The film starts with a quick meet-cute at an American consulate 4th of July barbecue in Dubai, where MI-6 agent Ray Koval (Clive Owen) is flirting with Claire Stenwick (Julia Roberts). He doesn't figure out that she's a CIA agent until much later, long after she absconded from his room with a parcel of secret documents and he has woken up from the drugs she knocked him out with. Years later, the two are thrown together again when Koval takes a private security job with Equikrom -- a Unilver-like corporate giant that produces everything from shampoo to diapers -- only to find Stenwick already in place as a deep-undercover operative working for rival firm Burkett & Randle, which is on the brink of a delivering a paradigm-busting new product that Equikrom wants badly.
Continue reading: Duplicity Review
Gray, recently appearing with The Yards at the Boston Film Festival, based his tale of New York City subway vendor corruption on his own father's experiences. The filmmaker has given us a well-composed script, deftly flowing through intertwining relations of families, friends, enemies, and politicians. He sustains a hopelessly dim design throughout the film, even having the mind to steal wonderfully from a few Godfather scenes (he claims by accident), and lifting Gordon Willis' outstanding cinematography with his DP, Harris Savides (on purpose). Gray's direction gives us an overriding sense of doom that retains suspense far beyond that of a second-time filmmaker (his first being 1994's grim Little Odessa). But all that is nothing without Mark Wahlberg.
Continue reading: The Yards Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...