Kerry Heysen

Kerry Heysen

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No Reservations Review


Good
Amidst the action-adventure blockbusters and schlocky teen horror of summer, we always get, for better or worse, the requisite Hollywood warm-weather date movie. No Reservations may live up to its ancestry, and while that isn't saying a whole lot, it's still a relatively sweet, if predictable and overly slick, romance.

Catherine Zeta-Jones plays Kate, a control-freak chef so tightly wound it's a wonder she doesn't pop in the steam of her kitchen. Despite her position as reigning queen of the Manhattan foodie set, her killer West Village apartment, and the fact that she looks like Catherine Zeta-Jones, Kate is a sad sack; she does not really exist outside of her job and her employer-ordered therapy (Kate also has a temper, see, when anyone, customers included, question her perfection).

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Hearts in Atlantis Review


Weak
The entire time I spent watching the latest Stephen King big-screen adaptation Hearts in Atlantis, I had this nagging feeling in the back of my mind that something was missing. All the key elements of a potentially great film were present -- authentic-looking 1960s Americana scenery, great acting by Anthony Hopkins and newcomer Anton Yelchin (Delivering Milo), an intriguing story line, and strong directing by Scott Hicks. And then, at the end of the film, it just hit me like a sap across the back of the neck.

One common recurring narrative in many of King's better-known novel-to-screen adaptations -- such as Stand by Me, The Green Mile, and The Shawshank Redemption -- incorporates an older gentleman recalling his youth or a life-changing incident of his life. Hearts in Atlantis follows this to a tee. After learning of a childhood friend's death, a middle-aged photographer Robert Garfield (David Morse) ventures back to his hometown for the funeral. Upon arrival, Robert recalls memories of youth and of one innocent, fateful summer when a mysterious man named Ted Brautigan (Hopkins) entered his life and changed it forever.

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