Rick is one of the hottest screenwriters in Hollywood but after the death of his brother he finds himself becoming absorbed into a world of parties, drinking and excess. Parties are part of the norm for Rick but after the loss of his brother he finds himself evaluating his life and what it all means.
Spiralling uncontrollably his only real solace comes from short lived relationships with women, but each relationship actually brings Rick a little closer to the closure he seeks.
Knight Of Cups is the new film from Terrence Malick (The Tree of Life & The Thin Red Line)
There's a loose charm to this comedy that disarms the audience, raising smiles instead of laughter as three nutty characters swirl around each other. But writer-director Andrew Bujalski (Computer Chess) seems happy to just let things meander without much sense of momentum and no real underlying point. So the characters become less endearing the more we get to know them.
It's set in a gym in Austin, Texas, where the dim owner Trevor (Guy Pearce) has a dream to create the ultimate holistic fitness centre, a goal constantly belittled by his sharp-tongued employee Kat (Coby Smulders), a fitness-obsessed personal trainer with whom he once had a brief fling. Their newest client is the recently wealthy Danny (Kevin Corrigan), who is just looking for ways to spend money and kill time. But Kat once again blurs professional boundaries, and Danny sacks her. Trevor steps in, offering Danny some whole-life training, which inadvertently convinces Danny to invest in his super-gym, working through a quirky lawyer (Giovanni Ribisi) and an estate agent (Constance Zimmer) who happens to be Trevor's current squeeze. What could possibly go wrong?
Bujalski reveals details about each character slowly, with back-stories and flashbacks thrown randomly into the unfocussed narrative. The film has a brisk pace, but is fairly aimless until more details are revealed about these people. Pearce is very funny as the too-serious Trevor, and his earnestness is the perfect foil for the cynical Kat, who is played with stinging cynicism by the up-for-it Smulders. The problem is that while their mutual physical attraction is believable, the underlying romance isn't. And while Corrigan completes the triangle nicely, he's so disinterested in everything and everyone that it's difficult to imagine him ever developing a proper friendship. Thankfully, the interaction is packed with barbed wit and some intriguingly dark emotion.
Continue reading: Results Review
Kevin Corrigan - A variety of stars were snapped as they arrived for the Closing of The 2015 Tribeca Film Festival and to celebrate the 25th Anniversary of 'Goodfellas' in Manhattan, New York, United States - Saturday 25th April 2015
Many people would love to be rich and still have plenty of free time, but for Danny (Kevin Corrigan), it is a living hell. He may be newly rich, but he's also recently divorced, and his bank account does little to help him in the dating game. When he decides to attend a fitness class, he meets Trevor (Guy Pearce) - the lively and energetic personal trainer. He also meets Kat, (Cobie Smulders), and finds himself immediately attracted to her. But when the three of them are forced into a professional relationship with one another, it is their personal feelings which begin to clash.
Continue: Results Trailer
In a dark and corrupt world, the rich and powerful are the bad guys, while those who strive to bring them down are destined to fail. With sin and vice running wild, the dirty police force are pushed into a war with the criminals they have spent so long supporting. Cymbeline (Ed Harris) is a powerful drug lord that one day decides he no longer wants to pay the police for their protection, pushing both sides to put their financial goals aside and embark in a bitter and desperate battle to rid the world of one-another.
Continue: Cymbeline Trailer
Peter Lake is a wanted burglar in a desperate struggle to escape an old gangster boss of his, Pearly Soames, in the cruel world that is 1916. One day, he breaks into a dazzling mansion that he thinks is empty, but then discovers the owner's beautiful daughter Beverly Penn at her piano who appears unafraid of him. Struck by her beauty, he embarks on a whirlwind romance with her that is marred when Peter discovers that she is dying of consumption. That's not the only thing Peter has to contend with as Soames repeatedly tries to kill him, but to no avail as Athansor, a white horse and guardian angel, is always there to save him. During one of those rescue feats, Peter finds himself in modern day Manhattan without a clue who he is and with no signs of aging. Determined to use this to his advantage, he sets out to save the one person he still remembers.
This heart-breaking fantasy romance is based on the novel of the same name by Mark Helprin and has been adapted to screen by Oscar winning director and writer Akiva Goldsman ('Batman Forever', 'I Am Legend', 'The Da Vinci Code'). Not to be confused with the Shakespearian play of a similar name, 'Winter's Tale' is a tremendous story of reincarnation and eternal love and will released in UK cinemas on February 21st 2014.
And the biting script never pulls its punches, leaping us laughing at the audacity while making a serious point.
Aladeen (Baron Cohen) is the pampered dictator of Wadiya, who travels to New York to tell the UN to stop nosing around his nuclear "energy" plants. But his Uncle Tamir (Kingsley) is plotting to kill him and replace him with a double who will sign a democratic constitution essentially selling the country to oil companies. Aladeen manages to escape, but no one recognises him cleanly shaven, so he teams up with health-food activist Zoey (Faris) and a countryman (Mantzoukas) to get his country back.
Continue reading: The Dictator Review
General Aladeen is the ruler of a country called Wadiya. However, he is not a fair ruler, he is a dictator and his reign over Wadiya becomes cause for concern for the United Nations, who holds a meeting to discuss the future of the country. General Aladeen is told to attend, so he travels to America, determined not to introduce democracy into his country. While in America, he also wanders around in New York and ends up in bed with a shocked Megan Fox.
Continue: The Dictator Trailer
Ridley Scott has a good thing going here, tossing these two Hollywood bigshots into the ring and letting them play cops and robbers while he slathers on the period detail with a trowel. There's some serious Superfly outfits (including a godawful $50,000 chinchilla coat that plays a surprisingly key part in a plot twist), a generous helping of soul music, enough fantastic character actors to choke a horse (Idris Elba, Jon Polito, Kevin Corrigan, an incredibly sleazy Josh Brolin, and so on), the specter of Vietnam playing on every television in sight, and the odd enjoyment one gets from watching cops in the pre-militarized, pre-SWAT days take down an apartment with just revolvers, the occasional shotgun, and a sledgehammer to whack down the door. Scott's smart enough to let the story cohere organically and without rush, keeping his main contenders apart for as long as could possibly be borne, making them fully developed characters in their own right and not just developed in opposition to the other. But there's something in this broad and expansive tale that can't quite come together, and it seems to start in Denzel's eyes.
Continue reading: American Gangster Review
Ethan Hawke (Training Day) courageously attempts to capture the essence of what makes this landmark so addictive in his directorial debut, Chelsea Walls. A collage of character plotlines that only barely intersect, Chelsea is a unique and respectable experiment in its focus on an inanimate object as its central character. Backed by a score that appropriately feels as if it were written while observing the production, Hawke creates an environment easily accessible to both New Yorkers and the non-initiated.
Continue reading: Chelsea Walls Review
The last place I'd expect to see a Shakespearean adaptation of Macbeth to occur would be in a backwater town in the middle of Pennsylvania circa 1972. But it provides a dark and menacing backdrop to this loose - and do I mean loose - adaptation of Shakespeare's ever-popular tragedy of a incompetent husband and power-hungry wife weaving murderously toward power and riches.
Continue reading: Scotland, PA Review
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