Elizabeth McGovern, Kevin McNally , Phyllis Logan - Opening night for Broadway musical School of Rock at the Winter Garden Theatre - Arrivals. at Winter Garden Theatre, - New York City, New York, United States - Monday 7th December 2015
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
Continue: Legend - First Look Trailer
One dark night in 19th century Baltimore, a woman and her young daughter are found brutally murdered. The girl was stuffed into the chimney, while her mother's throat had been slashed. Upon inspecting the crime scene, the police are astonished to discover that the murder is exactly like a murder in a story by an unpopular citizen and struggling author, Edgar Allen Poe.
Continue: The Raven Trailer
The trailer for the fourth instalment from The Pirates Of The Caribbean franchise has arrived! Captain Jack Sparrow once again takes to the high seas in an adventure that's sure to be immensely entertaining. When a beautiful yet deadly woman from Jack's past appears once again, he's unsure of her intentions but once she forces him to join her on the ruthless Blackbeard's ship called Queen Anne's Revenge asking to find the infamous fountain of youth, he knows there's sure to be plenty of danger ahead. Not only that but the captain also finds himself in the much colder climates than he's used to when his quest takes him to London.
Like a symphony that's incomplete because all the notes aren't available, what I didn't get out of this is a three-dimensional portrait of the subject. The show, structured as a dead or dying man's vision of his life played out like a movie and stage production, is loaded with talent and a detailed recreation of his period. The portrayal of the swank, rich life is as festive to behold as it is off-putting. The world in which Porter whirls and commands with assured, inevitable success is an alien one. Rather than feel a part of it, we are there to revel in the entertainment.
Continue reading: De-Lovely Review
Stop me if you've heard this one before: Two crazy girls overhear a crime going down, then decide to turn the tables on the criminals by extorting some cash for themselves. Hilarity ensues! Oh, you have heard it... well this time it's different -- you see, one girl is British and one is American.
Continue reading: High Heels And Low Lifes Review
"This is one of those avant-garde things, is it?" says a droll, dubious and dying Cole Porter (Kevin Kline) as he sits in an empty theater at the beginning of "De-Lovely," watching his life pass before his eyes on the stage, in a production conducted by an enigmatic, ironic, ethereal director named Gabe (Jonathan Pryce).
The answer to his question is a delighted "yes." This film is an imaginative, deconstructionist, celebratory musical biography woven together from elements of theater, meta-cinema, chamber drama and Porter's own MGM musicals with gratifying -- if deliberately glossy -- results.
Kline opens the picture as a frail but feisty old man (the age makeup is remarkable) who, as he watches his own story unfold, is alternatively tickled ("Oh, look, it's an opening number!"), critical ("He'd never wear that! Change it."), fondly reminiscent and pained by regret. And the actor also plays the younger Porter in the bulk of the picture, which has a merry, dreamlike quality to its stop-and-start interactions with the elderly Porter and his theatrical spirit guide.
Continue reading: De-Lovely Review
I have two things I need to get off my chest right off the bat about "High Heels and Low Lifes." The first is, I'm dumbfounded that nobody at Hollywood Pictures was bright enough to catch and correct the grammatically erroneous title. Call it a pet peeve, but "Lowlifes" is one word, for cryin' out loud.
The second is, despite the fact that I'm about to rip into this picture for its non-stop, intelligence-insulting assault of idiotic clichés, plot holes, predictability and common sense chasms, "High Heels" has such an infectious, lively spirit that I wish it could have been better.
Minnie Driver and Mary McCormack play ditzy post-feminist pals living in London, who inadvertently overhear the coordination of a overnight bank heist on surveillance equipment belonging to Driver's lousy live-in boyfriend. (He's a wannabe avant-garde artist working on an "urban noise symphony" that includes snippets of intercepted cell phone calls.)
Continue reading: High Heels & Low Lifes Review
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The BBC drama starring Aidan Turner returns to BBC One on September 4th.
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Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins...
One dark night in 19th century Baltimore, a woman and her young daughter are found...
The trailer for the fourth instalment from The Pirates Of The Caribbean franchise has arrived!...
This amazing true story is based around the life of Colonel Claus von Stauffenberg, a...
In a darkened room an elderly man sits at a piano. He's barely outlined by...
If you're at all intrigued by the idea of High Heels and Low Lifes, I...
"This is one of those avant-garde things, is it?" says a droll, dubious and dying...
I have two things I need to get off my chest right off the bat...