talking about movies.

GUY #1: I don't know how he doesn't sleep with Famke Janssen in that movie, it's friggin' mystifying to me. She's all legs and hair.

Continue reading: The Joy Luck Club Review

Catfish In Black Bean Sauce Review


Good
Now here's an unconventional family for the new decade: two Vietnamese siblings are brought up in California by a black couple; sister Mai marries an Asian, and brother Dwayne's getting engaged to an African-American woman (Love and Basketball's Sanaa Lathan). While this is juicy enough, first time writer/director/actor Chi Moui Lo throws some real spice into his comedy-drama mix: Mai (The Joy Luck Club's Lauren Tom) has found her Vietnamese birth mother, and is bringing her to the States.

Lo, who plays Dwayne, uses these circumstances to attempt an original look at families and their identities, but his basic concepts are better than their execution. The effort is certainly worth noticing -- his script is an impressive debut, trying to flesh out nine closely-knit characters -- but some stale and predictable presentation drags down a strong idea.

Continue reading: Catfish In Black Bean Sauce Review

Face (2002) Review


OK
The concept of "losing face" is the titular reference made by Bertha Bay-Sa Pan's Face, the story of three generations of Chinese-American women living in Queens (during both the 1970s and 1990s) whose lives are forever altered by an adherence to outmoded beliefs. Earnest and intermittently poignant despite its obvious construction, Bay-Sa Pan's drama is yet another in a long line of cinematic stories about immigrant families struggling to simultaneously assimilate and retain their ethnic heritage. And while it brings little freshness to the burgeoning sub-genre, this minor film - mildly affecting even considering its uneven performances and some grating use of music - nonetheless conveys the intractability of long-held attitudes and the frequent impossibility of cross-generational reconciliation.

The life of demure, respectful teenager Kim (Bai Ling) is forever altered when, after being raped by acquaintance Daniel (Will Yun Lee), she discovers she's pregnant and is forced by her mother Mrs. Lieu (Kieu Chinh) - who blames Kim for the situation, and who's eager to minimize her own dishonor - to marry her spiteful attacker. Desperate to escape this miserable betrothed life, Kim eventually snaps, leaving the baby girl in her mother's care before fleeing for Hong Kong. Nineteen years later, Kim returns to Queens to attend her resentful daughter Genie's (Kristy Wu) high school graduation, only to find tradition-rejecting history repeating itself. Ignoring her grandmother's disapproving stance toward anything modern or American, Genie surreptitiously wears belly shirts that display her forbidden naval piercing, hangs out with non-Chinese friends, and has begun dating Michael (Anthony "Treach" Criss, frontman for Naughty by Nature), an African-American DJ whose skin color makes him, in the eyes of Genie's elderly guardian, an unacceptable boyfriend.

Continue reading: Face (2002) Review

Kieu Chinh

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Kieu Chinh Movies

Catfish In Black Bean Sauce Movie Review

Catfish In Black Bean Sauce Movie Review

Now here's an unconventional family for the new decade: two Vietnamese siblings are brought up...

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